Analysis Of Nigel Westlake 's The Last Place On Earth And Jean Sibelius ' Finlandia

This activity challenged my critical listening skills and developed my ability to appraise music and use aesthetic sensitivity while concentrating on listening to identify the music elements. It was evident that the composer manipulates all the musical elements and qualities to accurately portray the narrative of the Moldau. Elements of music include duration, pitch, dynamic and expression, structure and style, timbre and texture (REF). For example, duration includes rhythm, beat, accent and tempo, that I was able to identify with the loud, triumphant calls of the hunter’s horn, the dominating French horns, and trumpets playing sharp, rhythmic notes. Also, pitch refers to the register of the note in a sound patter (REF). I was able to identify the cheerful mood of the melody that moves in an up and down pitch. Dynamics and expression are evident in the pattern of intensity and volume of the sound with loud trumpets as the river passes the rapids or the bassoon playing low and dark sounds that I thought contributes to dramatic

Through distinctive images composers develop interest, drawing the responder in and thus providing insight into the experiences of others. This is demonstrated in Amanda Lohrey’s novella ‘Vertigo’ as Luke and Anna find themselves in a new and disorientating environment as they attempt to build a new life and in the ‘The Red Tree’ composed by Shaun Tan, through the nameless girl’s journey as she attempts to find herself and her place in the world. Meaning created by distinctive images creates interest thus permitting the responder to gain a greater understanding on how the experiences help shape one’s self.

This composition consists of three movements of which we will further examine movement II, Adagio Cantabile. This movement is placed in high contrast with the other two, particularly in tempo.

Through studying and analyzing ‘Maestro’ ,written by Peter Goldsworthy, and by viewing and analyzing the film ‘Edward Scissorhands’ directed by Tim Burton, it is evident that the composers of these texts allow the audience to see distinctive experiences with our eyes as well as with our minds through distinctively visual. The many visual, written and literary techniques have the ability to create a significant and impacting visual.

Many composers use various techniques in which they communicate the distinctly visual. John Misto’s ‘The Shoe-Horn Sonata’ and Alexander Kimel’s ‘The Action in the Ghetto of Rohatyn, March 1942’ represent significant issues in our world by using various literary and dramatic techniques. Through using these techniques it is evident that the composers of these texts allow the audience to ‘see’ with our eyes as well as with our minds. The many literary and dramatic techniques have the ability to create a visual that

A composer depends entirely upon the nature of the film for all the clues needed to write a suitable score for a film. Brought into the production after a certain amount of film has been shot, the films concept will dictate how the composer will write the music. Whether based on the story line, or providing information by setting an atmospheric state, film music will always have different purposes between different films. Penguin Ballet by Nigel Westlake was composed to focuses upon the graceful, almost ballet like movements of the penguins underwater. Whereas, Writings on the wall by Sam Smith conveys ideas and messages which will be expressed throughout the film, especially through the use of lyrics. Although positioned within the film to provide contrasting messages, both these songs use similar musical elements to support the piece, and its position with the film. The discussion of this essay is that there are similarities between the musical elements that support the lyrics in a song and the action in a documentary. Through this, we will discuss the musical element’s of pitch, and timbre and texture.

September 11th, 2001 is a date that will be forever remembered by many. It was one of the most terrifying and horrendous days ever experienced in the United States. Just this one event impacted every American, as well as effected others all over the world in some type of traumatic way. Best known as, 9/11. It marked a time that changed society forever instantly.

The illustration in #7.16, Trestle Work, Promontory Point, Salt Lake Valley by Andrew J.Russell is an image of a railroad track connecting two paths with men working on the site. Russell believed that the west was a great location to conduct his work because of the openness and freedom that was out there. Also to observe the natural scenery that it has to offer, which many have traveled to obtain such freedom and visual aspects of nature. As for #7.17, El Eaches or Three Brothers by Carleton E. Watkins is a description of a landscape winter forest by a lake, his purpose for this image was to capture the viewer's attention with the richness and the detail of the forest. For an individual to absorb the composition of the mountains in the picture

Distinctively visual is not just about images but also the power of language that enables composers to transport us to their world, specifically to the place indicative of the time during which the text was written. Henry Lawson’s collection of short stories in particular ‘In a dry season’ and ‘The drover’s wife’ and my related text, Art Spigelman’s graphic novel ‘Maus’ bring their unique ideas to life shaping and challenging our perspective and understanding of various human experiences of pain, suffering ,courage, resilience and perseverance ultimately bringing personal and social issues to life.

The way in which composers convey their ideas is dependent on their use of distinctive visuals. Amanda Lohrey’s “Vertigo”, Tim Burton’s “Edward Scissorhands” and Bruce Dawe’s “Homecoming” show how the composers use the distinctively visual concept to portray a greater understanding to the audience of the themes and ideas presented in their work.

Distinctive images are often filled with various qualities, and these qualities often create interest and create unique experiences. The John Misto play ‘The Shoe Horn Sonata’ and the Craig Johnson film ‘The Skeleton Twins’ both demonstrate images which are distinct and help the audience figure out the two texts. Images, along with various film and dramatic techniques attract the eye and help give a positive response and often a feel of the characters and what is occurring. Without the use of images, the two texts and many other texts would not be distinctive visually.

It takes a monumental experience to recognise discovery and to that extent the composer’s manipulate their ideas on discovery and represent them in a way that is memorable. Robert Frost’s “Tuft of flowers”, “Mending wall” and Jean-Marc Vallée’s “Wild” have intertwining ideas of Nature and Relationships that leads to emotional and intellectual discoveries. In this speech I will present to you my understanding of how “Representations of discovery are made memorable through the composer’s ways of communicating”.

his book The World in Six Songs, Dr. Daniel J. Levitin explores how the influence of musical sounds on the brain has created and shaped human nature. He believes that the various functions of music have affected the evolution of human relations. These musical functions are performed by six types of songs: friendship, joy, comfort, knowledge, religion and love. He feels that anthropologists, archaeologists and psychologists have neglected to thoroughly investigate how music has contributed to the development of human nature. Levitin is a research scientist, a psychologist, an author, a professional musician and record producer, and also professor at McGill University where he heads the Laboratory for Music Cognition, Perception and Expertise. He has been published in both scientific and musical trade journals.

In Nature & Landscape: An Introduction to Environmental Aesthetics, Allen Carlson proposes that scientific knowledge can enhance our aesthetic appreciation of the natural world. He draws a connection between technical know-how used in the context of natural landscapes and art history or criticism in the context of conventional art forms. In either case, the viewer would find relatively more meaningful experiences of aesthetic appreciation than if one looked at a painting or landscape without any prior knowledge about it. Carlson endorses this point within his larger Natural Environmental Model, which asserts that though the environment is not entirely of our creation, it does not mean that we have to approach it without any prior understanding.

In 1984, an iconic song was created by two sensational artists Michael Jackson and Lionel Richie. A song they created inspired millions, originally created for people of Africa during the time of a horrific famine, was later recreated for the earthquake of Haiti. And for many years our world has been through so much trauma, trauma such as diseases, shootings, and devastating natural disasters. That song we know as “We Are The World” created such an inspiring notion that sparks to change our perspective of the world, how it is ours the children like Jackson said’ “ We are the world, we are the children” meaning we are all connected and the lyrics of this song represents that.