Analysis Of Sir Gawain And The Green Knight

gender role. The Lady’s role questions traditional presumptions of the roles of women in medieval literature. Women of the Middle Ages were generally dependent, inferior, and many female portraits in medieval texts did not fare better. While men of the Middle Ages were generally chivalry, valiance, noble and honest. Throughout the poem I began to see gender roles being reversed between Lady Bertilak and Sir Gawain.

Medieval scholars continually inspect the particularities of Sir Gawain and the Green Knight (SGGK) within the context of the preexisting Gawain literary tradition, and the issue of Gawain’s sudden antifeminist diatribe repeatedly comes to the forefront of these textual investigations. Often, literary critics claim that Gawain’s antifeminist outburst is common for the fourteenth century and that his acceptance to wear the girdle as a sign of shame still epitomizes him as a model of knighthood. Other scholars hesitate to dismiss Gawain’s misogyny as commonplace, they note that this moment is inconsistent with his reputation as an ideal knight. Gawain’s hasty compulsion to blame women suggests ruptures within the essentiality of his chivalric identity and a closer examination of the text reveals that this moment is not isolated. Despite scholars repeated attempts to identify the essential knight within Gawain, there are several examples of Gawain’s unstable identity throughout the text. I will argue Sir Gawain’s knightly identity is performative rather than essential, and his diatribe is the culmination of his failure to perform his own expected social identity.

In “Gawain’s First Failure” Victoria L. Weiss claims that, “A closer look at the terms of the challenge reveals that Sir Gawain’s temptation begins before he ever leaves Arthur’s court, and that his first failure comes when he chops off the head of the Green Knight” (Source C). Victoria L. Weiss mentions that the temptations Sir Gawain faced started before he left the court, providing evidence that supports the idea that Gawain is young and inexperienced. Due to his lack of experience and his eagerness to prove himself, he easily falls for the temptations of the challenge presented by the Green Knight. Victoria’s examination of the idea that Sir Gawain was tempted before he left the court provides evidence that he failed his quest when he accepted the challenge. By accepting the challenge and striking the Green Knight so aggressively, Sir Gawain breaks pentangle code, which is a major part of his identity. By doing so, Sir Gawain diminishes his well-known trait of chivalry. This act of disgrace towards one of his most profound characteristic is repeated when fails to uphold his agreement with Lord Bertilak.

A close reading of the Sir Gawain and the Green Knight reveals a very antifeminist view. The poem, told in four parts, tells of common medieval folklore. The stories seem to be of different plotlines, but start to intersect in interesting ways – that is, the character of Morgan Le Fay begins to frame the stories together. The half-sister of King Arthur, she holds intense hatred for her half-brother and his court. It is her thirst for the downfall of Camelot that makes this character infamous, and, surprisingly, her success and the strength of her ability that give a bad name to women. Through the examination of Morgan Le Fay’s character, it is clear that a successful woman is always an illusion.

 Sir Gawain and the Green Knight is one of the most intriguing Middle English chivalric romances known today. The poem is a delicately written balancing act between two cultures, clashing in a time of unease between the religion of tradition, (paganism) and the new religion, (Christianity). The poem is also one of the best known Arthurian tales, with its plot combining two types of folklore patterns, the beheading game and the exchange of winnings. The Green Knight is interpreted by many as a representation of the Green Man of folklore and by others as an allusion to Christ. The story is told in stanzas of alliterative verse, ending in a bob and wheel. Sir Gawain and the Green Knight is an important poem in the Middle English romance genre, because it involves all the typical plot progression of a hero who goes on a quest to prove himself. Yet what sets Sir Gawain apart from heroes of lore is his inability to finish his quest. The aspect which makes Sir Gawain and the Green Knight different is Sir Gawain’s failure. Sir Gawain and the Green Knight is a perfect example of the struggle between enduring Paganism and newfound Christianity.

“Sir Gawain and the Green Knight” is the classic tale of a knight of the round table who takes up the challenge of the mysterious Green Knight. The poem begins with the Green Knight’s sudden arrival and his declaration of his proposition: a knight may strike him, and then a year and one day from then he will return the blow. This tale is most well-known for dealing with the themes of a knight’s code of chivalry, loyalty, resisting temptation, and keeping one’s word. While the whole poem is full of great lines that beautifully deliver the message, one of the best passages come at the end of the poem after Sir Gawain has managed to survive his second encounter with the Green Knight. This passage perfectly encompasses the various themes of the poem, as it deals with all of the trials Gawain has faced up until that point and also explains how he deals with the shame he feels for surviving the game in the way he did.

When talking about a morally ambiguous character, many ideas may float to mind. Perhaps a Dr. Jekyll type of person will pop up in your mind, or maybe just simply a person who doesn’t let morality get in the way of their ambitions. For a character to have a sense of evil present in them, it is not necessary for them to walk around with an ominous laugh, or anything comical in those lines. Similarly, for a character to have a sense of good, it does not mean they have to be perfectly correct either. In order to put the morally ambiguity into perspective, it is necessary to analyze the presence of both good and evil into a real character, and how it affects the story as a whole. From the Pearl Poet’s chivalric romance, “Sir Gawain and the Green Knight”, Sir Gawain is an excellent example of a morally ambiguous character. In the poem, Gawain’s purely good image was shattered when he cut off the Green Knight’s head, since he took the game as a challenge. That event could be considered as the event that set the plot into action, as the following events are all resulting from Gawain’s action. However, Gawain symbolizes good by initially embracing the knight's moral code in accepting the challenge and then, agreeing to the terms of the Green Knight. Gawain still symbolizes goodness by demonstrating proper knightly actions at times. The Pearl Poet uses Gawain as a morally ambiguous character to set up the plot. He firstly sets up Gawain as a good character, then uses a series of

Sir Gawain is relevant to readers today because it brings up some important points in being courageous, sticking to your word, acceptance of inevitable human error, trying to live up to societal standards and your reputation. These are all important things to address today.

In Sir Gawain and the Green Knight, after Gawain ventures “into a forest fastness, fearsome and wild” (Norton, 311), he prays that he will be able to find “harborage” on Christmas Eve (Norton, 312). It is the middle of winter, and Gawain has been traveling in search of the Green Knight whose head he has cut off. After he prays and signs himself three times, Gawain finds a magical castle in the midst of a winter forest. He rides to the castle and is granted permission to enter by the lord. Gawain is attended to in a fashion befitting kings, and he meets the lord who tells his identity to all in the court. There are many significant implications and foreshadowings which occur during Gawain’s

accept Green Knight’s challenge, which can consider as a mark of his loyalty. And this is particularly significant for Sir Gawain because he is not the best knight to King Arthur, but he is closest to King Arthur. For a knight, the most

Sir Gawain is a knight at the court of king Arthur, and since Arthur himself had no children; Gawain is therefore his heir; that?s why he had the strongest claim to the throne. In this poem, Gawain portrays himself very humbly. He is at the court of king Arthur when suddenly on Christmas day, while sitting down to a big feast, and into the court bashes a magical entirely huge green man, dressed in extremely rich upper class clothing and holding a big axe in his hand. He offered a deal or a game referred to in this literature as the beheading game i.e. exchanging swinging of each other?s heads. It was a kind of challenge to King?s Arthur honor and courage. Should the king be brave enough to accept and take up the challenge whatever the trick is in the

Gawain’s first portrayal of being a true knight comes when the Green Knight makes his appearance in Camelot. The Green Knight first speaks to King Arthur and proposes that they play a “game.” Arthur will strike the Green Knight with his axe, and in return the Green Knight will return the strike in a year and a day. King Arthur agrees to this game and its terms, but as he steps up to accept the challenge, Gawain comes forward and offers to participate in the “game” in place of King Arthur. Sir Gawain says to King Arthur, “I implore with prayer plain that this match should now be mine” (341-342). Gawain goes on to strike the Green Knight, cutting off his head. However, the strike does not kill the Green Knight; he picks up his head from the ground and repeats to Sir Gawain that he will return the blow in a year and a day. In this moment, Gawain’s bravery is clearly showcased. First, he takes a challenge in place of his king, which he did not have to do.

“Sir Gawain and the Green Knight” is an excellent work to reference when examining different relationships within Arthurian legends. The author of “Sir Gawain and the Green Knight” is unknown, but he is sometimes referred to as the “Gawain Poet” or “Pearl Poet” because of his additional works: “Pearl,” “Purity,” and “Patience.” All four poems were part of the Alliterative Revival of the Middle Ages of Northern England, containing mostly religious content. This may be the origin of Gawain’s exaggeratedly religious portrayal in “Sir Gawain and the Green Knight.” “Sir Gawain and the Green Knight” is organized in a stanza arrangement. Each stanza ends with one short line and four longer lines, called the bob and wheel, which “knits” the story together. It may important to note that the work was most likely written in the fourteenth century. The work is set in sixth-seventh centuries, but includes modern advances in armory, dress, and décor from the time the poem was written. “Sir Gawain and the Green Knight” exhibits many different types of love and relationships in which they are demonstrated. Familial love, spiritual love, erotic love, and courtly love are demonstrated within families, friendships, marriages, and Godly relationships.

Throughout the history of fictional writing, cultural values of certain time periods have been expressed and implemented through the depiction of the heroes’ experiences on their journeys and the knowledge they gain by the quest’s end. For example, in Sir Gawain and the Green Knight, a chivalric romance written in the Late Middle Ages, Gawain epitomizes a knight with the characteristics that knights from the Late Middle Ages were expected to possess according to the requirements outlined in the rules of chivalry, such as honor and valor. Likewise, Beowulf, the hero of the folk epic Beowulf, embodies the qualities of an exemplary hero as well as king. Therefore, in both stories, the reader encounters a heroic character that is presented with traits that Anglo-Saxons and the Middle English valued in their culture through their stories’ monomyths, a concept of similar and structural sequences that can be applied to many stories, created by Joseph Campbell. Some of these values are carried from the Early to Late Middle Ages and can be seen through the works of both Sir Gawain and the Green Knight and Beowulf.

According to Christopher Reeve, “a hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.” In today’s culture, the hero is frequently depicted as a knight in shining armor, an image that originates from age-old literature such as the fourteenth-century Sir Gawain and the Green Knight. In such literary works, the heroic knight has several virtuosic character traits: friendship, chastity, generosity, courtesy, and piety; however, he must also endure a quest in which his virtues are tested. In Sir Gawain and the Green Knight, three obstacles challenge the hero Gawain’s morals, including the Green Knight, the seductress, and the threat of death, leading to a further maturity of