Analysis Of Purple Hibiscus

Hugh Prather, an American writer, once said “Just when I think I have learned the way to live, life changes.” Change is an inevitable part of being human. As we grow we meet and discover new ideas and people, that change our thinking. For the most part, change happens in very small amounts in life, but there are times at which one single event can lead to great personal development or downfall. In the novels Things Fall Apart by Chinua Achebe and Purple Hibiscus by Chimamanda Ngozi Adichie, change of physical and social interactions and environments leads to change in personal beliefs. However, while Purple Hibiscus portrays change as a beneficial transformation, Things Fall Apart argues that change is undesirable. In Purple Hibiscus,

This change and maturity in Kambili is later shown when she starts to defy papa. This is shown when she steals the picture of papa Nnukwu and keeps it in her room and when she describes Papa as a “tall stranger”! However Kambili still remains loyal to her father and obeys him still, she does not go to the extent and rebel totally against him, unlike Jaja. This also shows that she isn’t mature enough and therefore obeys her father and Jaja to an extent.

Imagine living in dramatic fear, someone who loves you, puts you through abuse, depression, and demolishing your self-esteem. How does a person grow from such a traumatic experience and become brave? Chimamanda Ngozi Adichie was born on September 15, 1977 in Enugu, Nigeria. During her senior year at Eastern, she started working on her first novel, Purple Hibiscus, which was released in October 2003. Adichie demonstrates bravery and growth in humanity. Kambili and her family’s lives are followed throughout Purple Hibiscus. Kambili and her family live through fear of Papa, they are silent and are afraid to stand up for themselves. Fear suppresses our individuality and confidence- thus; it controls humanity and hinders us from bravery and growth.

Chimamanda Adichie’s Purple Hibiscus is a story set in Nigeria told from the perspective of Kambili and her journey towards independence; along the way, she looks to the female role models in her life, each which aid her path to liberation. Mama and Aunty Ifeoma are two vital female characters to the development of the story but with stark contrasts; Mama’s submissive and reserved demeanor provides a perfect foil to Aunty’s outgoing and independent personality. They both influence Adichie’s bildungsroman, but how they aid Kambili’s endeavor is strikingly different. Mama and Aunty Ifeoma represent the female figures in Kambili’s life; Mama shows Kambili to submit to the men in her life, while Aunty Ifeoma opens up the idea of being independent and free thinking. Mama stresses submission and dependency as a sacrifice to tradition while Aunty Ifeoma emphasizes independent thought to embrace oneself and progress over all others. The way that these two women uphold themselves throughout the novel, demonstrates how these patriarchal societies, like the one in Nigeria, restrict women like Mama, while women like Aunty are deemed rebellious to society.

During the novel “Purple Hibiscus”, we witness the transformation of Kambili Achike from a silenced, repressed and wary girl into a more confident, mature and happy young woman. This change is brought upon by significant characters in the story, who help show Kambili how joyous the world can be and how she also has a place within this joyous world. And through this Kambili finds a way to slowly crack through her father’s hold over her and come into her own.

Kamau sees his father but is once again refused the proper greeting. His father at first does not answer Kamau when he arrives. After moments Kamau finally is given the embracement of his family. He understood only after he had been told that it was assumed that he had been dead all these years. When Kamau asks about Muthoni, he perhaps wished he was. Karanja had not only told his family that he was dead, he had also stolen the love of Kamau away. I believe that at this point of the story the reader is shown this sin by Karanja to show that enemies reside on both side of the war line. Karanja would prove a much more torturous blow to Kamau than any Wazungu could ever deal.

An important relationship in the novel Purple Hibiscus by Chimimanda Ngozi Adichie is the relationship between Kambili and her Aunty Ifeoma, and her family. It introduces Kambili into a less sheltered environment where she is not only free to speak her mind, she is encouraged to question things, and form her own opinions. She also looks up to and admires her cousin, Amaka, who influences Kambili to be more confident and free thinking, like she is. The relationship between Kambili and Aunt Ifeoma’s family also opens Kambili up to new relationships, such as her relationship with Papa-Nnukwu. She begins to

The novel Purple Hibiscus, by Chimamanda Ngozi Adichie, is a story of a young girl , who tries to find her own voice and speak out against her violent oppressive father. The novel is set in post-post-colonial Nigeria, in a time in which the government was run by a military dictatorship. There are a number of symbols used to help develop ideas in the text; the three most important ones being purple and red hibiscuses and Mama’s figurines. The red hibiscuses are symbolic of the violence in Kambili’s life while the purple hibiscuses symbolise freedom, defiance and the freedom to speak out. The figurines are symbolic of Mama’s quiet character and of the violence in her home. These symbols are there to show the

Throughout Purple Hibiscus by Chimamanda Adichie, Kimbili and her brother become more defiant. The two learn that standing up for what one believes in is of the utmost importance, even if it means defying those you love. This lesson is most relevant when the reader analyses the narrator's relationship with their tyrannical father, Eugene. Adichie portrays two different views on defiance through Kimbili's father and her brother, Jaja. This stark contrast facilitates the reader's understanding on Adichie's own conflicted stance on the topic of defiance by the death of Eugene and his brutal rule and his family's reinvention of themselves after Kimbili's trip to see her Aunt and cousins.

1) Five major issues explored in purple hibiscus are; domestic violence, oppression, religion, education and love.

Kambili and Jaja break free from their father, Eugene’s, abusive and controlling ways in the novel Purple Hibiscus. Kambili is a shy and scared girl at the beginning, but by the end she was changed into a beautiful outgoing girl who develops her voice and her laughter. Jaja is more outgoing in the beginning and becomes more protective of his family throughout the book. The change didn’t come to Kambili and Jaja naturally; it came through Aunty Ifeoma and their time away from Eugene. Ifeoma’s rejection of Eugene’s Catholic-driven control inspires Kambili and Jaja to break free.

Purple Hibiscus takes place in Enugu, a city of political conflict in post Colonial Nigeria. The story is narrated by the protagonist Kambili Achike, a teenager and lives with her elder brother Jaja, who excels in academics like his sister but is withdrawn and sullen. Kambili’s father papa is a delightful but a harsh authoritarian whose faithfulness to

She learns from watching Papa Nnukwu doing his morning prayer (p. 167 – 169) that his traditionalism is a very spiritual thing for him and something that made him happy; happiness her family doesn’t feel after saying their prayers. This is a breakthrough for her as she makes the conclusion for herself and understands herself that there is an important something in Papa Nnukwu regarding his beliefs that is missing in their own lives which revolves around their religion. She also understands her grandfather better and sees and experiences that her father is wrong. This matures Kambili greatly and contributes to her independence of her father.

In both texts, there is a clear transmission of values and ideas in relative present society, from English to more ‘Americanised’ culture in Jerusalem, and Igbo to Western culture in Purple Hibiscus. This is an example of cultural globalisation. Because of this, communities are generally less insulated, with even those who cannot travel being able to have a good understanding of other cultures. Case in point Byron’s caravan in the woods. Than ever in history, people change their views and lifestyle influence by global cultural and consumption trends. Examples of cultural globalisation can be seen with the spread of commodity-based consumer culture. American commercialised products such as “Coca-Cola”, “Pepsi” highlight this ‘Americanisation’.

The novel Purple Hibiscus by Chimamanda Ngozi Adichie was published by Anchor Books in 2004, a first person narrative of life in the political turmoil of post-colonial Nigeria. Purple Hibiscus, exemplifies how the western feminist theory has greatly failed to address the needs and wants of the african women and their children. This essay focuses primary on the forms of patriarchy presented in the novel and how each utilizes violence, religious oppression and silence as forms of control over the mother and the children of the Achike family. The family's patriarch Eugene, the patriarchal religious leaders and the corruption of the patriarchal government attempt to control homes, parishes, and nations through silence and violence.The use of