Analysis Of Only Daughter By Sandra Cisneros

Josie Mendez-Negrete’s novel, Las Hijas de Juan: Daughters Betrayed, is a very disturbing tale about brutal domestic abuse and incest.  Negrete’s novel is an autobiography regarding experiences of incest in a working-class Mexican American family.  It is Josie Mendez-Negrete’s story of how she, her siblings, and her mother survived years of violence and sexual abuse at the hands of her father.  “Las Hijas de Juan" is told chronologically, from the time Mendez-Negrete was a child until she was a young adult trying, along with the rest of her family, to come to terms with her father 's brutal legacy. It is a upsetting story of abuse and shame compounded by cultural and linguistic isolation and a system of patriarchy that devalues the

As the book progresses, Esperanza witnesses the emerging sexuality of her peers and begins to encounter her own sexuality, too. This is a confusing state to be in, and Cisneros captures the confusion by blending these moments of sexual exploration with the brutality of gendered violence. Men beat their wives and daughters, and in most cases the sexual encounters in The House on Mango Street are unwanted. The boys and men of this book tend to take things, while the girls and women deal with the consequences. Esperanza knows all this already, and it contributes greatly to her desire to

This essay will look at the book called Something Fierce by Carmen Aguirre. Specifically it will look at the relationship between Carmen and her mother. I will relate the relationship with examples of my mother’s relationship with my sister. Did Carmen’s mother make a terrible mistake in bringing her daughters with her to Latin America? There are so many things that need to be taken account of in a decision like this; it is nuanced because of the nurture vs. nature argument and so although Carmen’s mother could have made a mistake, it all depends on how the children react to the style of parenting and environment. Now given what we know from the story and taking that at face value, Carmen’s mother made a mistake in bringing her daughters with

Sandra Cisneros writes about growing up as the only daughter in a Mexican household with six brothers. This presents many difficulties for her growing up because she constantly yearned for the approval of her father; a father who believed her only purpose in this world was to get married and start a family. Throughout her whole life she sought to please him, and when she told him she had plans to go to college, what she did not realize what that her “father thought college was good for girls—good for finding a husband.” To go a step further, her father would constantly tell people about his “seven sons,” as though it were some kind of merit. This clearly and understandably bothered Cisneros because she said that she would “tug [her] father’s sleeve and whisper: ‘Not seven sons. Six! and one daughter.’” Despite all of these hardships, she finally was able to impress her father. After she had gone to college, become a successful author, and had a story published and translated to Spanish, she presented the story to her father. He was clearly very impressed with her work and she finished by saying that out of all the great things that have happened to her, this moment was by far the greatest.

Cisneros’s style can be characterised and depends on word choices and sentence structure, the constant use of parallelism, rhythmic, and using monologue and deliberate repetition of emotions to for filled the story. In this story, the enormous conflict arises when the innocent girl’s dream has been crashed by poverty and

How not having a father figure affected their emotional and phycological well-being. Also, it taught the readers that sometimes having a father does not necessarily, mean they are a father figure, for example Mr. Clutter, he was there for his family and children, but he chose other things to be proud of instead of his children, he felt that his achievements were more important than his children’s

In the collection of vignettes, The House on Mango Street, Sandra Cisneros develops the theme that people should not be devalued because of their financial circumstances through metaphors of classism, the motif of shame, and the contrast between minor characters Alicia and Esperanza’s mother. Esperanza, the protagonist, is a Mexican-American adolescent living in the rural Chicago region. She occupies a house on Mango Street with her father, mother, two brothers, Carlos and Kiki, and little sister, Nenny. Mango Street is filled with low-income families, like Esperanza’s, trying to adapt to their difficult circumstances. Esperanza realizes it is difficult, but she dreams of leaving her house and Mango Street altogether.

Our families are the people we grew up around, whether they are our blood relatives or not. They are the people that make you who you are, though they might not always be around. In the story “House on Mango Street, Esperanza's family plays a huge role in shaping her identity. Throughout the story we are shown how her family, community, culture, and gender impacted her character and actions. In her community, there are Hispanic minorities and people who have lived more unfortunate lives. In fact, her family is a part of this group. Not only are people prejudiced against because of their culture, but the women face sexism from both outsiders and people in their community. Although our identities are influenced by a multitude of factors, the family we are surrounded by in our adolescence end up shaping our identities the most.

In “Only Daughter,” published in Glamour magazine in 1990, Sandra Cisneros talks about how it’s like for her to be the only daughter in a Mexican-American family of six sons. She talks about some of the struggles she faces. Sandra is a writer. A writer who wants her dad to be curious about her writing. He never bothers to ask what she’s writing. When they’d ask her father how many children's he has, he’d respond with “I have seven sons.” The mention of only sons, not a daugher. This proved to her he was only proud of his sons but not her. According to him she’d also have to go to college but only to find a husband. A man who will take her out of poorness. Since, according to Sandra that's why her dad thought college was important for her. He didn't care about her major. Sandra Cisneros is a writer who didn’t have the attention she was meant to receive. Towards the end she finally gets the attention she desired. She translated one of her pieces into Spanish, the only language her dad could read. That's how it gained the attention of her father. When her dad finally reads her story, it fills her with joy. At first she didn't get any attention from her dad at all, because she’s a girl. Sandra Cisneros makes a great argument on her life being full of loneliness. Although, she only talks about her perspective on things. In this article she only talks about her side of the story, and her side only. Sandra talks about how her life was as being the only girl out of seven children.

Have you ever felt so alone, you get the impression that you do not belong at a place? Sandra Cisneros describes the unfavorable relationship she faces with her family. Although Sandra is talked down upon, she persuades the readers how the loneliness impacted her life.

In the book The House on Mango Street, author Sandra Cisneros presents a series of vignettes that involve a young girl, named Esperanza, growing up in the Latino section of Chicago. Esperanza Cordero is searching for a release from the low expectations and restrictions that Latino society often imposes on its young women. Cisneros draws on her own background to supply the reader with accurate views of Latino society today. In particular, Cisneros provides the chapters “Boys and Girls” and “Beautiful and Cruel” to portray Esperanza’s stages of growth from a questioning and curious girl to an independent woman. Altogether, “Boys and Girls” is not like “Beautiful and Cruel” because Cisneros reveals two different maturity levels in Esperanza;

Sandra Cisneros is a latina born in Chicago in 1954. She is the only daughter out of seven of her siblings. She worked as a teacher and counselor to high-school dropouts, as an artist-in-the-schools where she taught creative writing at every level except first grade and pre-school, a college recruiter, an arts administrator, and as a visiting writer at a number of universities including the University of California, Berkeley, and the University of Michigan. When she began writing books it was soon translated into many languages such as Spanish, French, Dutch, Italian and many more. She is very proud of her family. Her grandfather even played piano for the mexican president. She is know mostly for her famous book, ‘The House on Mango Street’. The book was based off her neighborhood that she grew up In Chicago. In 1995,

Our differences, no matter how we tie them together, raise another issue in Blanco’s life and in everyone’s life: family. This is an issue everywhere, whether one has an adoptive, mixed, half, semi-normal, lack-of-a, or a nuclear family, family influences everyone, it unites us in humanity: casts judgment, gives praise, provides support, and frustration. Because even though, Blanco’s relationship with

The poem “The Mother” written by Gwendolyn Brooks in 1945, is a poem that focuses on the immeasurable losses a woman experiences after having an abortion. The poems free verse style has a mournful tone that captures the vast emotions a mother goes through trying to cope with the choices she has made. The author writes each stanza of the poem using a different style, and point of view, with subtle metaphors to express the speaker’s deep struggle as she copes with her abortions. The poem begins with, “Abortions will not let you forget” (Brooks 1), the first line of the poem uses personification to capture your attention. The title of the poem has the reader’s mindset centered around motherhood, but the author’s expertise with the opening line, immediately shifts your view to the actual theme of the poem. In this first line the speaker is telling you directly, you will never forget having an abortion. Brooks utilizes the speaker of the poem, to convey that this mother is pleading for forgiveness from the children she chose not to have.

The two poems I chose to analyze were “Curandera” by Pat Mora and “Loose Woman” by Sandra Cisneros. They were an interesting read and made sure to reread several times to make sure I got everything I could from them. Both poems are so unique from other poems I have read; they are also unique from each other yet share similarities as well.