Analysis Of Still Life With A Skull And A Writing Quill

Thirdly, the texture of the painting I see when viewing the painting is velvety and silky. I feel that the velvety texture is caused by the smoothness of Marilyn’s face. In addition, the silkiness I see is due to the gold paint that surrounds Marilyn’s face. Fourthly, the use of value is present on the painting by the lightness and minimal darkness. For example, the darkest value is seen on Marilyn below her chin on her neck, eyes, her lips, on the right side of her face, and on minimal parts of her hair. I feel that the dark value creates the illusion of shadows. In addition, the golden brown paint that surrounds Marilyn is dominant because it shimmers when light reflects it. Moreover, the lightness is present by the yellow, turquoise, and pink colors. In addition, the lightest value of color is white which is on Marilyn’s teeth. Lastly, the colors viewed on the painting consist of golden brown, black, yellow, pink, turquoise, dark red, and

Early flower paintings tended to have static symmetrical compositions like the works of Ambrosius Bosschaert (1573-1621), but flourished into more lively expressions when artists like Willem van Aelst (1627-1687) started to make use of the S curve composition. While studying under van Aelst, Ruysch employed the use the S curve, which distinguishes her paintings from less dynamic earlier work. Ruyschs’ pieces also stand out because of her use of lighting. A spotlight is an appropriate analogy for Ruyschs approach. One central point will be highlighted while the rest of her composition lurks in the shadows. Her lighting technique distinguishes her work from later painters like Jan van Huysum who moved towards the use of lighter backgrounds Still life with flowers” 1-3). Ruyschs’ works have qualities from both the 16th and 17th centuries, and are indicative of progression of the Netherlands art. They confirm that the enthusiasm for floral painting was not short lived .

Born in Leiden, Netherlands in 1606, Rembrandt Harmenszoon van Rijn. Rembrandt was a 17th century painter and etcher whose work came to what has since been named the "Dutch Golden Age". Rembrandt's greatest creations are seen in his portraits of his contemporaries. Illustrations of biblical scenes and self-portraits as well as his innovative etchings and use of shadow and light. In 1612, Rembrandt attended elementary school until 1616, then attended the Latin School in Leiden. There is where he was in biblical studies and lessons on the classics. Rembrandt trained as an artist under two masters. His first was painter Jacob van Swanenburgh from 1571 to 1638 with whom he studied for about 3 years. Van Swanenburgh specialized in the vision of

Pieter Bruegel was born to paint. Many people in his family were painters, such as his wife's family. Pieter painted beautiful landscapes and scenes from peasant life. His paintings use wonderful colors and proportion. He was from Italy, the birthplace of the Renaissance and was a very gifted painter. Pieter Bruegel was a Renaissance man. He painted many realistic scenes of peasant life. His paintings resembled the idea of realism in this time period. It showed what peasant life would have looked like. Bruegel was born in modern day Netherlands. He contributes to society and the legacy of the Renaissance by painting realistic scenes. Many historians get an idea of what peasants life would look like because of his accurate and realistic paintings.

On July 15, 1606, Rembrandt van Rijn was born in Leiden, Holland to father Harmen Gerritszoon van Rijn and mother Cornelia Willemsdochter van Suyttbroeck. Rembrandt’s father was a mill owner, deriving his last name from the wind mill that he owned in the town of Weddesteeg, and his mother a baker’s daughter, derived from her last name “Neeltjen”. Leiden, his birthplace, was built near the river on a network on canals. In the beginning of the 1500’s, the town’s population numbered 40,000; however, after the Spanish siege of 1574, it grew to be prosperous with its industries and a university that ranked at the top of Europe’s education system.

created his pieces to be representations of his mental work and experience. In his painting Dutch master

Rembrandt Harmensz van Rijn was the premier artist in 17th century Europe during the great Golden Age of Dutch painting, well known for his Dutch Baroque style of art that lead to his title as one of the greatest painters in history. His incredible brush technique and his masterful appreciation of human nature combined to create a humongous impact on his peers as well as influencing tons of artists of later years.1

TXT- This large painting was created using paper or glass on a wet surface and removing it from the painting to add incredible textual effects that draws the viewer's eyes, along with multiple scenes into one final piece. Pg 303

The “proliferated minute detail across the whole work” is punctuated across the entire canvas. At the bottom left of the painting, there is a wooden object that looks as though a master carpenter chiseled it for the Goddess of the painting. The wooden object’s focal point is a fleur-de-lis and stemming from this symbol are intricately woven strands that fill in the rest of the object. Additionally, the patterns that stem from the fleur-de-lis do not seem to have a preordained order to them, which suggests that the carpenter was working

Jeroen van Aeken, or Hieronymus Bosh which is his professional artist name, was born in Brabant, where present day Netherlands is located. Bosh was brought into a family of painters and who were also involved of selling art. This would lead Bosch into the world of art and become a well-known renaissance artist. Bosch did not have a successful early life. The only achievement was getting married to his wife, whom had money and was interested in art. Bosch would later

In 1782, a painting debuted that shocked a lot of people and critics. This painting was The Nightmare, created by Henry Fuseli the year before. The painting is of a woman lying down, slightly hanging off a sofa, in a deep sleep. On her chest is what appears to be an imp, and behind the curtains, a demonic horse. Due to these things, many people found this painting to be dreary and frightening. Three of the things helping even more to contribute to the thoughts people had about the painting are the mix of dark and light, the morbidity, and drama.

His untamed hair was styled by the changes of time. The shaggy clumps of hair flowed uncontrollably like water out of burst pipe from the tip of his scalp to the beginning of his shoulders. As wild as it looked from the surface, his hair had a certain sense of order to it. Each lock had a story to tell, as did every crest and ridge of his face. The plaster bust of the french war hero was brought to life through intricate drill work. The usage of chiaroscuro transformed a lifeless bust into a herculean warrior. The plaster, a bland combination of grey and white surprisingly conveyed an overwhelming sense of life. The lackluster color scheme only highlighted the detail of bone structure when light contacted the surface of the work. When viewed from the side, the viewer has in its sight the epitome of confidence and perserverence. However, a much different narrative is told when the piece is rotated. The uncertainty in the hero’s eyes becomes unmistakably prevalent. From the new angle, the victor appears to be slightly less victorious. He is undoubtedly taken back by the sight in front of him. The war has been won, however our hero is horrified by what stands in front of him.

Van doesburgh did not feel like he was different to the other painters he was working with instead he thought that he was working besides them to contribute to creating a new style. Another painter Vilmos Huszar, Born in 1884 was also greatly influential for de stijl. Vilmos Huszar Gained his inspiration from glass painting and Graphics. And so the four artists were all heading in the

Dutch painter, Rembrandt van Rijn, went beyond the traditional art styles and changed the art world forever. He lived during the Dutch Golden Age. The Dutch Golden Age took place in the 17th Century. It was a time in the Netherlands when wealth, power, and culture flourished like never before (Rembrandt and the). Artists such as Rembrandt took advantage of the changes and captured the transformation of the world through art. Rembrandt was born on July 15, 1606. First he had to develop as an artist, then he was able to become an independent artist which lead to the rest of his life. By his death on October 4, 1669, he left his mark on the art world forever (Rembrandt Biography).

The Netherlands in the Seventeenth Century was the home of many famous artists, most notably Rembrandt Harmenszoon van Rijn, but also many lesser known artists such as Pieter Claesz.. Pieter Claesz was born in 1597 in Berchem (near Antwerp) Claesz moved to Haarlem in 1620 and lived there till his death in 1660. He is most associated with the Flemish and Dutch still life tradition and still lifes make up a vast majority of his work. His 1628 painting Still Life with a Skull and a Writing Quill is a prime example of the Still Life style called Vanitas, so named as the artist would attempt to display the vanity of materialism.