Analysis Of ' Rip Van Winkle ' And The Legend Of Sleepy Hollow By Washington Irving

When I first learned I had to read “Rip Van Winkle” I assumed it was going to be just another story that I was going to dread reading. However, after reading the first paragraph of “Rip Van Winkle” I knew it was different and then before I knew it I had flown through the pages like there was no tomorrow. “Rip Van Winkle” is full of remarkable yet strange characters, mesmerizing landscapes, and magical and mysterious events.

Romanticism is an intellectual, spiritual, and literary movement that begins at the start of the nineteenth century and concludes at the beginning of the twentieth century. Of the many characteristics that are associated with Romanticism, the characteristics that are most evident in literature from this period are the characteristics of individuality and imagination. The author Edgar Allen Poe exhibits these characteristics in his works “The Black Cat”, and the “The Raven”.

The Romanticism art movement praised imagination over reason, emotions over logic, and literature over science. The Romanticism artists were known for replacing the classical 18th century literature heroes with much more complex and passionate characters. Romanticism focuses on self-expression and individual uniqueness that does not lend itself to be defined nor controlled by society. The landscape on Romanticism was commonly displayed in cool rich colors and untamed peaceful surroundings. In Romanticism, nature was used to represent the extension of the human personality, the capability of feeling love, serenity, and sympathy.

American Romanticism is a journey away from the corruption of civilization and the limits of rational thoughts, and toward the integrity of nature and the freedom of imagination. In other words, it is a journey away from industrialism or rationalism, which is working hard and earning money. This movement, originally started in Europe and later reached in America. It can be best defined as a thought that values feeling and intuition over reason. Some of the characteristics include the importance of feeling and intuition over reason, placing faith in inner experience and the power of imagination, preferring youthful innocence over educated sophistication, finding beauty and reality in exotic locales. It encouraged people to enjoy the integrity of nature and freedom of imagination. It also encouraged one to have faith in imagination and inner experience. In addition, romanticists found inspiration in myth, legend, and folk culture and found poetry as the highest expression of imagination. Romanticists believed that the landscape was regarded as an extension of the human personality, capable of sympathy with man 's emotional state, whereas nature was regarded as a vehicle for spirit just as man; the breath of God fills both man and the earth. However, romantics would create chaos when the issues were connected with human rights, individualism, and freedom from oppression (Arpin 138-150).

American Romanticism illustrates the first truly American literary movement that began alongside the beginning of a new nation. American Romanticism appeared in response to the rationalists, such as Ben Franklin, which the American Romantics believed to be too single-minded and expressive. American Romanticism focused on the beauty of nature, imagination, feelings and expressions, higher truths in life that had to be discovered, and individualism. Consequently, this literary movement turned away from the corruption of cities and the rationalist mindset of the world and focused on nature and imagination. Washington Irving, in his stories “The Legend of Sleepy Hollow” and “Rip Van Winkle”, displays characteristics of American Romanticism and

“Rip Van Winkle” is a classic American Mythological story that tells the tale of a man who sleeps for twenty years after drinking a mysterious drink. Rip Van Winkle is a very lazy, American man who one day, ventures off into the woods with his dog named Wolf. While in the woods, he finds a group of men playing Skittles and drinking liquor in the middle of an amphitheater. He joins them, and drinks some of their alcohol, but he soon passes out. When he awakens, twenty years have passed, and he missed the Revolutionary War, his children growing up, and even his wife passing away. What characteristics make this folklore such a classic fable in American literature? The story is set in the past, features exaggerated and strange characters, and

Washington Irving illustrates the characteristics of American Romanticism through his representation of nature. A characteristic of an American Romantic story is how it “contemplates nature’s beauty as a path to spiritual

Ever since the invention of language, humans have been obsessed and intrigued with the aspect of storytelling. Each story, whether written or spoken, holds an important theme within its creative words and exciting plot. While each story is special and unique, over the course of history, different periods of literature have formed where authors tend to focus on similar themes and messages. One of which was the American Romantic era, where authors used their stories to challenge the boundaries of society, and delve deeper into what makes people inherently human, both the flaws and perfections. Some of America’s greatest works of literature were born in this period, like those of Poe, and Hawthorne. A very common literary theme during the romantic period was that of good versus evil, in both individual characters and society as a whole; this theme is especially evident in works such as The Tell Tale Heart, The Raven, and Young Goodman Brown.

Like all great works of literature, critics interpret stories in multiple ways. “The Legend of Sleepy Hollow” by Washington Irving is no exception. His story of Ichabod Crane and the Headless Horseman is an exciting read, but when further analyzed, one finds that many interpretations exist. Ranging from feminist perspectives to economic perspectives, this story appears to have a much deeper meaning than many readers initially give the story. To truly understand the many interpretations of “The Legend of Sleepy Hollow,” one must understand the historical and cultural context of the story.

Imagine a candle-lit dinner on a starry night in Paris, the Eiffel Tower just in view with dazzling lights shining into the night. This image is probably what you think of when you hear the word “romantic,” correct. However, this image is a stumbling block when people think of the “Romanticism Period” in literature. Where “romantic” means having a lovely time with the person you love the most, “Romanticism” is a piece of literature written with key themes in mind. Those themes tend to be a strong emotion, imagery or worship of nature, and individuality and subjectivity. The peak of inspiration for these pieces was in the years 1800-1850, and there are famous poems that are well loved today from this period. Many of the poets that you enjoy reading and know are, in actuality, Romanticism writers, and instill the themes above in our minds.

Irving, Poe, and Hawthorne were arguably some of the most popular writers of the 19th century (Dincer 223; Lauter 2505). All three of them are known for their short essays and their advocacy to make writing a full-fledged and legitimate profession. Their writings show that they were hugely influenced by the Romantic Movement (romanticism); ‘a movement in art, literature, music, philosophy, politics and culture towards focusing on the individual, the subjective, and the spontaneous’ (Dincer 218). Romanticist writing “encouraged contemplation and self-awareness, direct contact with nature, and a focus on and an exploration of inner feelings” (Dincer 223). Yet, they had distinct writing style, focus, and theme. While Irving was more of a light romantic writer, a writing style characterized by optimism, Poe and Hawthorne are widely considered dark romantic Authors whose writings were characterized by pessimism that sees the world as full of dark, evil, suffering, horror, and mystery. While Irving’s writing focused more on satire and humor, Poe & Hawthorne’s writing was more about evil, crime, sin, and mystery. Moreover, Irving seem to be nostalgic aristocrat with huge ‘interest in the landscape, folklore, and the past’ (2506), whereas Poe and Hawthorne had a contrary view of the past (Liptak).

The Romantic era writers, Washington Irving and Edgar Allan Poe, had many similarities but even more differences, in both writing theme and style. This is very evident in their works, “Rip Van Winkle”, by Irving, and “The Fall of the House of Usher”, by Poe.

M. H. Abrams defines romantic themes in prominent writers of this school in the late eighteenth and early nineteenth centuries as being five in number: (1) innovations in the materials, forms and style; (2) that the work involve a “spontaneous overflow of powerful feelings”; (3) that external nature be a persistent subject with a “sensuous nuance” and accuracy in its description; (4) that the reader be invited to identify the protagonist with the author himself; and (5) that this be an age of “new beginnings and high possibilities” for the person (177-79).

The short stories of Washington Irving are examples of the literary movement of Romanticism and its characteristics which are evidenced in this author’s works. These

The beginning of the nineteenth century was also the start of a legendary movement in literature, known as Romanticism. Authors during this period created their own worlds by using their imaginations. Individuals no longer saw themselves a measure of everything around them, but rather as one more component of the great source of life and creativity: nature. The Romantics placed emphasis on emotions such as apprehension, terror, and awe as an authentic source of aesthetic experience, as well as the feelings that accompany confronting the sublimity and beauty of nature, especially. Supernatural elements are not present in all Romantic literature; however, the supernatural approach was an important and arguably crucial strategy for Romanticism to achieve its purposes.