Analysis Of Robert Frost 's ' Harry Potter And The Chamber Of Secrets ' Essay

Dystopian Literature seems to run along the same guidelines in terms of how the novels are set, and follow a similar chain of events leading to a great bittersweet climactic event. I will detail the similarities between the two novels Fahrenheit 451 and The Hunger Games. There is a reason behind the similarities of these two novels, and other dystopian literature. “The merits of dystopian literature are many.” (Erlich)

     Frost?s poem delves deeper into the being and essence of life with his second set of lines. The first line states, ?Her early leaf?s a flower.? After the budding and sprouting, which is the birth of nature, is growth into a flower. This is the moment where noon turns to evening, where childhood turns into maturity, and where spring turns into summer. At this very moment is the ripe and prime age of things. The young flower stands straight up and basks in the sun, the now mature teenager runs playfully in the light, and the day and sunlight peak before descending ever so quickly into dusk. The second line of the second set states, ?But only so an hour,? which makes clear that yet again time is passing by and that a beginning will inevitably have an end.

In reading Frost’s poem in its entirety, I have concluded that “The Road Not Taken” is a symbolic representation of the choices we make in life. This particular narration symbolically led the speaker down a fulfilling road; however, getting to that conclusion is not so simple of a process. The uncertainty of how the outcome of one decision over the other will unfold brings the speaker through a contemplating process of eradication.

Frost uses several techniques in his poem, but perhaps the most significant is his use of the metaphor. First, he describes “Two roads diverged in a yellow wood” (1). The roads represent the different choices that people have to make in life and how there isn’t always one choice to be made. Each path is an important decision which he must make, so he has to choose carefully when examining each path. When he “looked down one as far as (he) could to where it bent in the undergrowth” (4-5), this represents him not being able to predict and see the future. The forest represents the unknown, and he cannot see or predict his unknown future. One may think that his choice

Frost’s poem has a great sense of irony towards the end, “I shall be telling this with a sigh / somewhere ages and ages hence” (16-17). The irony is that while he’s making his choice he is already anticipating how he will tell the story in the future, almost adding a sense of drama

The two poems “Stopping By Woods on a Snowy Evening” and “Acquainted with the Night” written by Robert Frost are very similar to each other because of the simplistic form of language used and the uses of metaphors. When we first read the poem, it looks like an ordinary poem but once we go in depth and understand the meaning, it becomes so much more. Both of the poem has a very dark, gloomy and lonely setting with a really mysterious tone. There are different metaphors used in each poem to symbolize death; “Sleep” in “Stopping By Woods on a Snowy Evening” and “Night” in “Acquainted with the Night.” The characters in the two poem are both in a journey and has come

“I took the one less travelled by” tells us that he did turn away from the ‘crowd’s’ preferred choice. He took the one that was less preferred as he says, “In leaves no step had trodden black,” which makes the reader think that no one had set foot down this road and that this choice is occasionally chosen by others so, Frost is indeed challenging the ‘norm’. He develops the idea of wanting to be different by preceding normality which is influenced by the want for independence. Throughout the stated texts we are shown that certain choices can be influenced by things like your own values, our surroundings and emotions. We learn that some influences can be strong enough to create conflict between family members when a particular choice is made. We also learn that people can make regrettable decisions due to their own, sometimes personal, desires.

Epictetus once wrote, "First say what you would be; and then do what you have to do." This aphorism of self-discovery and obligation clearly describes Robert Frost's poem, "Stopping by Woods on a Snowy Evening." In the course of the poem, Frost's speaker is confronted with two choices: he can either forget his problems or he can follow through with his responsibilities and make the most of life. It is through Frost's remarkable presentation of the speaker's thoughts that the reader may see how difficult this decision can be. Through powerful elements, such as alliteration, rhythm, and imagery, Frost stresses the importance of perseverence and facing one's fears and

Frost uses a multitude of poetic devices, including metaphors, irony, symbolism, hyperbole, and personification “Proclaimed the time was neither wrong nor right. to vividly reinforce the desolation in the mind and the surroundings of the speaker. The uncertainty of the time in the end is a reflection of the uncertainty in the duration of isolation that the speaker would have to continue to endure. In conclusion, this poem displays the transition into night figuratively as the author experiences a broken heart. I have been one acquainted with the night.” (V,2 ). This is a beautiful and dark poem that describes the somber emotions that an individual endures after a separation. This poem can be relatable to anyone as we all have experienced some type of sorrow. Hopefully after experiencing something of this nature we can see the bright lights after being acquainted with the

Right at the beginning of the poem, Frost’s unnamed speaker declares that they “have been one acquainted with the night” (Frost 1). The word acquainted implies a relationship that, while not unfriendly, lacks the close emotional connection often seen in friendship while the night itself, despite often being characterized as a symbol of death and darkness, can also be seen as a time of quiet, meditation, and peace free from the chaos of city life. Therefore, when the speaker says they “have been one acquainted

     The poem “Stopping by the Woods on a Snowy Evening”, by Robert Frost, is a short, yet intricate poem. What appears to be simple is not simple at all. What appears to be innocent is really not. The woods seem pristine and unimposing, however, they are described as being “dark and deep”, and it is the “darkest evening of the year”. He speaks of isolation, “between the woods and frozen lake” and of duty “But I have promises to keep”. And also, Frost’s usage of “sleep” easily implies death. Though this poem might come off at first to be nice and peaceful, however, that peace has an underlying menace.

The night symbolized death, and the walk was the person's journey to find their lost life. This poem was somewhat disturbing to me. I thought of a lost soul, thirsting to finish a mission that was not completed in life. Frost depicts death in a frightening manner with the contents of this piece of work.

At the same time, perhaps the clock could also be a literal clock and describing its height as “unearthly” an example of hyperbole. When the narrator examines the clock as it proclaims the time, he states that “the time was neither right nor wrong” (line 13). Through this diction, Frost creates a sense of ambiguity about the nature of time and the narrator’s feelings about his life choices. Concluding the poem with the line “I have been one acquainted with the night,” Frost indicates that understanding “the night” seems to be the poet’s destination on his

As another poetic device and reference to the simile above, Frost uses allegory in lines 15 and 16, specially in line 16: “To the dark and lament”, makes the reader make the conclusion that the above expression, means death, or the border line he felt when he felt choosing to “come in” or not. However, on the last stanza of the poem, he expresses: “But no, I was out for stars; / I would not come in.” these two lines provide the answer to this invitation, and also provide another deeper meaning and metaphor, when he refers to stars as regret to actually committing the

J. K. Rowling, along with many other modern fantasy authors, owes a great deal to Dante in the formulation of her best-selling series. Though the subject matter she undertakes—a magical world of witchcraft and wizardry—would have, in Dante’s eyes, landed her in the eighth circle of the Inferno, fourth pouch, Rowling would arguably have been unable to create the magical universe of Harry Potter without immense inspiration from The Divine Comedy. In an overly simplistic picture, Voldemort might be thought of as a representation of Satan, arrogantly believing that he has the power to conquer the whole wizarding community, let alone the entire world, with his magical faculties. Indeed, similar to Satan, Voldemort exemplifies the damning qualities of greed, wrath, violence, deceit, and betrayal every step of the way on his path to power.