Analysis Of On Being Brought From Africa To America By Phillis Wheatley

The first known African American to have a poetry book published in America was the late Ms. Phillis Wheatley. Wheatley was born in 1753, in West Africa. In 1761, when Wheatley was roughly seven or eight years of age; she was purchased as a personal slave for Susannah Wheatley, the wife of John Wheatley. Phillis was taught to read and write from Susannah Wheatley’s daughter, Mary in between her household duties. At an early age, Wheatley was deeply involved in the Bible and multitude of other things to include Latin and Greek to English Literature. Wheatley’s love of poetry began when she was just twelve years old. At this age, she started writing poetry and Phillis’ first poem was published in 1770. (Carretta, 2011)

The illustration that Phillis Wheatley portrays in history is an African-American woman who wrote poetry. Her life goes more into depths that what is perceived, however. Phillis Wheatley uses her poetry as a unique way to get out the truth. Through poems such as On Being Brought From Africa to America and the poem about Lee, she made statements about was what going on at that time; a revolution. Phillis Wheatley was known as a revolutionary mother, for she gave hope to slaves, ease to whites, and was an influence to America. She was not known for conflict or trying to start an argument, but she more known for personalizing her thoughts onto a piece of paper, read by all of America. Her ideas were used as an influence during

Phillis Wheatley was the the first African American writer to have her books published in the United States. Poems on Various Subjects, Religious and Moral written by Wheatley was viewed as a model for the importance of education with religious aspects, as it was often seen throughout her poetry. Formulated mainly of neoclassical elegiac poetry, Poems on Various Subjects triggered several discussions concerning the length to which Wheatley can be deemed a minor poet or whether she wrote to express politics and moral trouble.

Born in Senegal around 1753, Phillis Wheatley became an important American poetic figure. At the age of 8, she was kidnapped and brought to Boston on a slave ship and upon her arrival to Boston, she was quickly sold to John Wheatley (Bio). Under her new family, Phillis adopted the master’s last name, taken under the wife’s wing, and showed her deep intelligence. Even though suffering from poor health, Phillis’s intelligence did not go unnoticed; she received lessons in theology, English, Latin and Greek. Being a slave did not stop Phillis from learning and experiencing her life, she participated in the master’s family events and eventually became a family member. The irony in this situation is

Within sixteen months of her arrival, she was reading astronomy, geography, history, and British literature. Wheatley was able to break a language barrier that had held so many others of her race back. Her desire for learning increased and the quest for knowledge became embedded in her spirit, mind, and soul. By her teenage years, Wheatley was a well known author, reciting poems for the New England elite in homes where blacks could not even sit at the table with whites.Phillis Wheatley made many contributions to American literature. Other than successfully representing and expressing the feelings of anger, frustration, and impatience of African American people abroad, she has paved the way for young aspiring African American writers.

Phillis Wheatley overcame extreme obstacles, such as racism and sexism, to become one of the most acclaimed poets in the 18th Century. Her works are characterized by religious and moral backgrounds, which are due to the extensive education of religion she received. In this sense, her poems also fit into American Poetry. However, she differs in the way that she is a black woman whose writings tackle greater subjects while incorporating her moral standpoint. By developing her writing, she began speaking out against injustices that she faced and, consequently, gave way to authors such as Gwendolyn Brooks and Countee Cullen.

In a time when Africans were stolen from their native lands and brought through the middle passage to a land that claimed was a free country, a small African girl, who would later be known as Phillis Wheatley, was sold in Boston in 1761. In the speech, “The Miracle of Black Poetry in America”, written by June Jordan, a well respected black poet, professor and activist, wrote the speech in 1986, 200 years after Phillis walked the earth, to honor the legacy of the first black female poet for the people of the United States. Jordan, passionately alludes to the example of Phillis Wheatley’s life, to show the strength and perseverance of African-American people throughout difficult history and how they have overcome the impossible.

Phillis Wheatley’s, ‘On Being Brought from AFRICA to AMERICA’ is a testament to writing that utilizes irony and satire to produce a salient argument. As Susan Martin, states in her analysis of Wheatley’s poem, “a young woman who sought to assert her views on the passage from freedom to slavery, ignorance to knowledge, darkness to enlightenment” (Martin, 157). In particular, Wheatley’s aim was to construct a piece which addresses the ideals expressed by Martin utilizing irony and satire. Moreover, Wheatley, at the time of writing this poem, was amongst those enslaved. In fact, Wheatley published her first book in 1773. This is a time before America’s independence and most certainly a time where slavery was prominent. This book, which contained numerous poems, proved those enslaved were more intelligent than previously thought. Within Wheatley’s book, her famous poem, ‘On Being Brought from AFRICA to AMERICA’ was read. Read by those who supported slavery and those who opposed it. Typically, Wheatley addresses Christianity and avoids any discussion of race. However, this poem addresses racial issues straight on. On the surface of this poem lies words that when first perceived, appear to support slavery and her deposition from Africa. Moreover, Wheatley utilizes irony and satire to provide a deeper message that speaks out against slavery. More importantly, satire and irony allow two views to form. Through analysis from authors, Levernier, Loving, and Martin, their multiple perspectives can be formed into one. This analysis, will allow a better understanding of Wheatley’s intent with each line and a closer analysis of her clever rhetoric. Furthermore, Wheatley aims to reveal the improper treatment of, “Negros, black as Cain” (Wheatley), while also allowing the poem to be perceived as an appraisal of slavery. Furthermore, Wheatley utilizes each line to provide discussion on different issues regarding slavery in terms of criticizing white Christianity. Furthermore, Wheatley makes her viewpoint of slavery clear; an improper treatment that will not last.

Anne Bradstreet, Daughter of the one governor and first published poet in America, was classified as a classic religious poet and also was also considered a very modern poet who really focused on her everyday life and all of her daily activates. Phillis Wheatley, enslaved at the age of 6, and became the first black women poet in America wote mostly classical poetry and had many Christian views. Her poetry used pyscholical meaning and also used poetic devices. Although both poets were to very respected poets of there time both are also very different compared to their work. Phillis Wheatley’s poetry was more in depth, thoughtful, and had somewhat more stylish than the work of Anne’s Bradstreet’s.

Phillis Wheatley was an American figure unlike any other at her time. In a time where slavery was the normal, Ms. Wheatley was a revolutionary figure. She was not revolutionary because she was one of the enslaved but because she was one of the enslaved that knew how to read and write, becoming a published author. Women at the time of Phillis Wheatley were oppressed into submission to social norms. It was almost unheard of for a woman to write poetry, much less to be published. So, for Phillis Wheatley not only to be a slave, but also to be a woman that wrote poetry, she was an extremely influential figure. She was not influential in just one area, but in two areas because she led the way to women being accepted as writers and planted a seed of abolition, although not directly intentional.

……In 1845 an extraordinary piece of work by Frederick Douglass was published “Narrative of the Life of Frederick Douglass, an American Slave”; this was the life of a man who through many adversities stood tall with his head in the heavens. Douglass was the more proactive abolitionist as his work was to demolish slavery while detailing his life experience as a slave and expressing is deep emotions and theory on slavery. In the “Narrative of the Life of Frederick Douglass, an American Slave” he expresses the way religion and its literature, the bible, had an effect not only on slavery but also with white Christianity. His position on slavery was strong and compelling. Douglass used powerful authoritative words from the start of his narrative to grasp our hold and attention and keep us enflamed while realizing God is embedded in the words. ……Phillis Wheatley overcame obstacles most people would quiver against. She showed us slavery and she showed us faith. In the poem, she tells us “Twas mercy brought me from my Pagan land, Taught my benighted soul to understand” (Wheatley, line 1-2) Right from the beginning , Wheatley shows us religion through her use of subtle but powerful words. She uses the words “Mercy, Pagan

Phillis Wheatley was sold into slavery when she was only 7 years old and sent to North America. She was purchased by a family in Boston—they then taught her how to read and write (Wikipedia, 2016). When she learned how to read, her writing thrived. The Wheatley’s saw that, and continued to encourage to continue on with learning and writing the poems. The people of Boston did not want to support an African-American poet, so Phillis sent her writings to a publisher in London (Poetry Foundation, 2016).

In a sudden twist, Wheatley turns around and points the finger at the white slave-owning class to tell them that they are sinning. Thus, with a second reread, the first four lines take on a more sarcastic tone and these lines become apparent that Wheatley is not really thankful of being a slave. However, it can be argued that she is indeed thankful for being converted into a Christian at least because she is now knowledgeable of the rights and wrongs, and who is a bad Christian. By forcing slaves like Wheatley to believe in Christianity, these slave-owners have just ironically given her the knowledge of inequality being a sin and let her recognize them on a religious level as sinners. She takes on the position of being the better Christian,

Religion plays a significant part in The Interesting Narrative of Olaudah Equiano by Olaudah Equiano, an African man experiencing slavery during the Transatlantic slave trade, and a series of poems written by Phillis Wheatley, an African poet and former slave in 18th century Boston. The Interesting Narrative of Olaudah Equiano is a first-person abolitionist slave narrative published in 1789 about Equiano’s experience being forced from his home, Africa, displaced from location to location, and his eventual discovery of Christianity. While the series of poems written by Phillis Wheatley was created during the Revolutionary Era (1764-1789) in Phillis’ leisure time. Both Equiano and Wheatley were Africans whose works drew from their experience

African American literature is the body of work produced in the United States by writers of African descent. This particular genre traces back to the works from the late eighteenth century by writers such as Phillis Wheatley to later reaching early high points with slave narratives and the Harlem Renaissance, and thus continuing today with authors such as Colson Whitehead and Maya Angelou. Among the themes and issues explored within African American literature are the roles of African Americans within the larger American society, African-American culture, racism, slavery, and equality. African American writing has also tended to incorporate oral forms such as spirituals, gospel music, jazz, and rap. Dating back to the pre-Revolutionary War period, African American writers have engaged in a creative dialogue with American letters. The result is a literature rich in culture and social insight. These pieces offer illuminating assessments of American identities as well as its history. Since the time of early slavery African American literature has been overlooked within the literature criticism. This essay thrives to show that within the English profession African American literature does belong alongside the great works such as A Christmas Carol by Charles Dickens and poetry as A Road less taken by Robert Frost. I will dive deep into history to not only investigate what critics think about African American literature, but why is it not held to a higher standard just as American