Analysis Of Racism: Their Eyes Were, By Hurston

Jacksonville is where she where Hurston “was now a little colored girl.”(14) The pain that discrimination can cause did not affect Hurston her self-pride and individuality did not allow racial difference to effect her negatively. Hurston writes “I am not tragically colored. There is no great sorrow dammed up in my soul, I do not mind at all. I do not belong to the sobbing school of Negrohood”. (14) Hurston describes how someone is always reminding her of the past transgressions of the White people. Her response is simply that the past is in the past and we must live in the present. Hurston does describe moments when she feels racial difference and her experiences with it. There are time where being amount thousands of white people the author is “a dark rock surged upon, and overswept.”(14) Additionally there are the times where the author is among just one white person in a sea of black people as she describes in her different experience with a friend at a Jazz Club. With all of these situations of difference the author describes not changing and remaining the same. The author explains pride in oneself multiple times throughout the essay stating “I am the eternal feminine” (14) and “How can any deny themselves the pleasure of my

Her descriptions of people’s content being the same through images of junk in old bags allows her to drive home the point that people aren’t all the different, no matter the appearance. The small detail of Hurston claiming she has no race allows her to plunge into the powerful bag metaphor, effectively portraying her conception of race. Hurston’s simple details followed by powerful yet perceptible images powerfully portray her thoughts and points on racial conflict.

Of Zora Neale Hurston's novel Their Eyes Were Watching God, Alice Walker says "it speaks to me as no novel, past or present, has ever done."  Though 45 years separate Their Eyes Were Watching God and The Color Purple, the two novels embody many similar concerns and methods. Hurston and Walker write of the experience of uneducated rural southern black women. They find a wisdom that can transform our communal relations and our spiritual lives. As Celie in The Color Purple says, referring to God: "If he ever listened to poor colored women the world would be a different place, I can tell you."

Purpose- Hurston’s purpose is to demonstrate that she is proud of her color. She does not need the bragging rights of having Native American ancestry, nor does she ‘belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it.’

Hurston, on the other hand, lived in a town where only blacks lived until she was thirteen years old. Therefore, she only knew the “black” self. There was no second identity to contend with. She states that “white people differed from colored to me only in that they rode through town and never lived there.”2 She does not feel anger when she is discriminated against. She only wonders how anyone can not want to be in her company. She “has no separate feeling about being an American citizen and colored” (Hurston 1712).

Society has always thought of racism as a war given to the lowly African American from the supposedly high class white man, but no one thought there would be prejudice within a hierarchical class system inside the black community. However within that class system, history has shown that darker colored women are at the deep trenches of the totem pole. In the novel, “Their Eyes Were Watching God,” African American women are put under harm and control exposing the racism and sexism with their community. Through the life of Janie Crawford, Zora Neale Hurston portrays the concept of a woman finding her independence in a black, hierarchical, and racist society.

Hurston intended to “show the beauty and wealth of genuine Negro material” as a response to the stereotyping of black people in literature (Draper 1068-1069). Sykes is shown as a successful independent black man which was something not seen often in Hurston’s time. Her material mainly focused on black and black relations over black and white relations. By focusing on the successful side of black life that she grew up with, Hurston was able to show black youth a potential future for themselves that they may not have thought possible with their current situation. Condemning those who oppressed African Americans and defying traditional norms was Hurston’s way of disrupting the social climate of the time (Champion). In her works, she was able to shine a light on societal problems that she believed needed fixing. Literature was the only way to fight because as a black woman she had no other ways to fight without incarceration. Hurston intended to present the side of black people that many white people did not see, her writings were”important because they…[presented] characters who…[were] undeniably and realistically human” (Draper 1068). Hurston had to provide realistic black characters in a time that black people were still seen as worthless by many. She wanted people to understand that white people and black people were just people. Hurston wrote good characters, not good people, to show that all races of people had bad eggs. The characters in “Sweat” were very realistic, whether they be gossiping on the porch or abusing their wife, they are acting as real people do. They may not be doing things that are morally right, i.e. being abusive, but that is a fault in humanity that all races are guilty of. Hurston had seen many different types of people throughout her life and was able to express these different personalities with expertise. Knowing how to write a character is just as important as

Taking place in the 1920’s, Harlem Renaissance was a period of time where cultural, social, and artistic expansion took place in the American society. Hurston’s uniqueness led her to write about the problems of individuals, particularly white ones and black ones. In her own words, she stated, “Many Negroes criticise my book, because I did not make it a lecture on the race problem. I have ceased to think in terms of race; I think only in terms of individuals. I am interested in you now, not as a Negro man but as a man” (“Although her reputation”). In addition, Hurston portrayed the lives of black people as constantly miserable, downtrodden and deprived. For instance, in Hurston’s novel, Their Eyes Were Watching God, the main character, Janie Crawford, finds her second husband, Joe Starks, only to mislead her life. Janie figures out that she once again lacks the love she had longed for. Joe considered Janie to be his possession. He expected Janie to be a well-behaved wife, who would not speak up for herself or disobey him. He additionally expected her to follow every order he had for her, such as forbidding her to interact and play checkers with people (“The most prevalent”). During this time, men were showing off their masculinity by ordering their wives around and ruling over them. However, Janie refused to accept herself to be oppressed, rather “outspoken and headstrong” (Zora Neale Hurston’s). Hurston is trying to portray that women should have the courage to speak up for

She criticizes the way the blacks walk, talk, and live; and she states, "Who wants to be mixed up wid uh rusty black man, and uh black woman goin' down de street in all dem loud colors, and whoopin' and hollerin' and laughin' over nothin'?" (Hurston 135). Hypocritical of her own culture, she works in her successful eating establishment while she pronounces that "[c]olored folks don't know nothin' about no business," a truth which she believes further connects her life to the white community (Hurston 136). Mrs. Turner grasps at minute differences in shading as differences in intelligence because she is substantially more cruel to "those more negroid than herself in direct ratio to their negroness" and because she expects "[a]nyone who look[s] more white folkish than herself [to be] better than she [is]" (Hurston 138). Her prejudice against her own people is alarming; she sees her insults of a lower culture as rungs in the ladder of social prestige, bringing her ever closer to Caucasian characteristics. As she associates her lighter skin with the complexions of white people, Mrs. Turner argues, "Ah got white folks' features in mah face," a visage lacking the "flat nose and liver lips" she stereotypically associates with black facial features (Hurston 136). She constantly judges and condemns while she worships a paradise of "straight-haired, thin-lipped, high-nose boned white seraphs" (Hurston 139). Examining the dark-skinned humans around

Instead, she portrays him as being racially whole and emotionally healthy. Hurston didn't want to change the world based on racial movements, she had her own ideas about things. Capturing the essence of Black womanhood was more important to her than social criticism.

Hurston’s Their Eyes Were Watching God further demonstrates the author’s perspective of colored women. The main

Throughout history, the aspiration to accomplish one’s dreams and gain self-fulfillment has been and continues to be prevalent. Consequently, one’s reactions to the obstacles propelled at them may define how they will move forward in search of achieving their goals. Reaching one’s full potential is certainly not an easy conquest. Zora Neale Hurston, an especially noteworthy African American author, uses her astounding piece of literature, Their Eyes Were Watching God, to illuminate the path to discovering what is truly valuable in life. She uses the character, Janie Woods, who endures some of the greatest hardship imagined to elucidate the ways in which hindrance, although discouraging, only makes one stronger. Accordingly, Hurston argues

For the duration of the book Hurston does not write to protest racial oppression. This breaks yet another theme of Harlem Renaissance writing. She discusses black life as if it were the same as white life. She neglects to mention any information to protest racial oppression. Hurston does this by writing a melodious novel; it is very appealing to the reader. ‘"What she doin’ coming back here in dem overhalls? Can’t she find no dress to put on? -Where’s dat blue satin dress she left here in?"’(2). In this passage Hurston appeals to the reader. She is trying to use pleasant vernacular while getting her point across. No where does Hurston attempt to state any opposition to racial oppression. Again, she is making the book sound like black culture is effortless and simple. ‘"Tea Cake, Ah ‘clare Ah don’t know whut tuh make outa you. You’se so crazy. You better lemme fix you some breakfast"’(102). This sounds exactly like a normal white person conversation. Most blacks of that era could only dream about the getting breakfast in morning. In tradition most blacks would wake up on cold hard earth and go straight to work, and yet Hurston disregards to state reality. Even though the book is fiction, it must obey the three themes of the Harlem Renaissance. Racial oppression includes lynching and Hurston does not express these racist actions. In the course of the novel Janie

Hurston prides herself on who she is because of her background. Her identity of being a black woman in a world

In the novel, Their Eyes Were Watching God, Hurston shows that women can only gain power through powerful men. There are many instances in the novel where women are place into a position of domesticity and sexual objection by their husbands. These men impose their will on their wives by either limiting their actions or insulting their sexuality and appearance in the case of Janie and Logan. As a result, these women are looked down upon when they demonstrate traditional male characteristics such as ambition and authority and are deemed unattractive or too masculine by society. On the other hand, society expects men to always be in a position of dominance. In the novel, when Janie and Joe’s relationship start to take more violent route, Joe begins