Analysis Of Paulette Jiles's The Murky Path To Acceptance

Everyone in the world has their own identity but some are still searching for it. Many base their identity on race, religion, culture and language because it’s easier to belong to a certain group. However, there are some people who struggle with finding where they belong. For instance, James McBride in The Color of Water wonders who he is through most his childhood and some of his adult life. Mcbride tries to find himself by learning about his mother's background. After evaluating his mom’s past,culture and race his own issues with himself were made clearer because now he finally knows where he came from.

Characters, in Heidi Durrow’s The Girl Who Fell from the Sky, force the protagonist, Rachel, to choose between her white and black side. They only acknowledge her black side while only celebrating her white qualities. Consequently, Rachel feels the obligation to accept the roles that have been thrust upon her and ignores part of her race because of the commentary from her family and peers. Rachel adapting to the portrayal of her racial identity to appeal to the normalized opinions of her appearance, demonstrates her tendency to comply with the categorization people of color face throughout society. Ultimately, leading Rachel to pick and choose the parts of her racial identity that most please the people she is with.

In his essay, “Pretty like a White Boy: The Adventure of a Blue-Eyed a Ojibway,” Drew Hayden Taylor discusses his negative life experiences, and decides that he will no longer classify himself as either a White, or Native person, though he is of dual ancestry. Though he aims his essay at the Everyman, he assumes that the reader has knowledge in Native history. Taylor, the comedian mentions that he never knew his White father, and it is likely that he was raised in First Nations household. This assumption supports the ethos of his essay as a whole. While examining the thesis, Taylor makes jumps in logic that are difficult for the reader to follow, on the path to his conclusion. Taylor’s style is consistently lighthearted, and his essay is structurally sound, however, due to errors in logic, his essay appeals to the heart alone.

In the boiling pot of America most people have been asked “what are you?” when referring to one’s race or nationality. In the short story “Borders” by Thomas King he explores one of the many difficulties of living in a world that was stripped from his race. In a country that is as diverse as North America, culture and self-identity are hard to maintain. King’s short story “Borders” deals with a conflict that I have come to know well of. The mother in “Borders” is just in preserving her race and the background of her people. The mother manages to maintain her identity that many people lose from environmental pressure.

This shines light upon her Native American roots and how it can be an inspiration for her Century Quilt, each square representing her family’s racial diversity and mixed roots. It is quite difficult to learn of all the harsh animosity they were enduring, such as Meema and her yellow sisters whose “grandfather’s white family nodding at them when they met” (24-27). The hostility is clear as the white relatives only register their presence; no “hello” or warm embrace as if they didn’t acknowledge them as true family. However, with descriptive imagery, the speaker’s sense of pride for having the best of both worlds is still present as she understands Meema’s past experiences and embraces her family’s complexity wholeheartedly; animosity and all.

Imagine finding out that your entire life was a lie, and that every single thing you knew about your identity and your family was completely false! Armand Aubigny, one of the main characters in Desiree’s Baby by Kate Chopin, experiences this exact dilemma throughout this short story. Desiree’s Baby is a story about a young man and woman, who fall in love, but Desiree, who does not know her birth parents, is considered nameless. When she and Armand have a child, they are both very surprised because the child’s skin color is not white as expected. It is obvious that the child is biracial, and immediately, Desiree is blamed for the color of the child’s skin because of her uncertain background. The truth, however, is that it is Armand who has

Caucasia by Danzy Senna, is an intriguing novel of girl who explores race through performing as both white and black. Birdie Lee, also known as Jesse as the story goes on, is the protagonist in the novel. Over time and experience she continues to struggles with finding a common ground between her white and black heritage. Because she is biracial she struggles with changing from white to black all depending on what is going on and where she is. "My body would fill the blanks tell me who I should become, and I would let it speak for me."(Senna 1) The "blanks" Birdie is referring to is her individuality and identity. Birdie explains that in life, in order to survive you first must disappear. She then deliberates the question, “What was the point of surviving if you had to disappear?” (Senna 8). In this story we follow her as she sacrifices her identity in order to survive. In Caucasia, performing identity is only crucial because most of the difficulties for Birdies family were based on race.

McLaurin caught interest in a girl named Charlotte Humphries who had been a schoolmate of his since the first grade. Blue eyes, blonde hair, having the complexion of a white girl, he was impressed and did not think pursuing wanting to date her would be a problem. However, regardless of his feelings, his mother disagreed and insisted that Charlotte would not be a good idea for him. McLaurin’s grandmother began to explain to him that he “just shouldn’t” pursue her, mentioning that the story behind it all goes back a long time ago. She explained that Charlotte’s great-grandmother was someone who was a “mulatto nigra”. Some mulattos pass as white, even though they are not, if they are light enough and that is what happened with Charlotte’s great-grandmother. Even though Charlotte was blue eyed blond hair, McLaurin could not pursue her simply because black ancestry was in her blood.

Identity can mean different things to different people, but for most people, it’s about one’s personality and experiences. The 21st century has seen young people in various parts of the globe have a preference for some desired identity, which they deem superior, rather than accept their own identities. For example, in Goin Gangsta, Choosin Cholista: Claiming Identity, Neil Bernstein makes a case on how a number of people have claimed ethnic individualities other than their own and this is not an evil obsession (Bernstein, 1995). In this essay, a girl named April and her friends (and by extension most young people) believe that “identity is not a matter of where you come from, what you were born into, or what colour your skin is, but it’s everything

Between the World and Me has been called a book about race, but the author argues that race itself is a flawed, if anything, nothing more than a pretext for racism. Early in the book he writes, “Race, is the child of racism, not the father.” The idea of race has been so important in the history of America and in the self-identification of its people and racial designations have literally marked the difference between life and death in some instances. How does discrediting the idea of race as an immutable, unchangeable fact changes the way we look at our history? Ourselves? In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and the current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the

Racial identity is an important concept that everyone must deal with in their life. It is an individual’s sense of having their identity be defined by belonging to a race and or ethnic group. How strong the identity is depending on how much the individual has processed and internalized the sociological, political, and other factors within the group. In some instances, people do not identify with their race and they will “pass” as another. Nella Larsen, an African American writer and prominent member of the Harlem Renaissance movement, she explores the consequences of “passing”. Larsen’s Passing is a novel that challenges the concept of ethnicity, race and gender while revolutionizing the idea of what we describe as identity. The novel explores the issue of race through vivid plotting that depicts a mentally touching story of affecting boundaries in the early American society. The novel also explores the effects of racial construction on a person through multiple levels. Through Larsen’s characterization and setting she is able to bring out the social construction of race in an enjoyable and educated format in which race, class distinction and identity themes are intertwined. Larsen herself often struggles with identity, as she grew up being raised by an all-white household after her father, a black West Indian, disappeared from her life. Larsen depicts the theme of racial identity by using two women characters, both of which are attractive, and are “light” enough to be able

I am black of an African American decent. I am Chinese of a Korean decent. I am white, I am Canadian. These statements are common examples of how many people view their race and identity. Similar to the statements made in the novels, Obasan by Joy Kogawa and More by Austin Clarke. Both novels illustrate people as attaching an individual’s identity through their race, colour and ethnicity. Naomi Nah Cane characterized in Obasan, is born in Canada but is looked upon and is treated as an immigrant, similar to Idora Morrison who has a Canadian citizenship and has lived in Canada for many years is still viewed as an immigrant. Although, Naomi and Idora both raise questions on why they don’t belong in the white community, however Idora truly fights back and raises a voice rather than Naomi who is more silent in such discriminations.

Louise Erdrich is an author that specializes in writing literature that features Native American characters, the Chippewa Nation, and multicultural backgrounds. This stems from the fact that Erdrich herself is of Native American and German descent. Erdrich knows what she writes and has developed a particular writing style that is flavored by strong characterization and a careful focus on thematic features. (” Reading between Worlds: Narrativity in the Fiction of Louise Erdrich”.) By far, though, her real strength lies within her use of symbolism to represent important

The main protagonists in the novels A Complicated Kindness and The Kite Runner convey that identities are socially constructed. The following factors shape identity: parenting, conflict, culture, gender, and genetics. These factors all intertwine and are the primary influencers for developing the protagonist's identity. Furthermore, this is formed by the people that surround a person from their cultural stereotypes, how they teach others, and how a person learns. This essay will discuss how these factors affect the protagonist’s identity and why they are important.

The race that a person is born into itself entails a variety of social pressures and preconceptions; this is common knowledge. Discomfort with one’s own race (as well as the particular forces which mold a personality centered around that fixed fixation), however, opens us to a different variety of pressures, which include both those felt by reluctant oppressors and those who can pass as outside of their category by birth. Lillian Smith discusses the perspective of the former category in Killers of the Dream, a contemplation on race relations in the South from the perspective of a white woman, both oppressor and oppressed, while Anatole Broyard’s memoir Kafka Was the