Wonder Woman Sparknotes

Sigmund Freud said, “A woman should soften but not weaken a man.” This quote exemplifies the character Casilda from Isabel Allende’s short story “The Judge’s Wife”. Although not seen by all as a main character, Casilda is the strongest and most evolutionary character of the short story. “The Judge’s Wife” is an exceptional tale that follows the progression of characters as they fight against their predetermined destinies and how they are viewed in others’ eyes. Casilda is a catalyst for the evolution of almost every character in the story. Not only does her character grow in “The Judge’s Wife”, but she is also a medium for the growth of the two other main characters in the story, Judge

Jeannette’s self-reliant behavior is frequently shown through her refusal of help from others. On one trip to retrieve her father from a bar, Jeannette’s father is so drunk that he can no longer walk. Another man offers to drive them home, and

For instance, the story begins with Leroy’s wife, Norma Jean, supporting Leroy during his physical therapy sessions while getting in shape herself (616). As well as the fact that Leroy wants to fulfill his promise and build Norma Jean her own house, even if she rejects to the house being a log cabin (617). However, as the story progresses it seems as though Leroy’s love for Norma Jean is not reciprocated. It is also evident that there is an emotional barrier which neither of them wish to cross because of the loss of their infant son (617). Leroy even admits that the loss of a child can cause a marriage to fall apart, but he is still blind to the fact that their marriage had already begun to deteriorate during his long absences. However, he still believes that they can start over and create a better marriage

Marriage is a difficult thing to maintain now-a-days, and it was not much different back in the 80s. Bobbie Ann Mason’s Shiloh tells the story of how, the main character, Leroy slowly realizes that him and his wife, Norma Jean, are drifting apart. The 80s was a time period of expanding poverty, rising social problems, and drastic economic changes. Leroy decided to stay fixated on the past, while Norma Jean accepted the fact that the world is changing and prepared herself for it. Things change over time, and the couple disagreed on a way to enter the new world together.

“He [Jeannette’s father, Rex] will not keep me out of harm’s way, he will put me in harm’s way and I have to find a way to remove myself from the situation.” (Diversity Connection). I feel like this quote, from Jeannette, came t directly from the situation where Rex took her out to the bar to help him earn money for alcohol, but yet she still doesn’t see herself as a victim. Even though Jeannette Walls was the victim of sexual abuse at a very young age, she tries to recreate the freedom from her childhood into her adult life, But in her younger years where she has no occupational activities, no nurturing, no money and no friends to turn to, it proves to be very hard to maintain.

For over seventy-five years there has been a character that has never left the spotlight and still makes a huge impact on everyday woman, girl, and man, and that is Wonder Woman. The woman who changed the way a reader viewed women and broke all the norms of how a woman should be seen and act. Gloria Steinem and Julie D. O’Reilly both discuss the history and the impact this character has made over the years. Gloria Steinem is a feminist journalist that has been making a huge impact since 1963.She is a woman who was more concerned with breaking the feminine norms than sticking with them. Gloria Steinem wrote an essay called Wonder Woman, published in 1995. Her essay is about the Wonder Woman’s history and the impact that the character made

Leroy and Norma Jean are both victims of rapid social change. Norma Jean was the most affected by her surroundings comparing to Leroy. Norma Jean had to marry at the age of eighteen to the man who got her pregnant, and in a cruel twist of fate, the child dies of sudden infant death syndrome. This event from her life prevents her to look towards the

Jeannette Walls is shaped by the independence of her entire childhood as she learned how to create her own future and fend for herself. For example, as Rosemary Walls throws another fit about her “horrible” life, Jeannette vows that she will never end up like her own mother and that she would never feel sorry for herself (248). Jeannette is tired of having to always pick up the messes that her parents constantly

In Bobbie Ann Mason’s “Shiloh”, after Leroy’s accident in his truck, the pleasant illusion that he is in a perfectly functioning marriage is shattered leaving the reality that he and Norma Jean have ongoing issues that have been hidden and ignored for the majority of their marriage. The log cabin he never builds, the couple’s new hobbies, the baby they lost, the dust ruffle Mabel makes for them, and the trip they take to Shiloh ultimately cause Norma Jean to decide to leave Leroy. “Shiloh” is laden with symbols for the state of Norma Jean and Leroy’s marriage, and each situation introduced since Leroy’s accident forces them to look at how little they know about each other.

Again, the audience is not presented with a perfect copy of such a personality in the character of Norma Desmond; her “appeal” is arguable, considering her hefty age of fifty, and her deception is not exclusive to her victim, but has cast a much heavier net upon herself. However, Norma is still manipulative in the sense that she uses the appeal of her wealth to keep Joe under her control. In this way, she strips him of his pride and manhood by taking him on as her dependent, and eventually into her “boy toy” (for lack of a better term) by inducing his guilt with her suicidal threats. Whether or not she deserves the audience’s pity is no matter—Norma fits her role as the femme fatale since she uses Joe entirely for her own purposes, and eventually brings him to his very literal demise.

Who doesn’t love a good superhero? The perfect figure, the spandex suit, the flowing cape, flawless looks, and the powers we can only dream of having. Superheroes have been around for ages now, leaving an everlasting imprint on our hearts. It is no secret that males dominate the superhero industry; both the heroes themselves and those who create them. Superman, Batman, Ironman, and Spiderman have become the top heroes of all time; there is nothing wrong with them holding the spotlight, but female heroes are underrepresented. There are notable female heroes, but they tend to be drawn with a busty figure that few women are naturally blessed with, and show little emotional rational in fights. Take Black Widow (Marvel) for example, anyone would love for her figure and kick-ass moves. Wonder Woman is our hero of the hour, she has made her way onto the big screen; casting her into the spotlight more than ever. She screams fights for love, promotes peace, is a beacon of hope, and screams feminism. What’s not to love? The new movie released on June 2, 2017, has called more attention to the American-spirited, Amazonian woman than ever before. The movie is the first fully female directed movie, Patty Jenkins brings a great female to the big screen. Although the movie is great and supports feminism, is the movie the depiction of Wonder Woman that should be idealized?

In a novel set in 1920’s patriarchal society dominated by the obsession of wealth, power, chasing dreams and an enigmatic narrator, just how independent can a woman really be? This is the context for the characters in ‘The Great Gatsby’ where, in the aftershock of a world war, there is celebration and the incarnation of women left at home into ‘flappers’, but it is debatable how far they have really changed from traditional housewives. For Jordan this is an exciting transition but more traditional characters such as Tom cling to the past. When a threatening situation looms over them will they run and hide or confront the problem head on, the only way they know, as in ‘No Country for Old Men’? These contrasting reactions could be a result

“Show me a great actor and I’ll show you a lousy husband; show me a great actress and you’ve seen the devil.”

          The story of “Shiloh” is an example of what happens when a person is unwilling to adapt to his or her environment, ultimately resulting in a conflict and an ending. As Norma Jean adapts to her environment, Leroy is unwilling to adapt and is left behind resulting as the end of their marriage. The setting in the story of “Shiloh” supports the theme of the story by accentuating on what the characters do throughout the sequence of the story. An institution such as marriage

The film which is based in the 1970’s primarily focuses on the trials and tribulations of two individuals organizing a labor union at a textile mill company located in North Carolina. Norma Rae is textile loom worker for the O. P. Henley Textile Mill and mother of three children who is opinionated about the poor working conditions, long hours and poor wages of her workplace. Her frustrations began when her mother temporarily loses her hearing at the textile mill but is not treated well by the workplace doctor. Norma Rae’s father dies while experiencing pain in his arm and requests for a break by management only to be denied at the textile mill. Norma Rae’s character is played by Sally Field whose story is based on a real life person by the name of Crystal Lee Sutton who tried to organize the J.P. Stevens textile mill.