Analysis Of Parker Palmer's Let Your Life Speak

This essay will analyse the piece What’s Going On by Marvin Gaye, based on it’s melodic, harmonic and rhythmic content. It will also consider the form, structure, instrumentation and use of dynamics in the piece, while providing a contextualisation of the piece to convey where it sits in a broader context, historically, socially and politically. In addition, how it relates to its genre, what influenced the piece and what has the piece influenced will be explored. The creative processes involved in the recording and production of the piece will also be examined.

Painter Chris Ofili is well known in his highly decorative style to playfully explore the notion of black cultural identity. British born to Nigerian parents artist Chris Ofili often makes work highlighting political conversations. In 1998 he won the Turner Prize, the painting No Woman, No Cry was one of the works included in exhibition which won him the prize. It was made while he was living and working in London, a time period of Ofili’s practice, beginning in 1996, in which he shifted from making predominantly abstract paintings with loosely representative elements to pictures that primarily focused on large scale individual figures. In particular, it is one of a number of paintings he made in 1998 and 1999 that depict black women from the chest upwards. No Woman, No Cry(fig 1) is a large, complex layered painting that depicts a crying black woman set in a background amongst various abstract patterns. The black woman is shown in profile wearing blue eye shadow, red lipstick, a string of coloured beads that form a necklace, the jewel of her necklace represented by ball of elephant dung frequently used in Ofili’s paintings. A stream of tears falls from her eyes, which all feature in their centre a very small photograph of a boys face. When exhibited, Ofili has also used elephant dung to make two rests on which to display the work while it leans against the gallery wall. No Woman, No Cry refers a to specific event in British social and political history, it

Whether it be a dragon, tribal marking, Asian character, or a simple phrase, thousands of people get tattoos daily. Tattoos play a significant role in self-expression and identity in the modern age as well as since ancient times. Tattoos can be just for fun, symbolic of heritage and ancestry, representative of accomplishments or life events, or can be just for style. For some people, it’s an expression of identity and personal beliefs. This is exactly the case for Leslie Jamison. She tells the story of her tattoo in “Mark My Words. Maybe.” On Jamison’s forearm, the Latin phrase “homo sum: humani nil a me alienum puto”. In English, this is translated to “I am human: nothing human is alien to me” (Jamison 458). Throughout her story, she

This book connects with me in a way that only one other book has (that book being Fahrenheit 451). It digs deep into my mind and takes things out that I have buried away and hoped to never think of again. Most of the people in my family suffer from depression, including me. The author and I are very much alike. I don’t tell anyone about it because not a lot of people understand what it means to suffer from depression. A deep part of my mind doesn’t want to tell anyone in my family because they all think I’m a happy and joyful person with a bright future and I don’t want to smash their hopes in thinking that at least one of my parents’ kids doesn’t suffer from depression. But the truth is, is that I

Ludacris does a remarkable job of portraying his message about the struggles that some adolescents are faced with. “Runaway Love”, by Ludacris, featuring Mary J. Blige (2007), represents the theme of struggle through hip-hop and rap music. It is about little girls who are “stuck up in the world on their own.” They have to take care of themselves because the people they are around do not care about them. They range from nine to eleven years in age, and their goal in life, at such a young age, is to run away from home. Ludacris is trying to get the listener to realize the struggles that even children have to face because adults are not the only ones who have problems, like most people believe. He is very successful in

In this quote, the author is showing how Dante’s finally learns about how he has gotten mistreated throughout the whole prison affair. I chose this quote because it shows the how gullible and trusting Dante’s was as a person and how it quickly changed into a fury that would not be extinguished.

In the final stanza, he makes the reader sad as he assumes the inevitable will happen and she will die. He expresses this through metaphors such as a “black figure in her white cave”, which is a reference to the bright white hospital rooms and although he is the black figure he thinks she just sees a shadow which could be the grim reaper or even death himself, coming to end her journey. No one wants to deal with the sorrow of losing a loved one for good, as

For a long period of time, every day that I woke up, I would cry. Weep at the mere fact that I had not died. I did not want to be awake. I did not want to be alive. I hated feeling “numb”, I did not want to feel at all. It is problematic to accurately explain how and why I became depression’s slave. I never openly invited grief into my life. It invited itself and it provoked a large amount of torment. I hate admitting to the fact

Should we simply only do things that we are passionate about or do we need to do some things that we hate in order to meet our responsibilities? This is exactly what Gordon Marino strongly argues in “A Life Beyond ‘Do What You Love’”. Gordon Marino has created a successful argument about doing what you love and how sometimes we have to do what we hate because we simply have to. He creates his argument by stating his credibility, using emotional tactics, raising a question and then immediately answering it, and asking questions that you immediately know the answer to.

Brosh’s first post on depression, “Adventures in Depression”, describes the grueling progression into apathy she experienced. She makes reference to the obscurity in cause of her depression by saying “Some people have a legitimate reason to feel depressed, but not me. I just woke up one day feeling sad and helpless for absolutely no reason.” Brosh goes on to counteract this, stating “It’s disappointing to feel sad for no reason. Sadness can be almost pleasantly indulgent when you have a way to justify it – you can listen to sad music and imagine yourself as the protagonist in a dramatic movie.” The oscillation Brosh presents by sharing her nonsensical depression and contrasting it with more typical sadness demonstrates how grave her situation is while presenting the audience with a humorous observation to laugh at. Brosh has no source to try and end the depression she is feeling, since there is no particularly valid reason she began to feel it. This predicament leaves Brosh rather powerless, causing her struggle to be arduous and long. She describes her attempts to snap herself out of depression by being self-deprecating, a process that backfires. Brosh claims “The self-loathing and shame had ceased to be even slightly productive, but it was too late to go back at that point, so I just kept going. I followed myself around like a bully, narrating my thoughts and actions with a constant stream of abuse.” Despite the harshness of this behavior, Brosh creates humor in the way

“Personally I believe that congenial work, with excitement and change would do me good.” The narrator of “The Yellow Wallpaper” by Charlotte Perkins Gilman had been musing her opposing thoughts to the rest cure her husband John, a physician, had put her on for her neurasthenia, which is better known as depression. In this short story, a woman had begun experiencing signs of depression after the birth of her and her husband’s child. Once placed on the rest cure, she had slowly begun to go crazy with boredom and began to see things and people inside of ordinary objects, their ugly yellow wallpaper mostly. Being that her husband was a physician, he ignored every plea she made for herself, truly believing that his educated self knew what was better for her, yet it’s possible that the same events would have played out even if he wasn’t a physician, and was just a man who believed the experts of these cases.

The Fray's hit song, 'How To Save a Life,' tells a story of a mentor, also a friend, who is trying to 'save a life' of a troubled youth. The story starts off with the teenager and this friend sitting down to have a talk about what is wrong in the teen?s life. The second line reads, 'he walks, you say sit down it's just a talk,' this showing anger and fear of what might be brought up in conversation, so he tries to run away from the problem. Although neither individual wants to have the talk, they both respect each other enough to be polite, 'He smiles politely back at you/

It is commonly believed that the way someone acts is a reflection of their surroundings, whether immediate or long term. If you are surrounded by things that scare you, you will likely act panicked and frantic. If you grow up in an area infested with criminals, you will likely act less dramatically when you see minor crimes committed. The same theory goes for many protagonists in stories and poems. It is no different for Inferno, a poem by Dante Alighieri, where the protagonist is immediately affected by his surroundings.

Doctor Jon Lieberman describes his personal experience with depression and how overwhelming it can be. Not only does it affect his mood but also physiologically, his sleep patterns. Doctor Lieberman illustrates depression as “strong feelings of apathy and anxiety”.

Reading about the experiences leaves me feeling more empathic towards my clients with depression. Though I do speak about depression and suicide in my Coping with Loss group, which I facilitate, reading this book leaves me with a greater understanding of what my clients may be going through (especially when it is difficult for them to express themselves).