Andy Warhol’s 2-D silkscreen print, Sitting Bull, is a very popular and controversial print from his series Cowboys and Indians. The print is representational, based on an original archival photo of the Sioux Chief, Sitting Bull. In the original photograph and print, the Chief is posing for a headshot photo, with a calm facial expression and stance. The chief has two long braids to both sides of his head and a feather on his head. In the print, the artist chose to make the chief’s skin light blue, his dress bright red, his hair and braids dark blue, and his shape is outlined in yellow, white and blue, drawing attention to the subject. As for most of Warhol’s Pop style pieces, the photo was redesigned by the artist to be printed in vivid colors and showcases a lightly colored outline of his body and shape, giving the original photo a modern touch. The artist’s work was printed using the silkscreen printing process on a 36 inch by 36 inch Lenox Museum Board paper (Sitting Bull 376, 2016). Sitting Bull is great representation of the artist’s famous style. Warhol was a very successful illustrator and designer in New York City before he and other artists developed the concept of Pop art, the style in which he is popular for, and the style he chose to recreate Sitting Bull (Andy Warhol Biography, 2016). Pop art is a modern style of art in which the subject matter is commonplace objects and people of everyday life, seeking to elevate the culture of the time and straying away from
There have been different art forms that have come and go over the course of time. Hence I will discuss, two significant movements like Post-impressionism and Pop art. Two important artists from these movements are, Vincent Van Gogh and Andy Warhol. There are many differences and very few similarities between these two movements and artists, although more differences. Van Gogh is one of the most captivating artists of post-impressionism. . Throughout his career Van Gogh has painted many works. One of those magnificent paintings is “Starry Night” by Vincent Van Gogh. In the other hand we will discuss one of the popular paintings “ Gold Marilyn” by Andy Warhol. Warhol is also the most famous of the Pop Artists and played a major role in making the art movement popular.
When we eat a slice of pizza we tend to wash it down with a bottle of Coke when we 're feeling sick we tend to have some Campbell 's chicken noodle soup when we think of rock 'n ' roll the name Elvis Presley comes to mind and for America 's sweetheart and movie actress there is none other than Marilyn Monroe. These for iconic objects and figures all have one thing in common they have stood the test of time and continue to be a part of American culture. Today I 'm going to talk about one man who took these ideas and started a new movement in the early 1960s it movement coined pop art where everyday recognizable images that have stood the test of time and continue to influence and be a part of American culture. This man goes by the name of Andy Warhol.
Pop art got its name from Lawrence Alloway, who was a British art critic in 1950’s. The name “Pop Art” reflected on the “familiar imagery of the contemporary urban environment” (kleiner, 981). This art form was popular for its bold and simple looks plus its bright and vibrant colors. An example of this type of art is the oil painting done by Andy Warhol, “Marilyn Diptych” (Warhol, Marilyn Diptych) in 1962. The Pop art movement became known in the mid-1950 and continued as main type of art form until the late 1960’s. The Pop art movement, was a movement where medium played a huge part in the society, with it reflecting on advertisements, comic strips and even celebrities, like Marilyn. This movement also has a large
Pop Art emerged in Britain in the late 50’s and the United States in the early 60’s.(Mamiya 1992) Pop Art is generally known today as a representation of celebrating popular culture and consumerism, however it’s background and origins are far more broad and extensive. There are many factors and influences that lead to the creation of the Pop Art movement such as adjusting to life after World War II, new technological advances that lead to mass cooperate growth, the evolution of Abstract Expressionism and also social issues in the media such as feminism. (Smith 2001; Mamiya 1992) Many of these factors overlap and act as a catalyst in the creation of Neodadaism and eventually Pop Art. (Livingstone 1992) Pop Art does not have a soul distinct style nor just one major influence and this can be proven by looking at key artists of the movement such as Roy Lichtenstein, Andy Warhol, Claes Oldenburg and James Rosenquist as well as female Pop artists such as Martha Rosler. (Brauer, Edwards, Finch & Hopps 2001) Exploring these artists and the major influences of their work will break down Pop Art and establish the movement’s purpose as well as its evolution.
For the second art encounter I visited the Museum of Art at BYU and viewed the Andy Warhol and Pablo Picasso print exhibit.There were several other modernist artist on display in the exhibit, such as Lichtenstein and Kalloeitz, however Warhol and Picasso were the artist that are most talked about in this course. Both of these artist are considered to be modernist, however their works look very different. Andy Warhol’s iconic Marilyn Monroe print was on display showing the industrial, pop side of modernist art. Warhol’s art imitates the negative social norms of the time. His lowd use of neon color and choice of subject add to the growing popularity of veneration of celebrities. He also was one of the first artist to mass produce his art, adding
Andy Warhol’s 2-D silkscreen print, Sitting Bull, is a very popular and controversial print from his series Cowboys and Indians. The print is representational, based on an original archival photo of the Sioux Chief, Sitting Bull. In the original photograph and print, the Chief is posing for a headshot photo, with a calm facial expression and stance. In the print, the artist chose to make the chief’s skin light blue, his dress bright red, his hair dark blue, and his shape is outlined in yellow, white and blue. As for most of Warhol’s Pop style pieces, the photo was redesigned by the artist to be printed in vivid colors and showcases a lightly colored outline of his body and shape, giving the original photo a modern touch. The artist’s work was printed using the silkscreen printing process on a 36 inch by 36 inch Lenox Museum Board paper (Sitting Bull 376, 2016). Sitting Bull is great representation of the artist’s style. Andy Warhol was a very successful illustrator and designer in New York City, where he and other artists developed the concept of Pop art, the style in which he is famous for, and the style he chose to recreate Sitting Bull (Andy Warhol Biography, 2016). Pop art is a modern style of art in which the subject matter is commonplace objects and people of everyday life, seeking to elevate the culture of the time and straying away from traditional themes such as mythology or religion. Warhol was a pioneer of contemporary art and really had a great impact on the
Why did Andy Warhol choose to use famous people to represent pop-art? Warhol used his process throughout the 1960s to reproduce multiple portraits of celebrities, including Marilyn Diptych, Michael Jackson , Elizabeth TaylorV and Mao. Andy Warhol duplicated images of mass-produced commercial prints, using famous people, suggesting that the media marketed celebrities just like products. Warhol, was fascinated with the rich and famous since his childhood.
and keeping up with the world's times. He tried to understand how the rest of
Andy Warhol being not simply a Pop artist, but an American artist who was known as the master of Pop Art, and about two of Warhol’s most famous paintings; Coca-Cola and Campbell’s Soup Cans. Andy Warhol was an artist and filmmaker, an initiator for the Pop Art movement in the 1960s. Warhol used mass production techniques to elevate art into the supposed unoriginality of the commercial culture of the United States. Warhol’s early drawings frequently recalls the Anglo-Saxon tradition of nonsense humor, a characteristically childlike exuberance, and the fact that Warhol was successfully earning a living in the advertising industry at the time was sufficient for many to dismiss his entire artistic output during this period as “commercial art”. Fifty years ago, Pop art captured the spirit of Warhol’s young art, but that basic structure has been (to most people) a revealing profitless movement for years. Pop art was a 1960s movement that focused on everyday objects, comic books and mediated images — now seems quaint and playful, but not Warhol. In the first part of Andy Warhol’s career he was an iconoclast, in the second, the artist as businessman. In 1960 Warhol’s graphic works underwent a fundamental change in terms of subject matter, accompanied at about the same time by a change in technique. Warhol’s graphic work covers areas not normally associated with the art of the twentieth century, and which might even be considered unique. In Andy Warhol’s paintings and prints of
Andy Warhol was the artist who wanted to use the methods around him that were developing. He was the artist who accepted the change of the culture. Similar to his idea about the development of technology, the mainstream of Pop art was to be more positive on creating new forms of expression rather than the Abstract Expression that was the traditional style of art in America at the time using new methods.
Hailed as the founding father of the Pop Art movement in the late 1950's and early 1960's, Andy Warhol, through his endeavors, brought forward society's obsession with mass culture and allowed it to become the subject of his art. He produced works that defied and challenged the popular notion of what art should be by disputing the "traditional conventions pertaining to the uniqueness, authenticity, and authorship" of art (Faerna 28). However, it is an injustice to say that Warhol's goals primarily included the desire to create such a ground-breaking and salient style of American art or to entertain the public by making his own artistic contributions. Rather, Andy Warhol's interests were more entwined in his own self-interest and greed.
The two works of art that I have chosen to analyze are 1) Jordan Casteel. Miles and JoJo. 2014. Oil on canvas, 54” x 72” and 2) Aaron Fowler. He Was. 2015. Mixed media, 134” x 165” x 108”. The themes that these works of art represent in regards to the exhibit are love, family, and pain. However, they also fall into other thematic categories. The main theme that seems to apply to both “Miles and JoJo” and “He Was” is Human Experience. Additionally, these arts differ in some ways.
I was looking at a bunch of Warhol’s paintings and I was confused. I was just staring at them and I’m thinking “why don’t you look like a Warhol?’ Then I realize that these paintings are from when he was younger. This was before he defined his aesthetic. I believe this was his discovering phase then he goes into his silk screening phase. Andy Warhol used current icons from the world for his work. One of the famous icons was the Campbell’s soup can. In 1962 Warhol displayed his Campbell's soup piece, one canvas for each 32 types of Campbell's soup. In 1960, Warhol began producing his first canvases, which he based on comic strip subjects. In 1961, he started using the method of silk screening. Silk screening starts with a stencil drawing then transferred with glue onto silk. Warhol's first silkscreen was Campbell’s Soup cans. Campbell’s Soup was an icon in the 1960s that gave you a sense of comfort. In spite of that, Warhol’s Soup Can paintings were to provoke concern about value. At first glance it may seem like a joke but it’s actually a sophisticated and thought-provoking artistic statement. In the 1960s Andy Warhol made a sculpture that was extension of what Warhol had done with the Campbell's Soup Cans, Brillo Boxes. The Brillo Boxes were made out of wood but made to look accurately like the boxes found in the
One of his jobs was to design the weather map for NBC’s morning news. In 1952 Warhol held his first exhibit, it was not a financial success, but it enhanced Warhol’s reputation as a commercial artist. But his spare time was now taken up with pop art, inspired by Jasper Johns and Robert Rauschenberg, two young pop artist, Warhol had come across in 1958. He began to paint, draw and print everyday objects such as, dollar bills, soup cans, postage stamps, comic strips, and soda bottles. According to Warhol, these were some of the consumer products “on which America is built.”
Pop art is an art development that emerged in the mid-1950s in Britain and in the late 1960s in the United States, which was inspired by consumerism and communal culture. (Raimes, Renow,2007)