Analysis Of Starrry Night By Vincent Van Gogh

One way the poets explore the idea of love and loss is through the use of language. Christina rossetti starts her poem of with the use of the word “remember”, which evokes the sense that she will be gone and gives her lover the instructions to have her in mind when she is gone which highlights the loss that is occurring between the lovers. The use of the word “remember” creates a sense that an eternal loss is taking place between the lovers as it seems like she will become a past memory which her lover will only “remember.” the word “remember” also runs , like a refrain, throughout the sonnet through the use of repetition and seems as if the power decreases throughout the poem which portrays an image as if the voice and memory of the speaker is fading from life, further portraying the idea of loss that is occurring between the lovers.the repetition of the word “remember” also allows the reader to pay close attention to

The couplet of this sonnet renews the speaker's wish for their love, urging her to "love well" which he must soon leave. But after the third quatrain, the speaker applauds his lover for having courage and adoration to remain faithful to him. The rhyme couplet suggests the unconditional love between the speaker and his

When I first saw Vincent van Gogh’s painting of The Starry Night, I was immediately drawn to the peaceful luminescent stars emanating outward like vibrant yellow halos into the captivating striking blue sky. I felt a sense of calm and tranquility as the bright orange moon shone intently over the serene village below. The sprawling mountain range, grassy hills and fields of wheat intensified this feeling as a soft wind swept through the countryside. Under the immense stars and vibrant night sky, the people of the village sleep soundly in their cottages. This painting exudes an overwhelming feeling of calmness and peace in my mind.

The poem’s structure as a sonnet allows the speaker’s feelings of distrust and heartache to gradually manifest themselves as the poem’s plot progresses. Each quatrain develops and intensifies the speaker’s misery, giving the reader a deeper insight into his convoluted emotions. In the first quatrain, the speaker advises his former partner to not be surprised when she “see[s] him holding [his] louring head so low” (2). His refusal to look at her not only highlights his unhappiness but also establishes the gloomy tone of the poem. The speaker then uses the second and third quatrains to justify his remoteness; he explains how he feels betrayed by her and reveals how his distrust has led him

In this piece of art Van Gogh shows that even tho in a dark night you can still look out your window at night and see light. Another example of that would be in your dark or hard times in life, there is always a brighter side to everything.

Vincent van Gogh- Starry Night, 1889, Post impressionism, Oil on canvas, 29 x 36 ¼ in, Museum of Modern Art, NYC

One of the most mysterious and thought-provoking images to date was painted in 1889 from a mental health institution in St. Remy, France by non-other than Vincent Van Gogh. The opulence of blues and yellows has the ability bring a viewer to its knees, mostly in a subconscious manner that evokes a kind of spiritual quest, perhaps one that Van Gogh was on himself. The Starry Night is still heavily contemplated and its meaning is still relatively unknown and quite debated, as is the man himself. In an effort to gain an understanding of not only the painting but the painter himself, I chose two articles that provide an understanding of the art and the artist: Van Gogh’s Agony by Lauren Soth and Under the Starry Night by Denis J. Billy. Both writers take a different approach to grasping the elusive understanding of this wondrous work but occasionally find some similarities and understanding of him and his work, which I will elaborate on through the course of this paper.

The sonnet, “Time Does Not Bring Relief” by Edna St. Vincent Millay, and the poem, “Gouge, Adze, Rasp, Hammer” by Chris Forhan, are both about the emotional pain of a lost love. Both of the poems follow the narrators after their losses, but each speaker handles with their situation differently. The narrator in “Time Does Not Bring Relief” can not find liberation from her heart ache, and experiences a more powerful and unavoidable sadness than the narrator from “Gouge, Adze, Rasp, Hammer,” who copes with his heartache more successfully, and eventually begins the healing process, as exemplified by the use of tone, structure and imagery in these poems. Firstly, the difference in tone between the poems clarifies the fact that the woman in “Time Does Not Bring Relief” is inconsolable, while the man in “Gouge, Adze, Rasp, Hammer,” has begun the healing

Edna St. Vincent Millay’s “Sonnet IV” follows many of the conventions of the traditional Petrarchan sonnet. It follows the traditional rhyming scheme and octet, sestet structure. However it challenges the conventions of the typical subject of the Italian sonnet, unrequited love. In the octet at the beginning of the poem Millay uses images that give a sense of transience and in the ending sestet of the sonnet she contrasts the sense of impermanence given earlier with the idea that the speaker cannot forget the smiles and words of their ex-lover. This contrast between permanence and transience illustrates Millay’s interest in a fugacious relationship with everlasting memories. After further analysis of Millay’s highly structured rhyming scheme which puts emphasis on the last words of each line. She uses these words to further express her interest in exploring impermanent relationships by using words that are associated with an end or death.

The first four lines of the sonnet reflect the changing of seasons, and the oncoming of Fall:

One of the most important observations anyone could make while viewing a painting is the artist’s delicate choice and use of colors. In paintings, colors serve two different but equally important purposes. One purpose is to draw attention to the painting, while the other purpose is to display emotions. An artist that understood the importance of color in paintings extremely well was the late talented Vincent Van Gogh. In his painting Café Terrace at Night, Van Gogh incorporates a vast array of colors to arouse emotions from within the audience. In order to assess which colors aroused which emotions two important questions must be answered. What emotions do the specific colors used within the painting give off to the audience? How have the emotions behind the colors been learned through normal human experience over time?

Sunflowers, 1888. When he was more miserable he used darker, mysterious colours i.e. Starry Night 1889; and when he was straight to the point, Self-Portrait if Bandaged Ear, 1889. He conveyed his emotional life in his art. He never tried to hide his depression, yet instead highlighting this in his paintings, and this is what makes him so individual.

     With its swirling colors and lines, The Starry Night, incorporates not just the color and light that is found in the earlier works of these painters, but it shows how forms and feelings also came into play. One of van Gogh’s main beliefs was that art was a direct representation of how the artist feels. Having grown up in a very religious family, van Gogh viewed the heavens as a beautiful, living thing. His heavy brushstrokes and vivid colors portray the night sky as crazy and chaotic and the village below as peaceful and serene. Van Gogh’s troubled life, which involved many failures in life, love and business, forced him into madness, which eventually caused him to commit suicide. While the problems of his life may have caused personal trauma, the artistic importance of his insanity is overwhelming. Perhaps if he had not gone crazy, he never would have created the masterpieces that have had such an impact on art and history.

Vincent Van Gogh is one of the most famous artists of all time. He is known for his paintings and is hailed as the quintessential expressionist painter in history. Yet, Van Gogh lived one of the most troubling lives one could ever imagine. Almost every painting can be viewed as a look into his troubled soul. Van Gogh’s Paintings today can be sold for millions of dollars, but during his life time he sold a single painting for a measly 40 francs. Van Gogh’s legacy has left behind stories of greatness and sadness having to do with both his personal life and his career as an artist.

Vincent Van Gogh had a rather depressing life. After being born into an upper-middle class family he quickly became depressed in life. He tried different things like working as an art dealer, becoming a Protestant missionary, and so on. None of these stuck for him as his mental health continued to decline. He was already a quiet, keep to himself kind of person, but over time he became more isolated. He got help from his younger brother Theo in the form of money and moved back home with his parents. This is when he began painting and eventually moved to Paris. Once moving there his paintings became more colorful and his painting style began to develop. He also began suffering from delusions and psychotic episodes and began neglecting his health by eating less and drinking alcohol more frequently and in