Analysis Of Plautus 's Comedies Seem Be A Double Edged Sword

Throughout A Midsummer Night’s Dream, while the story involving Lysander, Demetrius, Hermia, Helena, Oberon and Titania is developing, the rustic gentlemen (Bottom and his friends) are shown rehearsing for a play that they will perform in honor of the upcoming wedding of Theseus (the Duke of Athens) and Hippolyta. The play, “Pyramus and Thisby,” is based on a story that was told by the ancient Roman writer Ovid and retold by Chaucer. The “Pyramus and Thisby” play is not performed until the fifth and final act of A Midsummer Night’s Dream. By then, as Barton points out, the major problems of Lysander, Demetrius and the rest have all been neatly resolved. As such, the “Pyramus and Thisby” play-within-a-play “seems, in effect, to take place beyond the normal, plot-defined boundaries of comedy” (Barton 110).

During the end of the 3rd Century, the Playwright Plautus wrote many of the first Roman comedies. A Funny Thing Happened on the Way to the Forum is a musical comedy film adaptation of Plautus's comedies.Set in ancient Rome, many aspects of Roman theatre, including stock characters, were included in the film’s production. While the film is based off of multiple comedies, Plautus's Pseudolus character Calidorus is nearly identical to the film’s Hero. During the time Pseudolus was written, the Crisis of the Third Century led to up to 25% of Roman population being comprised of slaves(Southern). Of the many stock characters Platus included in his comedies, Calidorus/Hero, the son of Pseudolus’s owner and the stock character adulescens, best

In the trilogy of Oedipus, Sophocles constructed an enthralling family dynamic that induces central themes throughout the play. In numerous works of literature, family relationships engage in the central message of a piece of work. In Sophocles three plays, specifically interconnection between siblings and parent relationships create, refines, and complicates themes of power, love family, pride, and extreme fate.

The ancient Greeks highly valued the strength and power in a spoken word. Political, economic, cultural, and social life of the Ancient Greeks can be seen in their plays. They thus relied on words to communicating. Their desire to communicate and pass crucial information led to the creation of numerous plays across the region. The ancient Greek plays were both entertaining and educative thus reflecting on the kind of life that this person lived (Hogan 11). Their settings can suggest a lot about the circumstances and conditions under which this play was performed. The dramatic presentations were crucial to Athenians, a fact that can be seen from the numerous and well- spread theatres across the city. The paper will focus on how the ancient

So, just a quick introduction to the play. The key characters are HECUBA who was the Queen of Troy and wife of the Trojan King Priam, THE GHOST OF POLYDORUS who was the son of Hecuba and Priam, POLYXENA who was their daughter, POLYMESTOR who was the King of the Thrace and was also married to Priam’s eldest daughter, ODYSSEUS, who as we know was a Greek Homeric hero and AGAMEMNON who was the Greek leader.

Characters within a Greek tragedy should follow a basic set of guidelines in order to fit the premise of Aristotle’s poetics. The characters presented to the viewer should “be consistent, good, likeable, and of high status and reputation, but do not need to perfect” (Connelly).

"Overview: Oedipus Rex." Drama for Students. Ed. David M. Galens and Lynn M. Spampinato. Vol. 1.

Philoctetes is a play in which the audience follows the moral journey of Neoptolemus as he faces a moral dilemma concerning a plot to steal Philoctetes’ bow and arrows. Meanwhile, the play also focuses on Philoctetes hardships and agony due to desertion on the island of Lemnos. These two characters form a father-son relationship that becomes indelible in both Greek mythology and modern culture. Sophocles uses Neoptolemus’ resistance to befriend Philoctetes, Neoptolemus’ promise to Philoctetes and Neoptolemus’ betrayal of Philoctetes to create conflicts within their relationship establishes Neoptolemus’ journey into becoming a man thus conveying the central idea that overcoming moral dilemma allows moral maturity.

The lower class in Plautus’ Pseudolus is frequently cast in a negative light by other characters, yet actions of low class characters, such as Pseudolus, do not always fit this portrayal. Lower class characters, such as slaves, are depicted as untrustworthy, yet this is inconsistent, as they are also shown to be loyal in several instances.

Sophocles ' play “Oedipus Tyrannus” is an enigma. His play includes incest, murder and self-enlightenment all leading into the main theme of fate. Athenians believed that fate is not left up to man, but that is provided solely on the whims of the gods. Because of his dramatic approach to his plays Sophocles was considered one of the most brilliant and creative writers of his time.

The tale of Oedipus and his prophecy has intrigued not only the citizens of Greece in the ancient times, but also people all over the world for several generations. Most notable about the play was its peculiar structure, causing the audience to think analytically about the outcomes of Oedipus’ actions and how it compares with Aristotle’s beliefs. Another way that the people have examined the drama is by looking at the paradoxes (such as the confrontation of Tiresias and Oedipus), symbols (such as the Sphinx), and morals that has affected their perceptions by the end of the play. Nonetheless, the most important aspect is how relevant the story is and how it has influenced modern ideas like that of Freud and other people of today.

    The myth of Oedipus’s incest and parricide has been retold many different times. The basic story line has remained the same. Oedipus leaves Corinth to try to escape a fate of incest and parricide. After he leaving the city, he ends up saving Thebes from the Sphinx, becoming king of the city and in the process fulfilling the prophecy. The character of Oedipus changes in each play to help support a different meaning to the entire myth. Cocteau’s The Infernal Machine and Sophocles’s Oedipus the King are both centered on the myth, yet their themes are different. By changing Oedipus’s personality, motive, relationship with Jocasta, his mother and wife, and his character

Menander, Plautus and Terence are playwrights who are recognized for their unique depictions of slave stock characters. Plautus and Terence from Rome and Menander from Greece, were all part of new comedy, which was mainly characterized by communal issues and family relationships in comparison to old comedy which disregarded slavery and focused on political and philosophical criticism. Thus, the innovative focus of new comedy gave insight into Greek and Roman slave cultures through the actions and portrayal of slave characters. However, it is often debated whether or not these playwrights truly portrayed slavery within their comedies, due to their comedic exaggerations.

“Since his [Aristophanes’] plays were often sharply critical of Athenian policies, his ability to make people laugh was essential to conveying his message. He was a practitioner of what we now call Old Comedy, an irreverent form that ridiculed and insulted prominent people and important institutions” (80).

In the ‘Frogs’ and ‘Wasps’ written by the “eminently best” comedian of the fifth century, Aristophanes, we see he utilized humour to exact the important message that Athens is corrupt, and on the verge of chaos. The Athenian audience would expect to be thrust into a world of humour in the City Dionysia, somewhere parallel to their own (e.g. the Athenian jury in the ‘Wasps’, and the failings of the government in ‘Frogs’). It is vital, then, that Aristophanes conveys his political and social views through slapstick, farce, and caricature to interest the audience. This is an important component in both plays as the audience is able to simultaneously accept his diplomatic views whilst being entertained. After all his main point for producing his plays were to produce something with a “little fable, with a moral”.