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Analysis Of Stopping By Woods On A Snowy Evening

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Stopping by Woods on a Snowy Evening, by Robert Frost, takes the reader inside a snow globe by painting the pictures of beauty and isolation one would expect to find inside the glass sphere housing desk-sized winter wonderlands. Though the picture and enchantment doesn’t carry through the whole poem, the reader shares some wonderful moments enjoying such beauty before climbing out of the poem and back to reality.
The poem is comprised of four verses that take us inside a solitary winter evening. The use of rhymed stanza gives the reader the enchantment most expected when first introduced to poetry, thus leaving the fresh and experienced poetry readers alike, mesmerized.
The first verse gives a feeling of isolation as Frost only reveals the speaker to the reader. He is walking, or so the reader can presume at this point in the poem, through the woods and stops to, “watch the woods fill up with snow” (285). Additionally, the reader finds out that there is no resident on the wooded property, as the owner resides in the village (285). This further emphasizes the idea of solitude by revealing that homes are not to be seen.
Not only is the idea of isolation strongly presented in the first verse, the way it is composed brings about the sense of carefree spirit. The verse begins with the premise that the speaker is not entirely sure whose land he is on (285). The town is revealed to be far enough away that the owner of the land, “will not see me stopping here” (285). This seems as though the man would be shrugging while contemplating if he needs permission to be on the land. Given that the poem goes on for three more verses, one could deduce that the man could see no reason to rush his evening observations at this point.
In the second verse, the picture of a typical snow globe is painted strongly. The reader finds out that the man is accompanied by a horse, but the impression of isolation is again emphasized in the note that the horse would think this spot odd to stop in, “without a farmhouse near” (285). The horse is conditioned to think practically, stopping only for shelter, food, and water, none of which can be found in the secluded forest scene unfolding.
However, the enchantment happens as a little

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