Analysis Of `` Our Celebrities `` Ourselves `` By Eliot Gabler And `` Never Trust A Snake ' Essay

Hollywood is a very powerful modern day institution, where a star's image can characterize, shape and circulate societal myths and ideologies. The construction of a star's image as a commodity of their societal myths and ideologies has the extraordinary power to exert messages so that even the smallest details become significant yet not overtly obvious. How a star's image is produced and then consumed can justify a society's relationship with that image and therefore aid in explaining the social construction of what society deems as their 'reality'. A star's image is created through a range of representations churned out by Hollywood. Capitalism from the commercialization of these images has made Hollywood the dominant force it is

Gender classification is a predominant topic within today’s sports and is most broadly understood through the portrayals of sports media. Through overt and covert ways, sports media has continued to promote a masculine representation of sports (Millington & Wilson, 2010; Messener, Duncan, & Jensen, 1993). By understanding the way in which sports media portrays sports, one can recognize how masculinity has dominated the world of sports. With the aid of two unique studies of sports media, this paper will critique the way in which media has effected the gendered depiction of sports.

Neal Gabler’s 1998 book, Life the Movie: How Entertainment Conquered Reality, brings up controversial questions about the necessity or unnecessary want of entertainment. Scholars may claim that entertainment breaks family bonds, undermines community, and decreases people’s integrity. Certainly, entertainment in the 21st century in the form of movies, video games, and social media are more widespread than ever. However, not all forms of enjoyment are obscene; sports, television shows, and fan conventions can promote social involvement, reduce stress, and improve collaboration skills.

A celebrity is not a person known for his/her talent or achievement, but an individual recognized for his/her reputation created by the media. The phase of stardom is slippery, and media may choose to represent celebrities varying from exaggerated admiration to mockery. The three texts chosen, movie "Sunset Boulevard", feature article "Over the Hilton" and television show "Celebrity Uncensored Six" are texts presenting different perception of celebrities than their usual images - either corrupted by the encircling media, overloads oneself with self-indulgence, or just mocks celebrity in a broad spectrum. Such media items empower and impresses the audience by perceiving celebrities as people who pay the price of privacy to gain well

Since its creation in 1980, World Wrestling Entertainment has been determined to shine a spotlight on the sport of professional wrestling. Delivering up to eight hours of weekly programing and their own subscription-based online library, consumers are able to receive as much content as they please. Although the WWE product as a whole is immensely popular, it does not go without fault. While other professional sports have succeeded in showcasing all genders and races in a positive light, the same can not always be said about WWE. What separates the WWE from other professional sports in a negative manner is the constant use of racial stereotypes, depiction of women in a degrading fashion, and mediocre storytelling.

Celebrity bodies is an essay written by Cultural critic, Daniel Harris. The essay starts off by talking about the fatal heart attacks of two Uruguayan fashion models after eating nothing but lettuce leaves in the months before her death. He tries to inform the audience the negative effects of society on Hollywood and also who is to blame for what has happened to Hollywood, in his essay and he explains how everyone is so caught up into doing anything possible to look like the famous celebrities with "fit" bodies such as Beyonce and Jlo. He explains how many women do not take in consideration the healthy eating and the rigorous exercise plans that these famous people have to go through in order to keep their bodies looking "thin" or "fit". In

Dreams are made under the good ol’ lights of Wells Fargo. Every year, 42 amazing young men stand on top of the place winner’s podium as a gold medal is proudly placed around their neck. But what about the other 294 wrestlers who don’t get the shiny medal.The wrestlers who have tears rolling down their face after losing a well fought match. The wrestlers whose dreams are crushed as that medal is placed around someone else’s neck. Unfortunately, someone has to lose, but it’s whether or not they let their loss define them that truly makes them

Second, In Phillip Serrato’s chapter, “Not Quite Heroes: Race, Masculinity, and Latino Professional Wrestling” from Steel Chair to the Head: The Pleasure and Pain of Professional (2005) by Nicholas Sammond, he argues that professional wresting in the United States places Latino wrestlers inferior to White wrestlers in terms of masculinity by constantly being given the underdog role. Serrato

Celebrity culture is a mixture of good and bad for society because it makes people complacent with issues that are wrong just to stay in the public eye, like whitewashing and sexism but also can help fight against those issues. For example, most shows are filled with straight, white guys as if other people, like POC, LGBT and women don't exist. Even if a show is centered around a women, the show is about there relationship with men, or has a romantic dynamic to it. Also, female celebrities are controlled by ageism where they are deemed “unworthy” or “too old” once they hit a certain age while men can be expected to continue acting and being in the spotlight far older than women would ever be allowed. Like how Scout Durwood states in “Pop Culture-

I have chosen Ken Hermann’s photos on private lives of Hollywood Boulevard street performers and CNN’s report on Hollywood’s attempt to Crackdown Nabs Faux Superheroes. Those two news stories focus on one simple community, the impersonators in Hollywood. “After talking to several of the impersonators it became clear to me that many of them are, or once were, pursuing the American dream of becoming someone special and famous.” Ken Hermann in his article reveals the sad but true reality of those impersonators, however, those seemingly protected American dreams can be shattered through strict law. In 2011, Hollywood police force conducted an operation to clear out all unlicensed performers out of Hollywood Boulevard. Joe McQueen, a Hulk impersonator

This time around, it is middle America enjoying the circus on their wide-screen televisions in the privileged privacy of their dens and theater rooms. As the vast array of freaks in the popular media reveals, the circus, defined by Rosemary Thomson, in her book, Extraordinary Bodies, as a “cultural space of seemingly infinite license” (5), has us mesmerized: dwarfs, plastic surgery addicts, tattooed people, fatties and living skeletons, cross-dressers and child beauty contestants, to name a few. The world of so-called reality television, which appears to be a modern manifestation of the carnival

Have you ever wondered what influences us to behave the way we do? Look a certain way? Or even looked for an explanation to what causes us to apply a certain perspective regarding personal and controversial issues? One of the answers to these questions may revolve around the influence we absorb from celebrities. A definitive term for celebrity is an iconic figure to a category or group who has achieved success in one or multiple aspects of their lives. As a result, these individuals have drawn in publicity and fame. Over the years with the advances in media and other forms of communication, celebrities have become topics of discussion worldwide, rather if it’s at school, with colleagues or at the dinner table, it is fair to say that

“Do you know what a duvet is? It's a blanket. Just a blanket. Is this essential to our survival? No. We're consumers. We're by-products of a lifestyle obsession. Murder, crime, poverty...these things don't concern me. What concerns me is celebrity magazines, television with five hundred channels, some guy's name on my underwear”(29 min.) We are a generation comprised of invidious and conspicuous consumers, desperately trying to meet society’s consumerist criteria; seeking the false promise of the American dream. This is the reality presented in Fincher’s Fight Club (1999), one of “the rawest, most hot-blooded, provocatively audacious, dangerous movies to come of out Hollywood” (Morris, 1999). Through the diverging personalities of the

How is gender and gender roles socially constructed? Soulliere states that gender is a cultural creation that is frequently developed by and represented through popular cultural media such as advertisements, music, sports, and entertainment television (Soulliere 2006). The article “Wrestling with Masculinity: Messages about Manhood in the WWE” by Danielle M. Soulliere (2006), examines messages about manhood revealed by televised professional wrestling (Soulliere 1). Messages concerning masculinity and manhood were investigated and compared to the cultural version of masculinity (Soulliere 2006). Soulliere’s research proves that the World Wrestling Entertainment (WWE) depicts messages, which supports the dominant hegemonic form of masculinity (Soulliere 2006). To further grasp and understand Soulliere’s hypothesis, we must first examine her research methods and outcomes.

Chuck Palahniuk’s Fight Club is a seductive novel which chronicles an unnamed narrator’s ability to cope with an emasculated, self-centered, materialistic society by creating an alter ego. Throughout the text, the theme of the emasculated modern man is presented both in the life of the narrator, and in the lives of the male characters he surrounds himself with. Through notions of absent fathers, consumerism and an innocuous/aimless existence, Palahniuk presents how men in modern society have lost their masculine identity and the extreme actions they go to in order to obtain it again.