What is time? Time is inevitable. It is a constant that continues on and on. Along with time comes change. As time goes on, change grows stronger. In the sonnet, When I do count the clock that tells the time, the persona discusses time in a sense of change. Everything around us changes. People change, animals change, plants change, the world changes, views change, and even society changes. When analyzing this sonnet we can see that the persona uses descriptive words to convey an image, symbolism and metaphors create a deeper meaning, and an original but unique rhyme scheme to create a relationship between the lines of the sonnet.
Body Paragraph #1 - Imagery There are many forms of imagery that can be seen when analyzing this sonnet. One form is the idea of harvest. This is referenced to in line 7 and line 13. “And summer’s green all girded up in sheaves...” “And nothing ‘gainst Time’s scythe can make defence...” In these two lines we see the persona talk about crops in the summer time and how they are tied up in sheaves. The in the winter, Time’s scythe kills summer by cutting the crops and harvesting them. Another form of imagery is the change of seasons from Summer to Winter and the change of time from Day to Night. The imagery of a change of seasons is located all throughout the sonnet and is used to support other forms of imagery such as aging from young to old. However, the imagery of Day to Night is located in lines 2-3. “And see the brave day sunk in hideous
In "Sonnet 73", the speaker uses a series of metaphors to characterize what he perceives to be the nature of his old age. This poem is not simply a procession of interchangeable metaphors; it is the story of the speaker slowly coming to grips with the finality of his age and his impermanence in time.
“Shall I compare thee to a summer’s day?” (“Sonnet 18”) is one of Shakespeare’s most famous poems. It is the model English, or Shakespearean sonnet: it contains three quatrains and a finishing couplet.. The poem follows the traditional English sonnet form by having the octet introduce an idea or set up the poem, and the sestet beginning with a volta, or turn in perspective. In the octet of Sonnet 18, Shakespeare poses the question “Shall I compare the to a summer’s day” and basically begins to describe all the bad qualities of summer. He says it’s too windy, too short, too hot, and too cloudy. Eventually fall is going to come and take away all the beauty because of the changes nature brings. In the sestet, however, his tone changes as he begins to talk about his beloved’s “eternal summer” (Shakespeare line 9). This is where the turn takes place in the poem. Unlike the summer, their beauty will never fade. Not even death can stop their beauty for, according to Shakespeare, as long as people can read this poem, his lover’s beauty will continue to live. Shakespeare believes that his art is more powerful than any season and that in it beauty can be permanent.
After that one word, the poem’s tone shifts to realistic and bitter. The author states that “time watches from the shadows And coughs when you would kiss” emphasizing that time remains quiet, but always present. It never stops and even at the end of one’s life, just like the “deep river” that “ran on”. The author then utilizes the time of day to symbolize the stage in a human’s life. At the beginning, it was evening representing a middle aged stage and by the end of the poem, time continues till “late in the evening”. Time is uncontrollable, unpredictable and sooner or later, time takes over a life. Although Clocks represent an evil figure, time however “remains a blessing”. Being limited makes time valuable. In finale, the poem’s theme is not to wish for a forever, but to embrace of the little time spent
The theme, in Sonnet 73, is the poet's aging. Each quatrain develops an image of lateness, of approaching extinction - of a season, of a day, and of a fire, but they also apply to a life (Abrams et al. 867). The poet compares his age to three images through the quatrains: autumn, the dying of the year (first quatrain); the dying of the fire (third quatrain). The first line draws a picture of himself, "in me," and in a certain time, "That time of year," of his life (surely, he is old now). We can see that the
Poets and authors alike evoke emotion and pictures from one single word. The imagery and thoughts put into the readers’ heads by these different writers are the base of one’s creativity and imagination while reading the author’s work of art. William Shakespeare is one of the most well-known poets of all time that is able to elicit these emotions from the reader to allow the reader to fully understand what Shakespeare is trying to accomplish with his poems. Shakespeare keeps his audience entertained with a whopping 154 sonnets, each having a different meaning and imagery associated with it. Sonnet 18, “[Shall I Compare Thee to a Summer’s Day]”, and Sonnet 55, “[Not Marble, nor the Gilded Monuments]”, are both one of Shakespeare’s most famous works. Shakespeare uses these sonnets to explore the powerful relationship between humanity, art, and time.
The first four lines of the sonnet reflect the changing of seasons, and the oncoming of Fall:
The next section runs from lines 21 to 32, here the speaker moves away from the hypothetical to reality but retains the melodramatic language used in the previous section to sustain the tenacity of his points. Time here is portrayed as chasing the speaker as opposed to being something the speaker is in control of as in the end of the last section. This is done using the image of a ‘winged chariot’ (l.22), this has classical associations with Greek mythology which relates to his form of argument. The meter of the poem is restrictively regular, this structure emphasises the idea that time is constantly progressing; reflecting the speaker’s argument.
I chose to analyze the poem Count-time because it speaks volumes even though it is a short poem. It is describing an important aspect of prison life for these inmates. Each day the prison guards must take a count, sort of like inventory to ensure each inmate is in their cell and presumably asleep. Baca refers to the cells as tombs where the prisoner’s lifeless body remains still in the darkest of the hour. In this moment the prisoners think about the time they have lost from the outside world and the memories that linger within them. He states “when he goes, the bodies slowly move, in solitary ritual” (Baca 5). It is interesting how Baca uses certain phrases to compare the prisoners to as if they are already dead. For example, he says “to their
In order to describe the nature of the world, the lyrical subject of the sonnet uses dark and negative metaphors, which present the world as a "painted veil" (l. 1) and as a "gloomy scene" (l. 13). This symbol of
William Shakespeare’s Sonnet #55 is a Shakespearian sonnet. It contains three quatrains, or four line stanzas, and ends with a couplet. The poem is written in iambic pentameter William Shakespeare’s Sonnet #55 is a Shakespearian sonnet. It contains three quatrains, or four line stanzas, and ends with a couplet. The poem is written in iambic pentameter.
has the gentle heart of a woman but is not inconsistent as is the way
Shakespeare’s sonnet 60 expresses the inevitable end that comes with time and uses this dark truth to express his hopefulness that his poetry will carry his beloved’s beauty and worth into the future in some way so that it may never die. This love poem is, as all sonnets are, fourteen lines. Three quatrains form these fourteen lines, and each quatrain consists of two lines. Furthermore, the last two lines that follow these quatrains are known as the couplet. This sonnet has the rhyme scheme of ABAB CDCD EFEF GG, as most Shakespearean sonnets follow. In each of the three quatrains, Shakespeare discusses a different idea. In this particular sonnet, the idea is how time continues to pass on, causing everything to die. The couplet connects these ideas to one central theme, this theme being Shakespeare’s hope for the beauty of his beloved’s immortality through his poetry’s continuation into future times.
The sonnet, being one of the most traditional and recognized forms of poetry, has been used and altered in many time periods by writers to convey different messages to the audience. The strict constraints of the form have often been used to parallel the subject in the poem. Many times, the first three quatrains introduce the subject and build on one another, showing progression in the poem. The final couplet brings closure to the poem by bringing the main ideas together. On other occasions, the couplet makes a statement of irony or refutes the main idea with a counter statement. It leaves the reader with a last impression of what the author is trying to say.
During the Renaissance period, most poets were writing love poems about their lovers/mistresses. The poets of this time often compared love to high, unrealistic, and unattainable beauty. Shakespeare, in his sonnet 18, continues the tradition of his time by comparing the speakers' love/mistress to the summer time of the year. It is during this time of the year that the flowers and the nature that surround them are at there peak for beauty. The theme of the poem is to show the speakers true interpretation of beauty. Beauties worst enemy is time and although beauty might fade it can still live on through a person's memory or words of a poem. The speaker realizes that beauty, like the subject of the poem, will remain perfect not in the
In Sonnet 7 (“Lo, in the orient, when the gracious light..”), one out of the 154 sonnets written by the English playwright and poet, William Shakespeare, focuses on the burden of beauty and how human life can be compared to the passage of the sun rising and setting. Throughout the whole poem, the advice is given to the young man, to follow the sun and its direction. This sonnet is written in iambic pentameter, consists of three quatrains and ends with a couplet while following the rhyme scheme: ABAB CDCD EFEF GG. The poet 's way of using poetic and literary devices such as rhythm, alliteration, and caesuras strengthens the poem’s argument that the sun and man must coexist to live on and that the only way for the youth to ensure their