Analysis Of Sense And Sensibility By Jane Austen

Rachel :)))) Mrs. Keyes AP Literature 12 8 December 2015 A Literary Analysis of Emma by Jane Austen In Jane Austen’s novel, Emma, protagonist Emma avoids her own transformation by her attempts to transform others. However, Emma experiences her coming-of-age through the stable characters of those around

Throughout history, relationships between people have been questioned based off what people have heard or seen. Jane Austen writes the love story of two sisters, Elinor and Marianne, that have conflicts when it comes to their relationships caused by miscommunication. In Sense and Sensibility, Jane Austen reveals the danger of making judgements on insufficient information through relationships between the characters. Miscommunication creates confusion and a mix of emotions from the characters.

Sense and Sensibility by Jane Austin was a moralistic novel depicting the two main forms of attitudes at that time; the neo -classics and the romantics. The period in which it was written, nineteenth century England, was laden with social etiquette and customs imposed on people of that time; and thus the characters of Jane Austin's novels. The novels' two main protagonists; Elinor and Marianne Dashwood, exemplify the Neo classical era and the romantic era, respectfully. Jane Austin instils Neo-classic and romantic ideals in Elinor and Marianne as to present a view of each attitude and to further enhance the discrepancies of social nineteenths century England.

This insight into their personalities allows for better understanding and communication of why they perceive people the way they do. This journal helps illustrate the relationship between Miss Bennet and Mr. Darcy as well as the problems their prejudice creates. This journal provides further support of the argument that the characters are willing to judge rather than perceive. Although the author does not appear to have a background in psychology, she does have extensive knowledge on Jane Austen and her book, having studied her for her Honours

Through the writing, Austen makes each character unique and different. This technique is clearly shown in her novel, Pride and Prejudice. Therefore, Austen identifies the voices of characters, such as Elizabeth and Mr. Darcy, through the dialogue. Both characters use a complex structure in dialogue. For Mr. Darcy, this shows his intelligence and high class. Whereas for Elizabeth, this shows her insecurity within her social class. Elizabeth competes with Mr. Darcy by using the same structure to showcase her intelligence and wit. Elizabeth’s rejection of Mr. Darcy’s first proposal demonstrates this concept. She says, “From the very beginning, from the first moment I may almost say, of my acquaintance with you, your manners impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form that the groundwork of disapprobation, on which succeeding events have built so immovable a dislike” (Austen 131).

But Elinor being the strong one, hides her feelings well and acts like she’s not upset with the situation. It is later on in the novel that Elinor discovers from another woman, Lucy Steele,

Jane Austen’s ‘Pride and Prejudice’ utilises setting to reveal Darcy’s true character and allows Elizabeth to gain a true understanding of his nature. Pemberley estate is placed at the centre of the novel both literally and figuratively. In terms of Pemberley’s literal meaning, it informs the reader that the estate belongs to Darcy, while figuratively it reflects the charm of his character. Elizabeth Bennet’s visit to Pemeberly illuminates’ Darcy’s moral fibre, she is enchanted by its beauty and good taste; she is thrown by the vivid and vastly spread nature surrounding Pemeberly. In contrast, Forster’s ‘A Room with a View’ utilises place more frequently, primarily to reveal character and act as a metaphor for a repressed society. Italy

Looking back at early forms of literature we notice the classic idea of heroism in Beowulf. As time passes by the notion of a hero changes. Consciousness in early literature such as, Sir Gawain and the Green Knight, does not enter the innermost thoughts. The notion of a hero and the notion of consciousness changes within literature through time. In the novel, Sense and Sensibility by Jane Austen the hero is portrayed differently compared to earlier texts as well as the characters being aware of one’s environment. The author Jane Austen, carefully shapes her characters’ actions, feelings and affiliations in a specific way. In Sense and Sensibility we have a clearer picture of the consciousness of characters than what we see in Beowulf or Sir Gawain and the Green Knight.

She feels inclined to do this, as “she [has a] knowledge which her mother had yet to learn, and which one of her sisters had resolved never to be taught”(Austen, 6). When her father died, both her mother and Marianne went into a state of hysteria and spells of dramatic depression, and Elinor had to be the voice of reason in the household. Even though she too was affected by his passing, she took the responsibility of caring for her mourning family by entertaining guests and handling the legal fundamentals with her brother. By staying calm and collected, Elinor proves that her rationality guides her through a life of responsible actions and care for those that she loves. Elinor also steps up as the responsible family member by covering up for their mistakes, particularly her sister’s. Marianne is oblivious to the offenses and conflict that she is creating through her carelessness, as well as the fact that Elinor is covering them up. While the sisters are living in London, Marianne’s strange love-struck behavior does not go unnoticed by their company, and Elinor incessantly interjected excuses for her sister’s imprudent behavior, claiming her to be ill, anxious or tired. She voluntarily takes the responsibility of keeping her family in line, assuring that their lack of rationality will not cause any troubles for them in the future.

Jane Austen's 1811 novel "Sense and Sensibility" puts across an account involving two English sisters who come across a series of hardships in their endeavor to find their personal identities in a relatively hostile environment. Elinor and Marianne Dashwood are forced to leave their home, the estate at Norland Park, consequent to their father's death. The two experience economic problems and come to see the world with different eyes as they move in a small house and as they interact with people who are primarily motivated by finances. Even though the two sisters have diverging personalities, they go through similar experiences and they come to have similar perceptions of society.

When Charlotte Bronte said of Jane Austen’s novels ‘I should hardly like to live with their ladies and gentlemen, in their elegant but confined houses’ she was referring to the physical confinement of an interior versus an exterior setting. This confinement of the setting mirrors the social confinement of a woman versus a man in the societal structure at the end of the 18th and beginning of the 19th century. While Austen studies the societal position of women in most of her novels, her early work Sense and Sensibility, is perhaps the most interesting to take into consideration when reviewing the issue of confinement. In it Austen juxtaposes the freedom of the countryside exteriors with the confinement of the city’s interiors. These settings serve as a backdrop for the exploration of two female characters whose social status has been set back as a result of the primogeniture of the time.

Sense and Sensibility was first published in 1811, by Jane Austen, Sense and Sensibility represents the neoclassical, dualistic moral world where values and exclusion values will ultimately be successful in a painful, romantic feeling. Not only that, he was making serious cynicisms of society's eighteenth centuries in which the aristocrats were praised and indirectly influencing young people's minds, not the love of love but to betray it just for Wealth. In the novel, Lucy and Willoughby symbolize this kind of people of society

Also, another person that shows a perspective or type of love in Sense and Sensibility is Elinor. As Elinor is older and more mature than Marianne, and is patient with finding her true love, she delays her marriage for many years by getting to know the people around her and examining the motives of

Jane Austen's groundbreaking novel Sense and Sensibility is a relationship-driven account of female protagonists. Sense and Sensibility shares much in common with other novels by and about women. Themes like autonomy versus independence and the role of women in a patriarchal society are explored in Sense and Sensibility. Using two sisters to symbolize the different directions the female spirit can be pulled, Austen shows the variable ways women respond to political, social, and economic oppression. The women of Sense and Sensibility are both trapped by, and breaking free from, the conventions of marriage and motherhood. Marriage and motherhood are portrayed ironically as the natural course of women's lives, but also as the chain that prevents their self-fulfillment. The social norm of patrilineal inheritance leaves Elinore and Marianne Dashwood, and their mother, penniless and dependent on distant male family members. Marriage and motherhood are restrictive roles for women, and yet Austen never provides a satisfactory alternative for Marianne. Marianne seems willing to break free from patriarchal social norms, but she ends up being a slave to heterosexual romance. The message in Sense and Sensibility ends up being rather bleak: women remain socially, economically, and politically oppressed because they cannot envision or enact suitable independent alternatives.

The author Inger Sigrun Brodey, a reputable JASNA’s North American Scholar who is a frequent speaker at Jane Austen Society meetings, writes in the article "Making sense of sensibility." from Persuasions: The Jane Austen Journal that Marianne Dashwood symbolizes sensibility and her sister Elinor represents common sense. Marianne shares many similarities with Lydia Bennet, the youngest daughter in Pride and Prejudice. Both believe their world is naturally good without corruption such as greed and lust to mar it. Both have foibles that strangers generally are naturally good. However, in actuality there are very good actors that manipulate the vulnerable. Humans have a way of being imminently selfish and Austen is depicting it with the characters such as the dastardly Mr. Wickham of Pride and Prejudice and thoughtless Mr. Willoughby of Sense and Sensibility. Both men affect their counterparts in a negative way and take advantage of the situation. This creates a bias of distrustful feelings, that sympathy may be able to heal, but society might think is self-absorption. Nonetheless, pity is created for the poor creatures. In fact, it is sensibility or empathy that is necessary to have a deeper connection like love or hate, and it is fear of rejection that may be the culprit of a hesitancy to love. This relates to the larger picture of the transition between the Enlightenment and Romanticism, sense contrasts sensibility because sense has logic and sensibility is fueled by emotional reactions