Analysis Of Sungju Lee's Every Falling Star

Suicide can sometimes feel like the only way to pacify the pain. It is as if something is eating away parts of you slowly and intently and the only way to relieve the constant pain, is to die. Tiffany Hunter and Pierre L’errant are two very different characters with both equally unique yet queer personalities. Although Pierre and Tiffany are not the best of friends, their contrasting characteristics somehow complement each other. They both have similarities in their plans of suicide as well as differences that help them make the correct decision on where they want their life to go in future. Although they both made different decisions at the end, they assisted each other to settle on the right choice. Drew Hayden Taylor develops a theme of despondency and isolation from peers and loved ones in the novel “The Night Wanderer.”

The vivid imagery incorporated throughout “The Gift” is characteristic of Li-Young Lee’s writing style. Li-Young Lee specifically portrays vivid imagery through the use of metaphors. For instance, in the poem, Li-Young Lee states that his father’s voice was “a well of dark water, a prayer.” This metaphor used by Li-Young Lee allows readers to vividly picture the type of man his father was. By comparing his father’s voice to “dark water,” the poet illustrates the gentleness of his father. This is because the sound of water tends to bring peace and comfort to those who listen. Similar to water, the sound of his father’s voice radiated with

Do readers believe that any one person can turn their life into something beautiful, even when all they have seen in their life is ugly? Based on this non-fiction poem the narrator finally realized his life wasn’t as bad as it could be. In Baca’s “Cloudy day,” readers find a speaker very attuned to the outer world while being incarcerated. Born in New Mexico of Indio-Mexican descent, Jimmy Santiago Baca was raised first by his grandmother and later sent to an orphanage. A runaway at age 13, it was after Baca was sentenced to five years in a maximum security prison that he began to turn his life around: Jimmy learned to read and write and unearthed a voracious passion for poetry.

The narrator shares this story from his youth in the words of an educated man. His actions as a teen are in stark contrast to his phraseology as an adult. Early in the story, he viewed “nature” as sex, drugs and rock and roll (Boyle 112-113). However, as the story ends and the turmoil subsides, the narrator sees nature for the first time, through the eyes of a person matured by this traumatic experience. The “sun firing buds and opening blossoms” replaced the once revered beer and

In life, there are often many different ways to experience an event depending on a person’s background and field of study. Regarding these two passages, John Audubon, a scientist, and Annie Dillard, an artisan, describe a murmuration of starlings based on their experiences. The use of their craft in the description of this phenomenon is shown through their styles of writing. While both authors use descriptive language, Audubon utilizes an exact and scientific style while Dillard utilizes a reflective and poetic style.

The relationship between father and son changes over time, and molds along with the people in encapsulates. As in real life, the father and son who inhabit Li-Young Lee’s poem “A Story” experience sudden changes within their relationship as the time passes on. The son’s cries for a story that slowly change into adult conversations throughout the poem indicate that with maturity and age comes both understanding and hostility.

No matter what happens in one’s life, the sun still comes up every day and the stars still shine brightly each night. In “Bright Star” by John Keats and “Choose Something Like a Star” by Robert Frost, both authors compare elements of nature, such as stars, to the things in one’s life. Through soft diction, peaceful imagery, and figurative language such as similes, Keats seeks to convey that people should cherish even the little things in life. In “Chose Something Like a Star,” Frost includes dark imagery, brutal diction, and personification to prove that like the stars, some things remain constant in one’s life.

The night air was heavy with silence. Clouds drifted across a calm sky, and a full moon shone in the distance. In a small hut on the outskirts of the valley, an old man lay in bed, awake in the peaceful slumber of the village. His breaths came in rattling gasps, his forehead burned, and his joints felt stiff with pain. He shifted on the blankets, his withered hands clenched in fists as he tried to suppress the wave of bitter memories coming to him. His life had been nothing more than work, loss, tragedy. He remembered all of his hope, his ambition, in his youth, and he smiled bitterly. No one would remember him as the man that he had once hoped he would become. Now, as his breathing became heavier and he felt himself fading on the brink of

Constructing setting with the use of correct language is vital in the establishment of mood. In the novel Jasper Jones, published in 2009, the author Craig Silvey constructs the setting of Jasper Jones’ glade by using his main character, Charlie Bucktin, to describe the superincumbent presence the glade holds by using techniques and conventions that establish an oppressive mood. His description encapsulates the layers of mood this setting has presented us with throughout the book, as the audience has come to know the glade as a place of growth and acceptance, a place of darkness, and a place of spirituality. Craig Silvey crafts language and narrative conventions for a description of the glade to establish an oppressive mood for this setting.

To set the mood in this piece, King describes where he is writing his work and calls it his “far-seeing place,”(103). He says that he is writing this chapter at his desk down in his well lit basement in the winter, and this place is his sanctum away from the stresses of life. By writing about his current setting in his sanctuary, King showed that he was just like any one of us. King reads books as a release from life’s frustrations.

The boy lay there next to his father keeping each other warm from the chilling atmosphere where they set camp. The air was so moist it turned the dirt into damp mud and the boy could feel his sleeping bag submerge into it. The intimidating glare of an owl examining him sent a tingle up his spine. The sounds of bugs chiming filled the ambience, killing the silence giving him a sense of security. He looked up at the twilight sky illuminated by the blinding shimmer of the full moon gleaming through the forest trees over him. Surrounding it was an array of glimmering stars prompting the sky alive. As his body grew accustomed to the environment, each natural attribute gave him comfort and allowed him to slowly fall into a deep sleep.

…as the sun declined towards the horizon, the wind died away into a gentle breeze and the sea became free from breakers. But these gave place to a heavy swell; I felt sick and hardly able to hold the rudder, when suddenly I saw a line of high land towards the south. Almost spent, as I was, by fatigue and the dreadful suspense I endured for several hours, this sudden certainty of life rushed like a flood of warm joy to my heart, and tears gushed from my eyes. How mutable are our feelings, and how strange is that clinging love we have of life even in the excess of misery (211).

In the story “A Clean, Well- Lighted Place” by Earnest Hemingway begins with the main character and his co-worker in a café. The two are analyzing, and discussing a deaf, drunk Oldman, who is their last customer of the day. As the deaf old man insists on having more whiskey, the main character informs the young waiter as to why and how the old man tried to commit suicide. They began to converse about the Oldman’s depressed life. The younger waiter is in a rush to go home to his wife, while the older waiter is patient and he stands up for the Oldman, being able to relate to him. Hemingway’s sentence structure and writing style represents the comparison and contrast between setting, people, and objects, along with emphasizing how it is to have and be nothing.

The poem “I Am Learning to Abandon the World” by Linda Pastan is closely similar in context with Sharon Olds’ “Still Life in Landscape.” Each of the two poems narrates an ordeal with the persona being the writer of the poem. The persona directly speaks to the audience. However, these two works differ in the number of lines, the length and appearance of each line and the entire apparition of the poems. The two authors employ a similar tone as both use a melancholic and reflective tone. The poets present their thoughts in a simple diction and understandable language. It is evident that both authors have an impeccable interest in narrating their story.

From where he lay, he had the perfect view of the sun dipping behind the silhouettes of trees, sky awash and ablaze with the colours of the heart of a fire, glowing with a flaming crimson eyedropped from the finest of rose petals, and Hansol couldn't help but notice that even with puffy eyes and tear-soaked cheeks and a flushed face and hands dipped in blood, Seungkwan still looked so beautiful. Even on the fine line of death, Hansol still thought that sky was so alive, so mutable and changing, and Seungkwan was still the same