Analysis Of Summer Life By Gary Soto

Junot Diaz was born in the Dominican Republic and immigrated with his family to New Jersey, where a collection of his short stories are based from. Out of that collection is a short story “Fiesta, 1980”, which was featured in The Best American Short Stories, 1997. This story is told from the perspective of an adolescent boy, who lives in the Bronx of northern New Jersey with his family. He is having trouble understanding why things are the way they are in his family. Diaz shows Yunior’s character through his cultures, his interaction with his family, and his bitterness toward his father.

Soto’s use of imagery serves as an aid to the reader to better understand the author’s perspective, which is that of a six-year-old boy. Prior to stealing the pie, the author uses imagery to describe his temptation to steal. “My sweet tooth gleaming and the juice of guilt wetting my underarms” (Soto 1). The imagery here illustrates both the irresistibility of the temptation to steal and the immaturity of the young boy as he can’t take his mind off of anything but what is in front of him. After stealing the pie, Soto

In “How to Write a Memoir” William Zinsser gives very detailed and important advice to writers interested in writing a memoir. He gives the specific advice of “Be yourself,” “Speak Freely,” and “Think Small” (Zinsser, 2, 4, 6). These tips advise writers to not only think about what they want to say in their story but also how they want to tell their story. Many memoir authors choose to follow this advice and write their story using these points, but many do not. In the memoir “A Summer Life”, Gary Soto follows Zinsser’s writing advice through his use of writing from the point of view of a young child, speaking freely about his early life events, and writing about his life in small structure chapters.

He “knew enough about hell to stop [him] from stealing” and was “holy in almost every bone”. Soto’s diction makes it clear that his younger self was well behaved because he was scared of the consequences of sin, but not necessarily because he wanted to be good. It also implies that even fear could not stop the most mischievous parts of him. Regardless of his willingness to behave, the young Soto truly believed in a God, and often saw “shadows of angels” and heard “faraway messages in the plumbing”. These symbols appear throughout the passage in order to show how sin changed Soto’s interpretation of them. The narrative continues, and the young boy stands in a German Market, staring at pies. As he ponders which type to steal, the “juice of guilt” wets his armpits and he “nearly [weeps] trying to decide”. This imagery of wetness is associated with his sin, and strongly contrasts the dryness of “the flowery dust priests give off”. The opposing wet and dry imagery show that the boy is sometimes bored with the dryness of religion, but the possibility of stealing a pie both terrifies and excites him. Once again, he is reminded of “the proximity of God howling in the plumbing”

Since Soto knows stealing the pie is a sin his guilt is amplified when he ignores his knowledge. Soto’s guilt is emphasized through the tone of the story, “my sweet tooth gleaming and the juice of my guilt wetting my underarms… I nearly wept trying to decide which to steal.” By Soto’s tone towards the pies over exaggerating on which one to steal shows that he is nervous and anxious.

All of us pass through adolescence before reaching adulthood. It is a crucial stage in everyone’s life that plays a big role in the adult life. “The Jacket” is a representation of Gary Soto’s adolescent life. It is a short story depicting his hardships as an adolescent as he battled with peer pressure and low self-esteem or lack of confidence caused by the ugly green jacket. The jacket serves as a symbol of his personal battles, growth, maturity, and his readiness to face the cold and harsh challenges in his life.

Contrast is used when Soto compares himself to Eve, a biblical character, when God punished her for stealing an apple from a sacred garden. Also in the first line of the story Soto explains he “knew enough about hell to stop me from stealing”, but later in

Gary Soto’s body language sets the stage for symbolism on his aim on stealing pie from the grocer’s store. “...the juice of guilt wetting my underarms” (Soto 13). The juice of guilt symbolizes his religious knowledge, since he is acknowledged

Growing up Soto’s life at home wasn’t ideal and he never had high hopes for it. Soto’s family was Mexican American so he was born into a Chicano culture. Every one of their jobs, even his as a child, was some type of physical labor, “and he worked in the fields as an agricultural laborer and as a low-paid

Soto’s writings in this passage construct a tone which gives a feeling of concern, due to his family and also his friend Scott to disapprove of a relationship only because of social class and race. The tone portrayed can be perceived when he has discussions with his family about who is the right woman to marry

One major trademark of Gary Soto’s works is his use of the importance of family in his stories. Readers can feel and understand his passion and appreciation for family. Often, Gary uses family to tell stories about his upbringing and as a sense of pride in his stories. In A Summer Life, he says, “My brother showed me his palm, where a sliver had gone in quick as a stitch on a sewing machine when he climbed the rabbit hutch at the Molinas’ house” (Soto 14). This quote is an example of his close relationship to his family and his adventurous upbringing in Fresno, California. Later in A Summer Life, Soto says, “My face was hot, my hair sweaty, but nothing scary seemed to happen” (Soto 20). This quote once again shows that Soto had a very adventurous upbringing, and he enjoyed being able to go out and explore for himself at a young age. Soto’s family life has always been important to him, but his family life has also suffered heartbreak and adversity. According

In the poem “Behind Grandma’s House”, Gary Soto writes about an experience he had as a young boy. He speaks of himself as being a nerdy Spanish boy who wants attention. He screams out for attention by acting out in negative ways. Most know, to bring attention to one’s self, one can acquire it by acting negatively or positively, but negative attention brings punishment. Soto obtains his grandmothers attention at the end of the poem, but he may have regretted it. Gary Soto’s “Behind Grandma’s House” is a 1952 free verse poem that uses imagery to suggest the speaker’s perspective of the story.

“Freedom Summer”, a book by Bruce Watson, talks about that historic time of 1964 in Mississippi. He explains in detail about the events that went on. Even the most painful details from that summer he has you relive as he tells about them. The Student Nonviolent Coordinating Committee went to Mississippi to educate African Americans and help them vote. Watson talks about the murder of three innocent people while down there in Mississippi. Three people that were young and just helping African Americans be educated were murdered for helping. He uses many different quotes from those that were there or experienced what went on. All these to tell the story so important because it shaped American democracy. It made sure that African Americans had

The poem begins explaining to the reader the story of a Mexican American as he worked in an industrial factory at some point in his life. “In the factory I worked, in the fleck of rubber, under a press of an oven yellow with flame.” (Lines 1-3) Soto uses visual imagery to describe the color of

Although there are a multitude of differences between our worlds, like the way we grew up and the differences in our heritage. There are also many similarities that help me to relate to Soto and his experience. I do wish that I could have seen more of why he felt that the jobs he was doing made him feel like he was doing something that he shouldn’t have to do. As I reflect on the story Soto tells I think about how I could have decided not to do something only to find that I can’t get back what I did. While Soto did eventually return to the grape fields not everyone has the opportunity to go back and make what they think is a bad situation better.