Analysis Of Nietzsche's Full Fathom Five

Jackson Pollock was not known for painting images, that's because he didn't use a brush He believed the brush would interfere with the dripping of the paint. Instead Jackson used a stick to pour paint onto the canvas. He would change the color, type of paint, and the thickness of the paint as the work progressed. Therefore, the painting would reflect the movements of his arm and body as he applied the paint. The activity of the painting would become part of the painting itself. That style of painting is called action painting. Jackson Pollock was the first "all-over" action painted just like Cernuschi stated on page 67 in his book Meaning and Significance, "He painted no image, just action." It looked like Pollock almost imitated a dance. Pollock dripped paint all over the canvas, but always had total control of where the splash of paint would be. That is how he got his nickname "Jack the

Van Gogh achieved the mood of sadness depression and despair in his piece of art through lines. The use of lines in his piece of art represents depression, sadness or dark times. By how the artist created his main characters-prisoners. Van Gogh created them all curved and created their poses look despair and doomed. Besides poses the artist created some of the faces of prisoners. Their facial expressions look tired of jail and their countless

3-1: Compare and contrast the use of lines in the works of Vincent van Gogh and Sol LeWitt. Lines can express many things. Like Vincent Van Gogh artwork lines can express emotion, and feelings of the artist at that time. Vincent Van Gogh “The Starry Night” is example of that. He used loose and free drawing lines. The lines looked as they were out of control and free. Vincent Van Gogh used thick, bold strokes of the paint brushes to show a certain “body” of their own which is known as impasto. It was consistent through he’s artwork so it was like a signature he used. Since Van Gogh was placed at a mental facility. He painted “The starry night”. The swirls in the paint seem anger and full of emotion properly from being placed in this place.

Jackson Pollock was a legendary, novel, abstract expressionist who has created numerous paintings through his drip-style, action painting technique (Goodnough, 2012). Theosophical influence arose from Phillip Guston and Thomas Hart Benton, while in the early stages of the artist’s life. Muralists, such as Jose Clemente Orozco and Diego Rivera were also admired and studied by Pollock. He was captivated by the unorthodox techniques of David Alfaro Siqueiros which contributed to the abstract style of Jackson Pollock (Solomon, 1987).

“Like the American Indians who let sand run through their clenched fists to make very artistic patterns and circles at their feet, Pollock created tangled webs of proliferating lines, curves, swirls and patches in pure paint” (Köster & Röper, 2006, pp 152).

As far as I know the Apollonian and the Dionysian are both the sons of (God of the sky’s) Zeus, Apollonian is the god of reason and the rational, while the Dionysian is the god of the irrational and chaos, and that is coming from the Greek mythology. From that mythology I understand that the Apollonian is based on reason and the logic thinking, and the Dionysian is based on chaos and

Both artists giving the most of what was inside of them, being frenziness, religion and their own abstract views on life and how we should see it. Van Gough and Pollock were compared to other painters, and these two in particular have low-level discriminative features in their paintings. Each artist uses their brain in a different way, it’s based on what their brain sees not what the eyes see. Both paintings have a low-level in image features, but higher- level in discriminative

Progress is complacency. Mankind lazes around in the incandescent knowledge of ostensible progress, illiterate in the true nature of man. Progress is movement towards a destination, not a destination in and of itself. Presently, our world has progressed only marginally since the 19th century, when the world of enlightened thinkers shifted away from Nihilism towards Modernism. Friedrich Nietzsche, one of the seminal thinkers of the era, rejected nihilism and the essence of life. For Nietzsche, “we are simply random gatherings of molecules that cohere and experience consciousness for a short time before dissolving again into nothingness” (Backman, 860). An assorted collection of Nietzsche’s texts, including The Gay Science and ‘Good and Evil,’ ‘Good and Bad,’ suggest that Nietzsche would be inordinately condemnatory of the present state of the West, incredulous to the false notion– myth¬– of progress. Undergirded by democracy, “a political system that gives fools an equal share of influence” (Backman, 861) Nietzsche would argue that Western society has eschewed

In 1939, Jackson Pollock entered psychotherapy for his alcoholism. For him, the doctors saw that producing artwork could serve as a means of therapy for his problem with alcohol. His alcoholism would later come back to haunt him and his works in later years and become the cause of his ultimate demise.

In Friedrich Nietzsche’s philosophical work, Twilight of the Idols, Nietzsche has strong opinions on the belief of virtue and instinct. Nietzsche is known to be a controversial philosopher, since he goes against the Christian church and its ideals of human nature and indulgence. Another thinker known to speak of human nature is the Greek philosopher Socrates. Socrates finds disparity within human nature and knowledge. Both philosophers examine life and its characteristics and what it means to live. However, their opinions on life and how a person should carry their lives is extremely disparate.

Aggressive and harsh, raw in colour, the texture thick and heavy as if it had been relentlessly worked and re-worked over again and again. Pictures don't have the delicacy of Pollock's. Shapes are vaguely suggestive , pressed together, brush strokes are dense

Taking following extreme cases of abstraction, when speaking of Pollock’s work such as his ”Autumn Rhythm” (1950), we realize how the visual formed is fully based on science and gravity that permits the dripping and pouring of the paint on the horizontal canvas. But, by walking around/on the canvas we can argue Greenberg’s analysis and suppose that the painter possibly connects with it, he gets drowned in the act and merges inside the painting while mechanically pouring paint on the canvas. This means that even though the painter tries to focus on the flatness of the painting rather than the content and is physically detached from the canvas, this focus cannot erase an emotional

White Light has numerous colors and one can estimate that there are seven colors seen with the naked eye red, yellow, blue, green, grey, white, and black, although tint and shade vary, some of the colors are darker or lighter in value due to the fact that they have been blended into one another. Determining the colors requires a person to look not only on the surface but analyze each layer to arrive at a conclusion of color usage. Pollock dripped paint onto the canvas straight from the tubes which the originated from. Those tubes were also used to create soft peaks and layers to make the artists’ work texturally as intriguing as the color choices. He also used a stick instead of a paintbrush to cast the mediums onto the canvas. Another interesting fact is that Pollock painted with his canvas on the floor to feel a direct connection with his art.

Friedrich Nietzsche was a 19th-century German philosopher and held in regard amongst the greatest philosophers of the early part century. He sharpened his philosophical skills through reading the works of the earlier philosophers of the 18th century such as Immanuel Kant, John Stuart Mill, Arthur Schopenhauer and African Spir; however, their works and beliefs were opposite to his own. His primary mentor was Author Schopenhauer, whose belief was that reality was built on the foundation of experience. Such as it is, one of his essays, Schopenhauer als Erzieher, published in 1874, was dedicated to Schopenhauer (Mencken, 2008). In the past two centuries, his work has had authority and influence in both

This masterpiece was painted by Van Gogh in 1889 while he was receiving treatment in Saint-Paul-de-Mausole, a mental asylum. The beautiful painting that many people have come to love today was never appreciated during its own time. Various art critics thought that the large brush strokes Van Gogh had made in Starry Night seemed “messy” and “childlike”. The strokes also convinced people that Van Gogh was truly crazy and that he was not as talented as other artists. Yet the pencil thick lines are what made the painting look hyper-realistic and eye-catching. They have a calming, consistent effect on people whose eyes want to follow the swirls and lines. The brush strokes that Van Gogh added more texture, detail, and blended the colors easily to one another in Starry Night. The realistic details make it feel as if the painting is trying to get a message across to the public. With every line that Vincent van Gogh had made he put as much feelings into them as he did with effort.