Analysis Of Sandro Botticelli 's Venus And Mars Essay

Peter Paul Rubens’ masterpiece, Venus and Adonis, is not only a significant artwork of the baroque-period in Europe during the seventeenth century, but it also tells the mythological story that begins with love, and ends in tragedy. Displayed in the Metropolitan Museum of Art, this painting is admired for representing the unique baroque-style of this era, as well as Rubens’ particular use of the medium and how it reaches those who are viewing it. His attention to detail and crafty use of symbolism within the painting assist viewers in deciphering the story, along with the values of the period in which Rubens was living. In studying the composition of the work and noting the historical context from which it came, one can ultimately

Botticelli was able to master these techniques due to being taught by another prominent Renaissance artist, Filippo Lippi. First, there is a lot of detail. For example, there are hundreds of different types of flowers and leaves in the meadow. Upon looking closely at the clothing of the different characters, one can see the immense detail used by Botticelli in the tassels and fabric of the clothing. Furthermore, the flower detail connecting Flora to Chloris is a small detail that has a deeper emblematic meaning. The standing positions of characters give off a vibe of elegance and grace to viewers; according to Dr. Harris an Art Historian from Khan Academy, "She (Venus) tilts her head to one side and holds up her drapery and motions with her hands and looks directly at us," (Harris). The position of Venus is very elegant and inviting to viewers. Also, Botticelli portrayed the subject matter in a naturalistic way, a common convention of the Renaissance. Botticelli paid attention to the canon of proportions or the standard for symmetry of the face and body as evidenced by the similarities between the La Primavera and other Renaissance paintings, all of which depict the standards of beauty of the time or what was ideal beauty. Formally speaking, Botticelli went against the conventions of the

Plot: A group of space explorers are on a voyage to Mars from Earth. As they land they are bewildered to see that the planet looks just like earth 30 years in the past. Cautiously, the captain of the ship takes two men to explore, while the rest of the crew stays behind. Things only get more bizarre from here as one of the crew members discovers his grandparents live there, and they have been dead for years! Similar cases for the rest of the crew as they all break up and spend time with their respective families. However it is too good to be true when they lost family members turn out to be aliens, and kill the entire crew then destroy the shuttle.

Sandro Botticelli’s Venus and Mars is a tempera and oil painting on poplar panel, illustrating a scene from the classical mythology story of Venus and Mars, who are engaging in a love affair with each other. The painting was made during the Renaissance, around 1485. It’s dimensions are 69.2 × 173.4 cm and it is currently located at The National Gallery in London, room 58 (Nationalgallery.org.uk, n.d.)

One artist from the time, who was very popular for his reclining nudes was Giorgione (1477-1510) who painting Venus Resting, which was thought to have been left unfinished and the landscape to have been painted by Titian. The venus was originally meant to be accompanied by a cupid which has been painted out due to damage done to the painting, the cupid would have acted as a mediator between the goddess and the spectator (Chicago and Lucie-Smith,

The work of art that I have chosen to write about, is the Three Miracles of Saint Zenobius (1500-10). This painting is part of a bigger collection that depicts scenes from the life of Saint Zenobius. It’s sister pieces are spread out in different parts of the world, such places as, London, Dresden and New York itself. The painter of this entire collection is Sandro Botticelli (1445-1510) and he belongs to the Early part of the Renaissance. It is worth to note, that Botticelli was taught by Filippo Lippi. Fra Filippo Lippi was a prominent artist of his time and he painted his work with great color and as well with a narrative quality. Botticelli himself made a name for himself by his artistic style and to his contribution to painting the frescoes of the Sistine Chapel and even though his most notable work of art was the Birth of Venus that was created eighteen years prior to the Three Miracles, this piece of work takes a different approach than his other paintings. The painting itself resembles the Scenes from the life of Saint John the Baptist (1490/95) and it could be said that Botticelli was inspired by it.

Sandro Botticelli and Angelo Poliziano were both working in the Medici court in Florence when the Medici commissioned the Bith of Venus for

From Pollaiuolo creator of the engraving Battle of the Nudes to Michelangelo's David the human form was not about reality but idealism the ultimate portrayal of God's ultimate creation. This perfected view of the human form can also be seen later in Da Vinci's Vitruvian Man and Michelangelo's muscular figures whether male or female. Humanism’s affects did not stop there. The topics of paintings also began to change. Botticelli’s Primavera and The Birth of Venus depict this change clearly. Both show mythological themes. The focus on these themes inspired Raphael and Titan to develop their famous pieces as the early Renaissance became the High Renaissance. From here interesting occurrences began to evolve. Humanism itself develops a new school of thought known as Neo-Platonism; an idea that mixes ancient philosophy and Christian truth. For example, the reaction to Botticelli's creations was that of others trying to find a religious meaning within the mythological topic. Slowly however, even this will fade as the Mannerist style develops. Along with the movement toward secular and eventually erotic portrayals of art the artist began to enjoy a new status. Duke explains that they became “practitioners of the high-status liberal arts” someone to be sought after, someone to study and someone to stand in awe of. Humanism’s affect spread north but there

Tiziano Vecellio, also documented, as Titian was an Italian painter. He was born sometime around 1470-1480, his exact date of birth is unclear and he died of a fever during the plague around 1576. Titian was one of the furthermost adaptable Italian painters during the High Renaissance. Titian was equally proficient with portraits, landscape backgrounds and mythological and religious subjects. Consequently, Titian was one of the furthermost important members of the sixteenth century Venetian school and he is still an overwhelming influence on the art world. Often times, Titian is described as the first artist to have an international career. Titian’s painting career was prosperous from the start but over the course of this prolonged life, his style changed drastically and he retained a permanent interest in color, which is well defined in his painting Venus of Urbino.

Artemisia Gentileschi, Venus and Cupid, ca. 1625-30. Oil on canvas, 38 x 56 5/6 inches. Virginia Museum of Fine Arts, Richmond, VA.

The Birth of Venus is a beautiful Renaissance canvas masterpiece created by Sandro Botticello. The picture illustrates the birth of Venus in a very mystical way. Venus has emerged from sea on a shell which is being driven to shore by flying wind-gods. She is surrounded by beautiful roses which are painted in a truly remarkable color. As she is about to step to land, one of the Hours hands her a purple cloak. The back drop includes the sea and a forest. The overall effect of this painting are almost overwhelming, color and beauty meet the eye in every angle.

For my vacation, my family has chosen to go to Venus. This our first year traveling outside of earth so we chose a planet close. Venus is covered with a thick layer of sulfuric acid which will be a blast to land into but on the inside Venus is solid. Venus shines super bright and has orangish yellow tint. The overall look of Venus is dreary and the gas covers the area with a goldish hue and everything looks like gunmetal. Venus is VERY hot, it temperature reaches to about 870 degrees Fahrenheit! On top of the scorching heat the Atmospheric pressure is bone crushing and highly dense.Venus is about 0.72 light years away from the Sun and blank light years from Earth. Venus is very much like earth and not very much like earth. Venus is about the same size as earth

La Primavera is set in a grove, with fruit trees and many types of flowers blooming on the ground. The figure in the center is that of an elongated woman, her head tilted to the viewer’s left and her right hand held up as if she is indicating something on that side. Her gaze comes out of the painting, as if to entreat the viewer to step into the scene. Her form divides the space into two sides. The greenery around her creates a circular shape. Given the subject matter of Botticelli’s other paintings in this collection and the other figures represented, the woman is interpreted to be Venus. At the top of this circle, the figure of a blindfolded male toddler with wings has notched an arrow from the quiver on his back and points it to the left of the painting. His position over Venus and possession of the bow designates him to be Eros, the son of Venus. Following the point of the arrow and the right arm of Venus, there are three dancing women, draped in wispy white with their fingers interlaced. These figures are the Three Graces, identifiable by the way they connect with each other and their dance – in mythology, the Graces

The Birth of Venus the audience sees the Goddess Venus the moment she is born from the sea

Also known by the titles "Venus, Cupid, Folly, and Time" and "A Triumph of Venus", this painting was on purpose designed as a complex, erotic allegory that includes an extent of iconographic symbols from the ancient world of mythology. It was a present from Cosimo de Medici to King Francis I of France. Being rich and vivid in symbolism relating to the constituting ideas of the High Renaissance, the painting gives Bronzino the opportunity to establish his maestro figure painting and portrait art. Through personification of qualities and varying contrast and brightness, Bronzino is able to justify that personal gains outweigh anything and everything that is moral.