Analysis Of Powers Of Object By Sylvia Plath

Joan D. Vinge once said, “We are all born with a unique genetic blueprint, which lays out the basic characteristics of our personality as well as our physical health and appearance... And yet, we all know that life experiences do change us.” In the short story, “Initiation,” by Sylvia Plath, Millicent, a teenage girl whom is being initiated into a high school sorority must go five days doing what their sorority big sister commands them to do. While being initiated, Millicent starts to realize that while being part of a group that she’s been longing to be apart of is great, being an individual and creating yourself makes you more unique than those who are part of a group. Having individuality allows you to be more free, and makes you more memorable to those around you.

Esther’s judgmental attitude is not just reserved for her peers. She also makes decisions about the adults she encounters –including her superiors and mentors- based upon their physical attractiveness. When Esther first brings up Jay Cee, her boss at the magazine, she describes her as “plug-ugly” (6), and then goes on to describe her accomplishments as if they were much less significant than they really were. Simply because she was unattractive by Esther’s standards, her value as a person was diminished. Esther says, “Jay Cee wanted to teach me something, all the old ladies I ever knew wanted

In the short story “Initiation” by Sylvia Plath, the protagonist Millicent, a girl at Lansing High School is being tried as a member of an elite sorority. The girls must go through a week of being an older sister’s servant to be then tried on Friday at Rat Court. Only the most popular girls are accepted into the sorority. These popular girls are also the ones who get the most, popular boyfriends. Everything seems like a dream to Millicent except for the fact that her best friend Tracy wasn’t even considered. Although she wants to belong in the sorority, Millicent finds out that things might not be as perfect as they seem. In “Initiation” by Sylvia Plath, the author uses the point of view third person omniscient to allow the reader to

In the short story “Initiation” by Sylvia Plath, Millicent Arnold is a narcissistic teenager undergoing her initiation into the most prestige social group at Lansing High. Despite being aware of the risk at losing her best friend, Tracy, Millicent eagerly seeks the opportunity to be part of a close-knit group and as a result, she is mistreated and forced to conform to the group’s narrow standards. Plath explains how being part of a social group does not necessarily help one grow individually, but rather assimilates them into what is portrayed as esteemed social status. As Millicent goes through the downgrading initiation process, she discovers the value of friendship and realizes that being associated with a certain group will not help her achieve confidence in her true self.

Poets, Judith Wright, Sylvia Plath and Emily Dickenson all express their views on life and death, however, do so in varying manners. Through imagery, Wright and Plath both consider life’s beginnings, however, Wright considers it to be a beautiful gift, whereas Plath views birth as an empty burden. Subsequently, through structure Dickenson and Wright each acknowledge life, expressing how in some cases it is difficult, yet in other circumstances it is celebrated. Finally, through tone, Dickenson and Plath convey their views on death, yet differ in that Plath believes it is purifying and holds a sick fascination with it, while Dickenson instead holds a unique curiosity about it. Therefore, whilst each poet recognises the journey of birth,

It tends to be the trend for women who have had traumatic childhoods to be attracted to men who epitomize their emptiness felt as children. Women who have had unaffectionate or absent fathers, adulterous husbands or boyfriends, or relatives who molested them seem to become involved in relationships with men who, instead of being the opposite of the “monsters” in their lives, are the exact replicas of these ugly men. Sylvia Plath’s poem “Daddy” is a perfect example of this unfortunate trend. In this poem, she speaks directly to her dead father and her husband who has been cheating on her, as the poem so indicates.

In the poem “Daddy,” Sylvia Plath describes her true feelings about her deceased father. Throughout the dialogue, the reader can find many instances that illustrate a great feeling of hatred toward the author’s father. She begins by expressing her fears of her father and how he treated her. Subsequently she conveys her outlook on the wars being fought in Germany. She continues by explaining her life since her father and how it has related to him.

Sylvia Plath was a troubled writer to say the least, not only did she endure the loss of her father a young age but she later on “attempted suicide at her home and was hospitalized, where she underwent psychiatric treatment” for her depression (Dunn). Writing primarily as a poet, she only ever wrote a single novel, The Bell Jar. This fictional autobiography “[chronicles] the circumstances of her mental collapse and subsequent suicide attempt” but from the viewpoint of the fictional protagonist, Esther Greenwood, who suffers the same loss and challenges as Plath (Allen 890). Due to the novel’s strong resemblance to Plath’s own history it was published under the pseudonym “Victoria Lucas”. In The Bell Jar, Sylvia Plath expresses the

In this novel, one could say that the main character, Carrie, is ‘not like other girls’— she’s overweight, with greasy hair and uncontrolled acne. In fact, the novel notes that her excess weight resulted in part from the bullying when her description states that “she felt so miserable…the only way to fill that…hole was to eat” (King 39). She doesn’t have many friends and is the complete opposite of a ‘Cosmo Girl’. In the words of the school coach, “She [had always been] the group scapegoat” (King 21). From her description in the novel, a reader can see that in terms of gender and gender roles, she was not very “feminine”. In 1981, the Journal of Sex Research came out with a study that categorized the results of certain combinations of “low-feminine” preferences in a household could affect it. In the case of Carrie’s household, according to the study, one could characterize Carrie’s bible-thumping mother as having “low-feminine identification”, as she often took the masculine role of disciplining her child. Carrie also had “low-feminine identification”, seen by her carelessness of her appearance. The study falls parallel to the argument that women propelled their own anguish as it says that “A frustrating and rejecting mother, one who keeps her distance between herself and her daughter, may cause such weak

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

"It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn 't know what I was doing in New York" (1; ch. 1), the opening line of The Bell Jar by Sylvia Plath, effectively sets the tone for both the life of Plath and the remainder of the novel. Plath 's depression and cynical outlook on life fueled the creation of many of her poems and novels, and particularly The Bell Jar in its autobiographical fictional genre. In this way, Sylvia Plath is able to more clearly display the disillusionment of the Modernist era in The Bell Jar as she showcases the harshly conforming expectations placed on women in the 1950s and their negative consequences on the psyches of these women.

The lack of male presence symbolizes their disdain in the women’s lives. As portrayed in the book, the protagonist and other major characters are all females, suggesting self-sufficiency. The author writes about the women being left by their husbands, but moves on, depicting male triviality. The female characters also develop their independence when they rely on each other during difficult times.

She is, “driven mad by a patriarchy controlling her ‘for her own good’.” Due to oppression by men in her life, the narrator represents the effects of oppression on women in society.

mirror. Who are almost getting in the way so to speak of its life and

Wrapped in gaseous mystique, Sylvia Plath’s poetry has haunted enthusiastic readers since immediately after her death in February, 1963. Like her eyes, her words are sharp, apt tools which brand her message on the brains and hearts of her readers. With each reading, she initiates them forever into the shrouded, vestal clan of her own mind. How is the reader to interpret those singeing, singing words? Her work may be read as a lone monument, with no ties to the world she left behind. But in doing so, the reader merely grazes the surface of her rich poetics. Her poetry is largely autobiographical, particularly Ariel and The Bell Jar, and it is from this frame of mind that the reader interprets the work as a