Analysis Of Norah Hoult 's ' Bridget Kiernan '

The setting of both stories reinforces the notion of women's dependence on men. The late 1800's were a turbulent time for women's roles. The turn of the century

Towards the end of the 1800s and into the beginning of the 1900s, the roles of women in society and in the family began to change drastically compared to what it had been in the past. Women were now allowed to own land, vote, and do more than cook and clean. Willa Cather and William Faulkner portray the roles of women in the early 1900s in their short stories, “Neighbor Rosicky” and “A Rose for Emily.” These short stories were both published around the year 1930. Because of what was happening in the US at the time, these stories are very good examples of the ways women were treated at this time.

There are certain ideals that need to be met while being in a relationship; they play concrete roles in the stability of the partnership. The idea of Edna being confined in a marriage with Mr. Pontellier who doesn’t

She is described to be keeping refreshments for travelers and entertaining guests. In addition she wears bright and colorful clothing, which is seen as scandalous to the Puritan community of New England. Bridget 's liveliness and happiness are foreign to the Puritan ideals of menial, hard work. Mrs. Bishop is noted by Reverend Hale, the local minister, as being a dangerous and corrupt influence to youths (Document H). Bridget Bishop is a middle-aged woman, and

Women working men’s jobs were not as welcomed in society as they were in factories. People held on to the belief that women should be house wives and not have to do much in the way of work. The man should provide for the family, and the women should take care of the family. Many of the women who worked were lower class and had to help provide for their families, or were the only providers for their families. Women who worked men’s jobs were looked down upon and thought to be no better than dirt. Although women working in factories were still women, men did not show them the same respect as they did a woman working as a secretary or teacher.

The life of a lady in the 19th century is painted in a romantic light. Pictured in her parlor, the lady sips tea from delicate china while writing letters with a white feathered quill. Her maid stands silently off in the background, waiting for orders to serve her mistress. What is not typically pictured, is the sadness or boredom echoed on the lady’s face. Perhaps the letter is to a dear friend, not seen in ages, pleading with the friend to visit, in hopes that the friend will fill the void in the lady’s life made from years spent in a loveless marriage; or possiblyk20 the lady isn’t writing a letter at all, but a novel or a poem, never to be read by anyone but her. Edith Warton and Charlotte Perkins Gilman, are 19th Century ladies who dare to share their writing with the world. Through their works, the darker side of a woman’s life in the late 1800’s is exposed. Gender politics in the 19th dictates that a lady is dependent on her husband for her financial security and social standing; that is if she is fortunate enough to marry at all. In Edith Warton’s The House of Mirth, Lily Bart is a beautiful woman in her late 20’s, who fails to marry a wealthy man. The narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper slowly goes insane under her physician husbands misguided attempts to cure her of depression. The downfall of Lily Bart and the narrator of The Yellow Wallpaper is

When the notorious topic of women’s role in society comes to mind writers like Kate Chopin and Mary Wilkins Freeman break the norms of how women in America were imagined to be through different cultures and regions. In both Kate Chopin’s and Mary Wilkins Freeman’s time period women are portrayed as an ample servant to their husbands. Together the texts show how the controlled understanding of the nineteenth century society, had on women. At that time of these writers, people were restrictive about the viewpoint of women’s place in society. Women could not really do much without their Husband or another male figure in their life , they really didn’t have a voice of their own. In the stories A New England Nun , Desiree’s Baby, The Story of an Hour, and The Storm, Mary and Kate have represented how this situation of the society affected women and their viewpoints about life and marriage.

During the early 1800's women were stuck in the Cult of Domesticity. Women had been issued roles as the moral keepers for societies as well as the nonworking house-wives for families. Also, women were considered unequal to their male companions legally and socially. However, women’s efforts during the 1800’s were effective in challenging traditional intellectual, social, economical, and political attitudes about a women’s place in society.

For centuries, women have had the role of being the perfect and typical house wife; needs to stay home and watch the children, cook for husbands, tend to the laundry and chores around the house. In her short story “Girl”, Jamaica Kincaid provides a long one sentence short story about a mother giving specific instructions to her daughter but with one question towards the end, with the daughter’s mother telling her daughter if she had done all the instructions to become a so called “perfect” woman, every man would want her. Kincaid’s structuring in “Girl,” captures a demanding and commanding tone. This short story relates to feminist perspectives. The mother expects a great deal from her daughter to have a certain potential and she does not hesitate to let her daughter understand that. As a matter of fact, the story is about two pages long, made into one long sentence - almost the whole time the mother is giving her daughter directions to follow - conveys a message to the reader that the mother demands and expects great potential in her daughter. The daughter is forced to listen and learn from what her mother is telling her to do to become the perfect housewife. Throughout the story, Kincaid uses the symbols of the house and clothing, benna and food to represent the meanings of becoming a young girl to a woman and being treated like one in society. Women are portrayed to appeal to a man to become the ideal woman in society, while men can do anything they please.

Surely, she craved to write—meaning to work here—endangered her husband’s position as an authority. He would not have control any longer toward the narrator—his wife. In the 19th century upper class and middle class women were not expected to earn their own living. Women rarely had careers and most professions refused entry to women. In the middle of the 19th century it was virtually impossible for women to become doctors, engineers, architects, accountants or bankers. After a long struggle the medical profession allowed women to become doctors. It was not until 1910 that women were allowed to become accountants and bankers. However, there were still no women diplomats, barristers or judges. Women were allowed to become teachers majority of women became teaches but this was also a low paying job.

Women roles have drastically changed since the late 18th and early 19th century. During this time, women did not have the freedom to voice their opinions and be themselves. Today women don’t even have to worry about the rules and limitations like the women had to in this era. Edna in “The Awakening” by Kate Chopin and Nora in “A Doll House” by Henrik Ibsen were analogous protagonists. The trials they faced were also very similar. Edna and Nora were both faced with the fact that they face a repressive husband whom they both find and exit strategy for. For Nora this involved abandoning her family and running away, while Edna takes the option that Nora could not do-committing suicide. These distinct texts both show how women were forced to

Women characters also depict the feminist critical approach throughout the novel. Society views women as being inferior to men. For example, The Awakening states that Mr. Pontellier, “… looking at his wife as one looks at a valuable piece of property which has suffered some damage,” (3), which shows he does not appreciate his wife. He treats Edna as if she was an object that he owned, and had full possession of. Although it takes a while for these women to break free, they end up realizing

James’ novella centers around a young governess who is in charge of watching her employer’s kids at an estate in Bly. The governess’ social standing and desire to keep her job reveal the instability of jobs for women in this era. Her employer, the uncle of Miles and Flora, is a typical wealthy

If Nora were to look for a job she would probably hear a sexist remark like, "shouldn't you be at home raising the children." "Ibsen saw women's proper role as motherhood, and motherhood only."(Frank Magil, 1572) It is hard enough in the new millennium for a women to get a good job to support herself, let alone in 1879, when this story took

James Joyce’s book of short stories entitled Dubliners examines feminism and the role of women in Irish society. The author is ahead of his time by bringing women to the forefront of his stories and using them to show major roles and flaws in Irish society, specifically in “Eveline” and “The Boarding House”. James Joyce portrays women as victims who are forced to assume a leading and somewhat patriarchal role in their families. He uses them to show the paralysis of his native land Ireland, and the disruption in social order that is caused by the constant cycle of abuse that he finds commonplace in Ireland. Joyce is trying to end the Victorian and archaic view of