Analysis Of Talladega Nights: The Ballad Of Ricky Bobby

Talladega Nights is a comedic NASCAR movie produced in August 4, 2006 and starring superstar Ricky Bobby, also known as Will Ferrell. His fans love his accomplishments and he also has a smoking hot wife with a vast amount of wealth. But Ricky lets it go away when French Formula One champion Jean Girard (Sacha Baron Cohen) thunders onto the scene. Ricky also has a racing partner/best-friend Cal Naughton Jr. (John C. Reilly), Shake and Bake was their famous go to in the races. Ricky finishing in first place and Naughton Jr. finishing in second place. When the French driver comes to NASCAR, Ricky will do anything to fight for his title at the top. Soon, Jean Girard takes Ricky’s spot at the top and his life goes to disaster. His best-friend Cal, who soon ruins his marriage and moves into his house. With Ricky’s father, Reese Bobby must take in his son and make him number one again. Talladega Nights has won many nominations and awards, with a total of 8 wins and 9 nominations. In the movie Talladega Nights, there are variety of character, situational, and symbolic archetypes which help to enhance meaning throughout the text.

The Alamo is a 2004 American war film about the Battle of the Alamo amid the Texas Revolution; it is a motion picture that catches the dejection and fear of men sitting tight for two weeks for what they hope to be sure passing, and it some way or another succeeds in taking those popular society brand names like Davy Crockett and James Bowie and giving them human structure. The film was coordinated by Texan John Lee Hancock, delivered by Ron Howard, Brian Grazer, and Mark Johnson, dispersed by Touchstone Pictures, and featuring Dennis Quaid as Sam Houston, Billy Bob Thornton as Davy Crockett, and Jason Patric as James Bowie. The film relates to history, the Alamo looks exact, and, in reality, we find that San Antonio de Béxar was deliberately re-made with small saving of cost. In any case, a feeling of the way the occasions at the Alamo are joined with the national story of slavery, development, and the evacuation of Native American from the eastern United States in the 1830s and 1840s is missing. On the off chance that we incorporate this bigger story, we can maybe figure out the more extensive point of view that at first created enthusiasm for the venture.

The Southern portion of the United States ranging from the East Coast to Texas is commonly referred to as the South. Two different versions of this area exist. One is the true South that anyone who drives through states like Georgia, Alabama, and Mississippi will see. The other South is a popularized depiction of this region. Hollywood has played a part in constructing this version of the South by creating countless movies that have depicted a stereotyped South fixated on the Antebellum Era. The 2002 movie “Sweet Home Alabama” poetries Southerners that are trying to preserve the way of life that existed before the Civil War.

John Ford built a standard that many future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939, the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography, John Ford displays his views of society.

Disney has faced a large amount of criticism from critics over the tropes and stereotypes that it portrays in its animated films. This is not a recent event however. One of Disney’s most notorious and controversial films, Song of The South, was released in 1946. Song of the South, set during the Reconstruction Era, focuses on a young boy named Johnny who learns that his parents will being living apart for an unknown amount of time, moves to a plantation in Georgia, while his father continues to live in Atlanta. Depressed and confused over the recent events Johnny decides to run away to Atlanta, but is drawn to the voices of Uncle Remus, an ex-slave living on the plantation, telling stories of Br’er Rabbit. Although it is implied that the African American workers are no longer Johnny’s family property, the black characters are still wholly subservient and are happy to be so. James Baskett plays Uncle Remus as a blissfully, happy companion ready to please. Due to this “magical negro” trope, the characters’ ridiculously stereotypical voices, and the unrealistic happy and joyful relationship between the white landowners and their black help, Song of The South, is one of Disney’s most offensive, racist, and fictitious film. Disney’s portrayal of Uncle Remus is his veiled justification of the mistreatment that minorities received before and after the Reconstruction Era.

NASCAR community is made up of sports personalities. The community values sports and champions sporting activities with the aim of fostering peace and unity (Batchelor 226). They have always achieved significant gains with the sporting initiatives concerning the transformation of the way of life of the southern people including other parts of the nation. Likewise, NASCAR is a sporting community that coordinates multiple auto-racing sporting events. The community started its activities in 1948, and the brain behind its formation is known as Bill France. It was formed to spearhead motorsports stock-car racing that is highly prominent. The community’s objective was to foster cultural practices, provide a

I detect that in ‘’sweet home alabama’’ that there are some mixed feelings. Because they are going against everything in Alabama i'm assuming that they don't believe in Alabama's message they're trying to get across. They kinda put out there saying that sweet home alabama wants racism they want slaves. ‘’Alabama’’ wants freedom they are trying to send a message across that they wanted to escape. The slaves wanted independence and ‘’sweet home alabama’’ didn't want them to have any of it.

“Shelby had a dream about building a AMerican sports car. He wanted to build a sports car to rival limited production cars from Europe. Shelby wanted

Charlie Pride did it in 1971. Darius Rucker did it in 2009. That’s it. Two black men, spanning thirty-eight years, are the only black artists to win a Country Music Association Award. With country music rooted in bluegrass and rhythm and blues, why aren’t there more black country music stars? When considering the roots of country music, and how closely related country is to blues, bluegrass and honky tonk music, an examination of what happened to all the black musicians seems warranted, no? This paper examines the dearth of black artists in country music and the careers of one of the few black artists who has had commercial success in this genre of music.

throws the ball at Crash, but misses and ends up breaking a window. Crash looks

The world of film has changed dramatically over the last fifty years, both in technology and perceptions on how the industry should work and how it is viewed by the public. The ending of the production code in Hollywood started the cultural change in the industry. With this restrictive institution gone, many directors chose to take advantage of this in many different ways. My favorite of these is Mel Brooks; he chose to break and push boundaries both socially and comedically. Brooks’ style often includes crude humor inlaid with deeper jokes and meaning, many fourth wall breaking moments such as the “We’re in now now” scene of Spaceballs, to stand out in the world of comedy. His masterpiece, Blazing Saddles, is one such film that did just that. Through its new found sense of humor in the post production code era and its twists on common genre tropes of the time, Blazing Saddles was able to find its place into the New Hollywood Cinema.

The western movie I pick is John Ford’s movie Stagecoach (1939). The movie is about a group of people traveling together by stagecoach from the town Tonto to Lordsburg. The people traveling together are a diverse group of people. All of them have the specific motivation for going, but they all share the same goal reaching to Lordsburg. The characters are Dallas who’s a prostitute, Mrs. Lucy Mallory who is the wife of the Army Cavalry officer, Ellsworth Henry Gatewood who is a banker, Hatfield who is a gambler, Samuel Peacock who is whiskey salesman, Doc Josiah Boone who is a alcoholic doctor, Buck Rickabaugh who is a stage driver, Marshal Curley Wilcox who is a marshal riding shotgun, and Ringo Kid who is an escaped outlaw.

Ricky as a character displayed the effects of understanding the traumatic human development and normal human development. Traumatic human development is when one is open to danger and violence. One can be open to traumatic development directly or indirectly on a centered foundation. Ricky environment exposed him negativity. A majority of the negativity that Ricky is exposed to is gun violence, gangs, drugs and other negativity as well. Due to his environment being looked down upon and him being an African American male from a certain area of Los Angeles town he was viewed upon negatively by society. For instance, a scene from the movie dictates Tre and Ricky is pulled over by cops. The cops, one African American the main cop posed Tre and Ricky as a threat to society. Being harassed by the cop made Tre and Ricky feel as though they had no place in of belonging in that part of Los Angeles town. By Ricky being an African American male it was difficult enough for him to be successful in his environment. Ricky was not as fortunate to have the resources he needed. He was limited to many resources but, his limitation did not interfere with him having normal development. The theories that can mainly be relative to this movie, as well as the character Ricky, are person-in-environment, systems theory, and cultural theory (Newman and Newman 2012).

George Harvey Strait was born and bred in the Texas cowboy tradition. He came into the world on May 18, 1952 in Poteet, Texas (“Strait Facts”) and was raised in nearby Pearsall, TX on his family's working cattle ranch, a legacy in the family for over 100 years. His childhood was spent working with his father and brother on their farm, and he carried on the ranching tradition by studying agriculture at Texas State University (Dickinson). In 1971, he married his wife, Norma, and shortly after enlisted in the United States Army.

The question is whether No Country for Old Men and Stagecoach provide adequate examples of the decline in American moral values. From my perspective of today’s world and my interpretation of No Country for Old Men and Stagecoach, I can see how the argument could be made that they have declined or haven’t changed at all. I see a difference between the relationship of Ringo and Dallas vs other members of their traveling group compared to Sheriff Bell vs Chigurh. These relationships, in my opinion, explains a lot about the development of moral values, or lack of, in the western United States. In this paper, I will describe the moral values that are represented in each movie and I will also try to describe my understanding of why American moral values may have declined between No Country for Old Men and Stagecoach.