Analysis Of Richard IIi And Anthem

Upon Richard's return to England, he learns of the events that had transpired in his absence. At first his own arrogance allows him to believe that since it is his God given right to rule as King, he will be protected. But then just as quickly, Richard's arrogance turns into despair upon the realization that Henry has gained support of the nobles and the people of England. Henry and Richard finally meet at Ramparts Castle leading to the climax of the play. Henry demands retribution for the allocation of his families' possessions and

Richard is not eye-catching due to physical deformity which he vividly describes as the cause of his misfit, and therefore acquires himself the status of a victim. No one pays attention to him because others neither find him handsome nor sexually appealing. But he magnetizes the audience, makes them complicit of his own deeds and dares it to look away.

Shakespeare’s plays were grouped into three categories: comedies, tragedies and histories. The histories were those plays based on the lives of English kings. Shakespeare was one of the first writers to write about English history. According to Garber, “before Shakespeare’s time there were few history plays such written in England--- England history was told in verse and prose chronicles (239)”. It’s considered that Richard II is one of the early “historical plays”. The play became so iconic that even Queen Elizabeth said that she was “Richard the second, know ye not that”. Richard II tells the story about a king’s downfall.

Since Richard cannot do anything about his deformity and ugliness he turns his bitterness to ambition and lays the groundwork for his plan to betray King Edward IV. Richard tells the audience, “plots have I laid, inductions dangerous, by drunken prophecies, libels and dreams, to set my brother Clarence and the King in deadly hate against the other; and if King Edward be as true and just as I am subtle, false, and treacherous, this day should Clarence closely be mewed up, about a prophecy, which says that G OF Edward’s heirs the murderer shall be” (1.1.32-40). In these lines, Richard reveals his plan that he will turn Clarence and King Edward against each other so Edward will banish Clarence to the tower because he believes Clarence will be his murderer. Richard will do this through declaring a prophecy that this will be so. Richard explains that this will work because King Edward is as just as Richard is treacherous and Richard will use that against King Edward to cause his and Clarence’s demise. It is not known whether the character Richard would have revealed more about his plan this early in the play because he is interrupted by Clarence. Richard ends the speech with the lines, “dive thoughts down to my soul, here Clarence comes” (1.1.41), which basically means that he better keep

at times, clashing and conflicting with each other. These clashing traits bring out the role of

A main aspect of Richard’s, Duke of Gloucester, personality is his hatred of women, possibly due to most woman within Richard III holding more knowledge than the men, in regards to Richard’s deceiving nature. The only woman who is outsmarted by Richard is Lady Anne.

His guilty conscience causes his once quick and witty mind that always knows the next step in his master plan to spiral into a slow and unsure mind. Richard’s guilt causes him to use unnecessary and exorbitant force. For example, he sends “Anne [his] wife [to] bid the world good night” (4.3 43), a death that has no political necessity. The conscience consumes Richard as he dreams about a parade of the ghosts of those he murdered. The dream sequence fulfills queen Margaret’s prophecy that “the worm of conscience still begnaw [Richard’s] soul”. (1.3 233) The eerie dream sequence sends Richard into a dialogue with himself exclaiming, “O coward conscience, how dost thou afflict me!” (5.3 191) This shows how Richard’s guilt consumes his mind, which leads Richard to lose the battle against Norfolk.

Connections of commonality and dissimilarity may be drawn between a multiplicity of texts through an appreciation of the values and attitudes with which they were composed. Accordingly, the values and attitudes of the individual being may be defined as an acute blend of externally induced, or contextual and internally triggered, or inherent factors. Cultural, historical, political, religious and social influences, dictated by the nature of one’s surroundings, imprint a variable pattern of values and attitudes upon the individual. Thus any deviation in any such factor may instigate an alteration of the contextual component of one’s perspective. By contrast, the

Ambition is an earnest desire for achievement. Both texts are self reflexive and emphasise Richard’s obsessive ambition, desire and longing for the throne. Each Richard strives towards capturing the throne regardless of consequences and bloodshed. Richard is depicted in both texts as an ambitious character who strives to gain power and independence through deception and self confessed villainy. ‘Since I cannot prove a lover. . . I am determined to prove a villain’ This obsession which drives Richard to commit horrific evils to gain and then protect his claim to the throne. His ambition, power and evil blinds him and inevitably is responsible for his downfall in both of the texts. A connection is formed between Looking for Richard and King Richard III in the final scenes Al Pacino’s interpretation and ‘Hollywood’ background influences an ending which can be interpreted as portraying Richmond as a coward. Elizabethan audiences

* Lady Anne scene – Richard turns from the monstrous Machiavellian character we see throughout most of the play, into a romantic wooer. He uses rhetorical language such as pathos to connect with her emotions which assists him in essentially ‘capturing’ Lady Anne. The fact that Richard had just killed her husband King Edward, with her still being with his coffin just makes Richard seem even more powerful as he still manages to pull Lady Anne into marrying him. Although in this scene Lady Anne proves to hold the knowledge of language too as there is constant stichomythia between the two characters through most of the scene but the line which best shows this is when Richard says “Bid me kill myself. I will do it.” And

The texts King Richard III and Looking for Richard both accept the centrality of power and the yearning for it, as a central plot driver and an assumed part of the human condition. However, each presents a different perspective as to the nature of power; its origins and morality.

How has your exploration of the connections between your prescribed texts enhanced your understanding of the values and contexts of each?

Richard then gloats over his success in a soliloquy stating how he has won her heart even though he is regarded by her as the devil with dissembling looks and he stabbed Edward her love just 3 months earlier. This highlights how he thinks of himself as the best as he brags about his misdeeds as though he is immortal.

Richard III is the story of a villain who will commit unspeakable crimes in order to attain power. However, it is important to remember that it is just that, a story. Shakespeare wrote to entertain, and sometimes in order to captivate an audience, history must be embellished. For example, the events on which the play is based span 14 years, although the runtime of the play seems to suggest that it all took place within a few months. Even though this play is classified as historical, it fits more in the historical fiction genre as Shakespeare bases it on actual events but takes artistic liberties with his characters. In Richard III, due to the political climate of his time, Shakespeare characterizes Richard as ruthless and power hungry in order to paint the Tudor dynasty in a superior light.

This whole movie is based around these four men and to discuss them we are going to start with Richard. During this film Richard had