Analysis Of Percy Shelley 's ' Frankenstein '

Mary Shelley was a young, well-educated woman from England. She was born on August 30th 1797, in London. Her mother Mary Wollstonecraft, was the author of “A Vindication of the Rights of Woman”. She died giving birth to Mary, leaving her daughter in the care of her husband, William Godwin. The atmosphere that Mary Shelley grew up in exposed her to cutting-edge ideas, which are shown all throughout the novel. Mary Shelley’s lover, Percy Shelley was a young poet, and as he was already married, her relationship with him wasn’t the smoothest.

Percy Shelley has always been an individualist, taking the controversial aspect of topics and sticking to his beliefs; whether or not he got worshipped or abhorred did not matter or affect his opinion (“Percy Bysshe Shelley”). Throughout his life span of the late 1700s and early 1800s, he managed to fill his mind with his own thoughts and did not let anything block him from pursuing his passion in writing. Percy Bysshe Shelley expressed his individualism and realness in his works through a unique style of writing shown in “Ozymandias” and “To a Skylark”; although he learned and grew from his criticisms, he was heavily influenced by his childhood, personal beliefs, and views and experiences of the world.

Every work is a product of its time. Indeed, we see that in Frankenstein, like in the world which produced its author, race, or the outward appearances on which that construct is based, determines much of the treatment received by those at all levels of its hierarchy. Within the work, Mary Shelley, its author, not only presents a racialized view of its characters, but further establishes and enforces the racial hierarchy present and known to her in her own world. For the few non-European characters, their appearance, and thus their standing in its related hierarchy, defines their entrances into the narrative. For the Creature, this occurs on the ices of the Artic, when, “atop a low carriage, fixed on a sledge and drawn by dogs, pass on towards the north, at the distance of half a mile;” Walton and his men perceived, “a being which had the shape of a man, but apparently of gigantic stature.” (Shelley 13) Shelley clarifies, even this early in her novel, the race of its principal Other as soon after the intrepid adventurers rescue its namesake, Victor Frankenstein, who, Shelley clarifies, “was not, as the other traveller seemed to be, a savage inhabitant of some undiscovered island, but an European.” (Shelley 14) Later, closer examination of the Creature reveals a visage and figure of near unimaginable disfigurement, with a “shrivelled complexion,” and yellow skin which “scarcely covered the work of muscles and arteries beneath.” (Shelley 35) This could be contrasted directly

In the late eighteenth century arose in literature a period of social, political and religious confusion, the Romantic Movement, a movement that emphasized the emotional and the personal in reaction to classical values of order and objectivity. English poets like William Blake or Percy Bysshe Shelley seen themselves with the capacity of not only write about usual life, but also of man’s ultimate fate in an uncertain world. Furthermore, they all declared their belief in the natural goodness of man and his future. Mary Shelley is a good example, since she questioned the redemption through the union of the human consciousness with the supernatural. Even though this movement was well known, none of the British writers in fact acknowledged

Mary Shelley, author of Frankenstein, references many other works of literature in her renowned book. To name a few of the referenced works there were John Milton’s Paradise Lost, the Greek “Prometheus myth”, and the widely known poem by Samuel Taylor Coleridge, “The Rime of the Ancient Mariner”. Each of these allusions gave a new meaning to Shelley’s story, affecting how each of the readers interpreted her words.

Pearce applies historical and religious viewpoints to support his claim. Pearce’s purpose of writing this article, however, was to persuade and encourage people to look at a different perspectives of Mary Shelley’s writing and observe and see his point of view. He encourages readers to remember Shelley’s background and religious views when analyzing the novel. Overall, Pearce’s argument is convincing. No matter how you look at it, Pearce brings a lot of evidence to the table to support his analyzation of Shelley and her novel.

This further motivated her to create a magnificent force of talent and imagination with the work of Frankenstein. Furthermore, as Shelley progressed in her life, personal circumstances like marriage, was involved heavily with her writing abilities and Frankenstein. Being married to a poet, she coexisted and collaborated with her husband consistently. They were translated idea and perspective through a creative and imaginative process. “In particular, Mary Shelley’s work with both her father and husband has been previously and valuably explored by scholars.

During his young life, Shelley traveled widely throughout Europe, wrote several political tracts such as his Address to the Irish People , and was involved with several women, including his second wife, Mary Shelley, the author of Frankenstein. He believed in nonviolence and advocated political action, and he always believed in social justice for the working classes. His life and writing held so much promise, but it was all cut short by his untimely death at the age of 30.

A romantic life full of pain and abandonment could only be given the monstrous form of "Frankenstein." Mary Shelley 's life gave birth to an imaginary victim full of misery and loneliness and placed him as the protagonist of one of her most famous and greatest works of art. As most people would assume, he is not just a fictional character, but in fact a creature who desperately demonstrates Shelley 's tragedies and losses during the age of the Romantic Era. Since Mary Shelley 's birth there have been numerous losses in her life. One extremely dominating event in Shelley 's life was the death of her mother. Soon after, her father remarried and Shelley entered a battle as the victim of a fight for love. In her

Mary Shelley was born on August 30, 1797, in London (Fraistat et al.). At the twilight of the Age of Enlightenment, Shelley was influenced heavily by romanticism ideology. Individualism, idealism, and interest in the world of nature were prominent ideas during Shelley’s lifetime (“Brief Guide”). Compared to the industrial revolution, where citizens sought to better society as a whole, romantic ideologies thought societies could permanently damage an individual. The themes of isolation and community are noticeable throughout Mary Shelley’s Frankenstein.

The amazing author Mary Shelley once said “Nothing is so painful to the human mind as a great and sudden change.” Change can come from many different things like absent from parents, relationships and choices. Mary Shelley’s writing presents itself as a unique and interesting way to support how those changes can affect certain lives. Mary Shelley’s first novel, Frankenstein, is one of the world’s finest worthy of study and the definitive novel of the English Romantic Era; the novel combines a detailed critique on humanity with the idea of state of nature and the idea of choice. English romanticism is a literary and social phenomena exhibiting several common attributes containing nature being in God, choice, and emotion over logic.

The loss of her mother, even a woman figure, she grew closer and closer to her life to be a base of the Romantic Period. The connection between Mary Shelley and her main character in “Frankenstein” both were motherless, which mainly explained her life and dues time. Meantime, before she starting writing she will often times go to her mothers’ grave and read nonstop. By her doing this it showed that how she was greatly influenced by her mother and everything she has done.

When writing a novel, it is impossible for an author to not convey their political views. Mary Shelley, in particular, was the daughter of a feminist and an anarchist who had complicated perspectives on the role that a woman is supposed to fulfill. Her father, William Godwin, believed that social institutions corrupted people. He is considered a hypocrite because at the beginning of his relationship with Mary Wollaston Craft they were unmarried and had a child out of wedlock. When Mary Shelley met her future husband Percy Shelley he was married, so Mary and Percy were together without being married. William Godwin ceased all financial aid with Mary and decided not to interact with her anymore. This tumultuous relationship effected Mary Shelley greatly, and contributed to her twisted view on the role of women.

Mary Shelley is influenced by other authors such as her mother, father, and husband. She writes of the tensions of her relations with other and her own lack of self-assertion. Through her letters she reveals her own lack of self-assertion. She attempts to protect her husband in keeping the information from the investigators. Yet afters his death she freely speaks on the matter. Mary

Percy Bysshe Shelley is one of the epic poets in the 19th century, and was known as one of the major romantic poets during this time period. This English poet was passionate for search of love and social justice, and has gradually strained from overt actions into poems. He was born on August 4th, 1792 in Horsham, United Kingdom. Percy was one of seven children, and the child of Elizabeth Pilfold and Timothy Shelley. He was the son of a landowner, who was the heir to the rich estates acquired from his grandfather Bysshe Shelley.