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Analysis Of Saint Augustine's Confessions

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In Saint Augustine’s Confessions, Augustine does not weep from the separation and distance he has from God, nor for Monica as she dies, but does weep for the separation he feels in Dido’s death—a fictional character— the death of his friend, and later does weep for Monica. As Augustine grows older, he changes from viewing weeping as despicable to finding weeping as a natural part of human life and grieving. The cause of Augustine’s tears shift, from Augustine as a character not understanding things while he is younger, to Augustine as an author, looking and back and judging his former self with his hindsight. It is not until later in his life that Augustine, as an author, understands the reasons behind his past weeping along with understanding that he is now with God and no longer needs to weep. Augustine undergoes several cases of separation. As a young child, he feels separated from the fictional character, Dido, in the Aeneid. Augustine weeps “over the death of Dido dying for love of Aeneas” (Conf. 1.21). The tragic nature of Dido’s death captures Augustine’s emotions; he weeps because he is incapacitated with sympathy towards her. When Augustine reflects upon this situation, he notes he was actually “dying by [his] alienation from [God]” (Conf. 1.20). As Augustine reflects back on these events, he realizes this alienation does not cause his younger self to weep, despite separation from God being the most tragic occurrence that can transpire to humans. At a young

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