Analysis Of Paris Is Burning

On August 19, 1992, a woman named Mary Fisher spoke on a rather sensitive topic in an attempt to change the world. In an address to the Republican National Convention, Fisher lectured on a subject close to her heart, HIV and AIDS. Mary Fisher is an artist, author, and of course political activist. She contracted HIV from her second husband and has since been on a mission to educate people about prevention of the disease and the treatment of people that have HIV or AIDS. Fisher was speaking at the convention in Houston, Texas in an attempt to get people to take action. Fisher wanted people to be informed about the diseases and have a genuine care about those infected. I found her speech exceedingly compelling as well as an exceptional display

At the Republican National Convention in 1992, no one was aware that Mary Fisher was about to alter the viewpoints of thousands of Americans. During the 1980’s and 90’s the public’s view on AIDS was uninformed, skewed, and ignorant. The purpose of Mary Fisher’s speech was to open up the conversation on AIDS and to inform the public of the deadly disease. Fisher’s speech came from a place of sorrow and passion because she and her newborn son were both diagnosed with AIDS. At this time, society deemed AIDS as only associated with homosexuals and that no straight person could contract it. Mary Fisher’s speech persuaded people to change their viewpoints on AIDS by the use of ethos, pathos, and logos.

“Two hundred thousand Americans are dead or dying” Two hundred thousand Americans, two hundred thousand brothers, friends, loved ones, all fighting a war; this war is not fought in foreign countries, this war is HIV/AIDS (“American Rhetoric: Mary Fisher”). Sadly, Mary Fisher is one of the many victims that are crushed by the heartbreaking diagnostic of being HIV positive, however, this was her alarm to the severity of the virus. As a result, Fisher dedicated her life to spread awareness of HIV and AIDS. In addition to the jaw-dropping speech, Fisher, has dedicated her whole life to the awareness of AIDS, through her store, biographies, non-profitable organizations, and many more. However, “A Whisper of AIDS” is the first domino in her line of work to break the “shroud of silence” known as AIDS (“American Rhetoric: Mary Fisher”).Fisher spoke from the heart, and as well as the mind in “A Whisper of AIDS”, which effectively touched the hearts of many and did exactly what she hoped it would, turned the whisper of the word AIDS into a shout spoken from numerous to prevent fear in the hearts of many. In order to show the dire importance of awareness of HIV/AIDS, Fisher, Effectively uses heartbreaking pathos, strong logos, and persuasive ethos.

With headlines in the news such as The Sun dubbing AIDS as the ‘gay plague’ it was an irresistible red rag to the bull for the media, even though in Africa other populations were infected right from the beginning. (Dowsett, W, Gary. 2009) In an excerpt from Simon Garfield’s The end of Innocence Britain in the time of AIDS, Roy Greensdale the assistant editor of the Sun from 1981 to 1986 recalls that ‘AIDS appeared to be just desserts for being involved in deviant sexual behaviour. It was quickly realized that it came about due to anal sex, and heterosexual executives on the Sun thus fed in the fact that it was a gay plague. AIDS tended to suggest that it might stop all that kind of behaviour, and might lead to fewer gays being about.’ The gay community has always been an easy target for hostility throughout history and when the controversy surrounding the AIDS panic began to surface it became another way in which to ostracise them for their ‘wages of sin’. (The Daily Telegraph). 1983).

We recently watched the film Paris is Burning, a documentary about black drag queens in Harlem and their culture surrounding balls. Directly related we also read two feminist critiques, Gender is Burning: Questions of Appropriation and Subversion by Judith Butler and Is Paris Burning by bell hooks. Two areas of critique I focus on and question are the critiques regarding the filmmaker, audience and drag queens and how they participate to reinforce a heterosexual racist patriarchy. Furthermore I ask if this line of investigation is the most beneficial way to view and understand the film and its various participants.

Thirty years ago, many believed that only gay people contracted the HIV virus, however, such speculation was disregarded once millions of people were infected. Humans were afraid to be infected, thus they stereotyped those who were infected in order to protect themselves, but the reality is that no one was safe from the HIV virus. Mary Fisher was one of few individuals that accepted the cruelty of the virus, but only by accepting what HIV is, she was able to challenge the virus. In order to awaken the society about the reality of AIDS, Mary Fisher’s speech, “A Whisper of AIDS” would send a message of challenge towards the virus and unite the humans to fight against AIDS. By balancing three different persuasive appeals; ethos, logos, and

inevitable that AIDS would be defined in political and cultural terms as well as medically, and

Throughout the Age of AIDS film many topics that were related to AIDS were brought up that I did not know anything about before. I did not know that there could so many strings attached to a disease and have such an influence in people’s lives whether it was negative or positive.

In the documentary “The Age of AIDS,” FRONTLINE examines the outbreak of AIDS since its first diagnosed case in 1981. The film investigates different medical, political and social environments under AIDS pandemic in the US and worldwide. The film not only focuses on the scientific research and progress in treating the disease, it also looks at the social stigma, government strategies and public campaigns around different countries.

The poem “Faith”, written by Mark Doty in 1995, works to destigmatize Acquired Immune Deficiency Syndrome (AIDS) through his relationship with his partner, Wally. Since this poem was written in the mid-1990s, it is a progressive piece that focuses on normalizing homosexuality and raising awareness for AIDS. His writing focuses on combatting the largely-held belief that AIDS only affects homosexual men. There was also the idea that there were “good gays” and “bad gays”. “Bad gays” were the ones who had the misfortune to contract HIV (human immunodeficiency virus) and “good gays” did not contract HIV. Additionally, he describes the profound effect that a terminal disease can have on a relationship. Doty’s poem represents the idea that true love provides mankind with the ability to conquer fears. The main purpose of his poem is to show his love for his significant other and show the effect that AIDS had on their relationship, strengthening it, while making it more fragile at the same time. Doty’s poem is important because it opens up a non-judgmental conversation about AIDS, which was unique for that time.

When the AIDS and HIV virus crept its way into the human-race, it quickly, and without warning, claimed the lives of millions. Then when its destructive wake had finally been abated, it left behind several untold mysteries. Throughout the course of this class, all the new material we have been exposed to has added some unique piece to the puzzle of the AIDS epidemic. Each puzzle pieces have ranged from speculations on how the AIDS epidemic had begun, to what exactly has the epidemic done. We have also tackled the question and how it forced a change in society. Our newest piece of the puzzle is the documentary “The Age of AIDS,” by William Cran. Although this documentary did not surprise me in its content, it did, however, affirm certain types

Paris is Burning is a film that takes place in New York city during the 80’s. It documents the underground balls, drag scenes and its contestants. Although the common race we see in the film in African American we also see other different races such as, White’s and Latino’s. Therefore, I will analyze this documentary from the perspective of African American rhetoric.

Although the Stonewall riots increase the awareness of gay rights, the 1980s AIDS epidemic was another turning point for the gay community. Thus many gay artists expressed their concerns and views through their art about how the society has ignored them in time of crisis. It was clear that massive numbers in the gay community were being infected with previously unknown blood borne pathogens that destroy the immune system. The government ignored the rise of the epidemic. For example, there were no AIDS-related research, prevention, and treatments. Instead, AIDS was originally framed by the media as a homosexual issue because the first individuals to contract AIDS were gays. Another right-wing idea was that gay men brought this disease onto themselves and that it was God’s punishment for their immoral behaviors. As a result, most people—especially gay artists expressed their anger and concerns through their art. For example, David Wonjnarowicz was diagnosed with AIDS and was not shy about expressing his anger through his art. His 13-minute video A Fire in My Belly 1987 expressed his outrage and about grief the AIDS epidemic. The first half of the video shows the street of Juarez, Mexico, where amputees pass through intersections and headlines blare reports of daily murder. The second section depicted more personal concerns. Wojnarowicz himself appeared

The film Dallas Buyers Club is a biographical drama whose plot is based around the HIV/AIDS epidemic of the 1980s. Early in the history of the illness, cases of a rare lung infection were found in five previously healthy young men. In addition to that, the young men all suffered from various other infections which indicated that their immune systems were not functioning properly. The new illness was so aggressive that before a report by the CDC could be published, two of the five men had succumbed to the illness. Besides the similar rare cases of lung infection amongst the five, there was one other shared characteristic; they were all gay men. By years’ end, there were 270 reported cases in gay men with the same disease; of that 270 however, 121 of those individuals had passed (Timeline of HIV/AIDS,2011). It was now clear that there was a new threat to gay men besides social ostracizing; HIV/AIDS had made its presence known.

The environment in which people live in demonstrates the societal norms and values of said culture. In Émile Zola’s The Belly of Paris, Florent, a political outcast, returns to Paris only to find that the regime has drastically changed. Napoleon III, a self-elected emperor, has torn down many of the streets of Old Paris to make room for the angular and orderly streets of New Paris as well as the new markets of Les Halles. Throughout the novel, the character’s lives revolve around the various markets in Les Halles and the streets of Paris. Zola uses descriptions of architecture and city planning as well as how people use space within Paris to demonstrate the city’s corruption, signifying that the architecture of a city is a reflection of