Analysis Of ' Oedipus The King And Antigone

As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's

Misogyny pervades the picture Aeschylus, Aristophanes, and Sophocles paint of Athenian society. In their literature, however, female characters catalyze plot by challenging this picture. Such characters--from Sophocles’ Antigone to Aristophanes’ Lysistrata--face grim consequences for acting independently. Clytemnestra and Cassandra from Aeschylus’s Agamemnon exemplify this archetype of autonomy and destruction. When they confront injustice, male characters perceive them as vindictive and hysterical. This paper will compare the standards of justice Aeschylus’s society imposes on men and women. I will argue that Clytemnestra and Cassandra are protectors of divine justice who reject subservience and thereby transcend the sexism of their society.

In Sophocles’ Antigone, gender roles are a major conflicting theme throughout the entire play. The setting of the play was written during the Greek mythological days, around 442 B.C. During these days, men were dominant and held all of the power, so women were automatically treated as less. Antigone and Creon portray the conflicting sides between male and female, and Ismene and Haemon portray opposing sides to Antigone and Creon’s actions. Antigone, Ismene, Creon, and Haemon each show differences in behavior due to their sex versus the actions each character chooses to take. Antigone tells Ismene about her plans to bury their brother, Polynices, which is going against Creon’s orders. Antigone and Ismene, have contrasting perspectives on

The female characters portrayed in Aeschylus and Sophocles’ works have considerably different personalities and roles, yet those females all have the common weaknesses of being short-sighted and stubborn. They intensify the conflicts within their families while being inconsiderate of the impacts that they may bring to their nations and societies, which leads to consequences that they are incapable of taking responsibilities for. Clytemnestra and Antigone, two major characters in their respective author’s works, possess different motivations for their deeds in the stories. While Clytemnestra is driven by the desire of revenge to murder her husband Agamemnon, Antigone acts against Creon’s will and strives to properly bury her brother. Despite having different motivations and personalities, Clytemnestra and Antigone both commit

Greek theater encompassed many aspects that reflected the moral values and ideals of society. Their customs were tightly woven into the scripts of plays. Antigone and Oedipus the King, two renowned works of the Greek playwright Sophocles, explore these values through a plot thick with corruption, virtue, and determination. These plays reveal the burdens two Theban kings, Oedipus and Creon, as their lies and poor judgment corrode the integrity of their city, their families and themselves. Possessing a strong faith in their respective gods, the characters of these Greek plays are often led astray as they try to escape the twisted hand of fate, further warping their perception of reality. As their vain

The theme of sight and blindness is undoubtedly important to notice while reading Oedipus the King. The number of times the words “see” or “blind” are in the play make it make it undeniably obvious that they are significant. The theme is developed throughout the dialogue, through characters such as Tiresias and Oedipus, and also directly in the irony of the play. It is important in a play about the truth because almost every character was “blind” to the truth. All of the characters, except one, can physically see, but mentally cannot see the truth.

Throughout Sophocles’ Antigone and Shakespeare's Julius Caesar the use of women within the tragedies displays and enforces the omniscient patriarchal society characterized in the plays. In Antigone the main character is a headstrong and courageous teenager who is always at the forefront of the conflict, whereas In Julius Caesar, women play no significant role throughout the tragedy, though ultimately all women in both works are subjected to and ignored by the more “dominant” sex.

Evidently, women of ancient Greece were subjected to what modern day women may consider harsh and unfair treatment as a result of some irrational beliefs and practices that were given judicial recognition. Because of fear of facing the consequences that may arise from contesting these laws, many women living during that period made no attempt to do so. So they remained as they were considered to be – weak and helpless – because of fear. Sophocles’ mythical anecdote of Antigone, however, shows the apparently unseen characteristics of women, though not all women, in ancient Greece. They were not as weak, helpless and unwise as they were believed to have been but were strong willed individuals, possessing strong characters and competent of making sound decisions.

In the tragedy of Antigone, by Sophocles, many themes are presented. The themes of civil disobedience and the role of women are heavily presented. The theme of civil disobedience is the refusal to believe in or follow certain rules set by the leaders. In Antigone, Antigone defies the rules and chooses to not follow them. The theme of the role of women is the role that women are supposed to follow. Although, Antigone yet again defies the traditional women role. These two themes mainly relate to the main characters of the story such as Antigone, Creon, Haemon, and Ismene.

But she’s lost her place living here with us,” (Sophocles Excerpt 4). In this quote Antigone’s uncle, King Creon ostracizes his niece because she disobeyed his demands when she performed a burial custom for her brother, Polyneices. This quote assists in proving that one of the major messages of Sophocles’ play is the domination of Athenian men over women. During Sophocles life, Athenian females were not able to attend the plays, defend themselves in court, choose who they would marry, or spend their money freely.

The different portrayals of female characters Antigone and Lysistrata illustrate the fundamental nature of the proper Athenian woman. Sophocles' Antigone allows the reader to see that outrage over social injustices does not give women the excuse to rebel against authority, while Aristophanes' Lysistrata reveals that challenging authority in the polis becomes acceptable only when it's faced with destruction through war. Sophocles and Aristophanes use different means to illustrate the same idea; the ideal Athenian woman's ultimate loyalty lies with her polis. This Greek concept of the proper woman seems so vital when considering Athenian society because both a tragedy and comedy revolve around this concept. The differing roles accorded to

Although ancient Greece was a male-dominant society, Sophocles’ Antigone portrays women as being strong and capable of making wise decisions. Antigone, the tragic heroine, rejects the traditional role of women. As such, Sophocles punishes Ismene for embodying traditional attitude. Moreover, Creon is punished for misogyny. Sophocles, accordingly, uses characterization to promote feminist ideas.

For centuries men have been finding ways to gain control over everything and everyone. One group that has been oppressed by men throughout history are women. Men have placed rules and regulations upon women making them seen as unequal and inferior. Was it fear? Was it the hunger for power? Was is the highness of superiority? Whatever the reasons were, men had to be seen as the highest being next to whom they worshiped. In the play Antigone by Sophocles, the audience is exposed to the roles of men and women in an ancient Greece society known as Thebes. Although ancient Greece was a male-dominant society where women had as much freedom as a slave, Sophocles’ main character in the play, Antigone, is an example of a brave, strong-minded woman who goes against the limitations that were unfairly set upon women during that time to do what she believes is right. In this play, gender roles assists in the process of portraying the story since it affects some of the decisions of the characters and helps lead the story into the climax.

Sophocles’ Antigone is the third of the three Theban plays written, but has been considered the first; the play was written in or before 441 B.C. In Antigone, Sophocles uses women as a strong and independent figure of the society. This play is the first to display women differently in a male dominated society. He also uses this play to describe women as able to make their own decisions and capable of living without the attention of males. The play Antigone shows the personalities of three women in society: Antigone, the strong, independent one, Ismene, the weak, traditional one, and Eurydice, Creon’s wife and an older traditional woman. Each character represents a woman’s way of living and what is expected and expected of women. Each of these women display many differences, some being the fine line between good and evil and life and death. Going into depth with each female character, the reader could tell that the differences in each character is not displayed in the others. For example, Ismene’s weakness and Antigone’s strong will. Although strength can be important in the play, there is the bravery and the passion

To begin with, the Ancient Greek Society that surrounded Sophocles was full of patriarchy. Living in a patriarchal society that looked down upon women and believed that they were only there to prepare there sons for war and there daughters to follow in their mother’s footsteps, had great influence on his writing. This is shown through Ismene saying, “We are only women, we cannot fight with the men,Antigone,” (Sophocles 694). Through Ismene, Sophocles is showing the patriarchy in both his time and the time of the play. Even the women believed in patriarchy. The men that Ismene speaks of are the king Creon and other officials. She believes that Antigone cannot compete with the power of Creon. Sophocles is making a bold statement by creating a character that defies the patriarchy and showing it to the people of Ancient Greece. Rulers and Kings at the time of Sophocles never saw women as a threat because they didn’t act out against the law often, as a man would. Sophocles uses this in his play making Creon a ruler who is harsh to women and doesn’t see them as a threat. Also, Sophocles uses the stereotypical Greek man who cares little for his wife’s feelings. Creon’s wife, Eurydices, doesn’t show up until one of the last scenes and then kills