Analysis Of Tarpon By Derek Walcott

The children are unnoticed by others and the mother is the only one that is protecting them. This poem shows the hard times that the mother must face because her children have died. However the mother is coping with them while still protecting her children after they have died, This is the mother's way of coping because she is not yet ready to let go of her children and still wants to care for them. This poem shows this through nature by portraying the mother as a bird who is protecting her nest. Also the poem uses nature by describing the harsh times as a winter wind that has caused harm to the mother and her children.

o Page 49 “…the hooked fish, the female, made a wild, panic-stricken, despairing fight that soon exhausted her..”

The theme of “what do fish have to do with anything?” is that unhappiness can sometimes cause someone to be blind and ignorant towards others needs. For instance, Willie’s mom does not want him looking or talking to the homeless man on the streets. She tells her son this because she is unhappy so she does not see what the man is going through and instead says “He is sick do not look at him.” Another example is that Willie’s mother does not like answering Willie’s questions concerning others needs. She does not answer willie’s questions because she could honestly care less about a problem that is not hers. She could care less about other peoples problems because of her unhappiness. To illustrate, at the end of the story the mother has the

The appreciation of nature is illustrated through imagery ‘and now the country bursts open on the sea-across a calico beach unfurling’. The use of personification in the phrase ‘and the water sways’ is symbolic for life and nature, giving that water has human qualities. In contrast, ‘silver basin’ is a representation of a material creation and blends in with natural world. The poem is dominated by light and pure images of ‘sunlight rotating’ which emphasizes the emotional concept of this journey. The use of first person ‘I see from where I’m bent one of those bright crockery days that belong to so much I remember’ shapes the diverse range of imagery and mood within the poem. The poet appears to be emotional about his past considering his thoughts are stimulated by different landscapes through physical journey.

Small details are instrumental in seeing the bigger picture. This is apparent when reading “The Fish” by Elizabeth Bishop. Most often the reader experiences visual imagery in poetry. In this poem the reader encounters visual, auditory, and sensory imagery. “The Fish” is filled with minute details that paint a picture for the reader. With each new element that is introduced, it becomes easier to visualize the fish. The speaker is able to show the reader the beauty as well as the ugliness of this creature with her vivid imagery. The imagery used is so distinct that the reader can envisage being the fisherman and catching this fish. Another important element involved in this poem is irony.

“He did not truly feel good because the pain from the cord across his back had almost passed pain and into dullness that he mistrusted.”(74) Once both the fish and Santiago had reached the breaking point of conflict the story seemed to slow down in time to exemplify the adverse conditions that both characters were suffering from. The old man proves himself worthy of personal suffering with the cuts and scars on his hands and back along with all of the pulling and slipping the cords had upon his fragile body. Hemmingway shows in a big way how an out of proportioned conflict with an old fisherman and an 18 foot long marlin helps to magnify the significance of Santiago searching for his rebirth to manhood. With constant abstraction describing the fish and the sea in relation to brotherhood create interesting questions for Santiago to ponder. His rationalization for his fishing is that he was born to do it. “A man can be destroyed but not defeated.” (103) Hemmingway proves that this fish represents all of Santiago’s built up tension to total the size of a gigantic marlin that is perceived as devastating but not unconquerable. The old man’s hopes and aspirations can overcome the adversity of the marlin’s size, along with the conditions of the old, hungry, and exhausted fisherman. Through outright suffering Santiago achieves a goal above his previous manhood by combating pain and

The use of symbolism and imagery is beautifully orchestrated in a magnificent dance of emotion that is resonated throughout the poem. The two main ideas that are keen to resurface are that of personal growth and freedom. Furthermore, at first glimpse this can be seen as a simple poem about a women’s struggle with her counterpart. However, this meaning can be interpreted more profoundly than just the causality of a bad relationship.

Wallace begins “Consider the Lobster” by telling the reader about the Maine Lobster Festival, which hosted over 80,000 people in 2003 and served over 25,000 pounds of lobster. He moves on to give a basic scientific description of the lobster and the history of lobster as food. Wallace then gives his firsthand account of attending the Maine Lobster Festival. He then goes into the preparation and cooking of lobster and. He finishes his piece by exploring the question of lobsters’ feelings of pain and how

Yuling Lu (Gipsy) ENGL 202B Prof. Charnesky 2/3/2015 Explication for Consider the Lobster In "Consider the Lobster", David Foster Wallace argues that the process of cooking lobsters is an issue both uncomfortable and complex.

Wallace’s essay published in Gourmet Magazine uses ethos by connecting the lobster’s emotion with the perspective of a humans, which makes his point easily understood towards the reader. When lobsters are cooked they are usually boiled alive and instead of Wallace stating they are boiled alive, he relates the emotions back to human ones. He does this in order to make the issue more relatable to the readers. Wallace shows us these emotions when he says “the animal's claws are pegged or banded to keep them from tearing one another up under the stresses of captivity.” (64) All humans can relate to stressful situations and when Wallace puts the lobster’s stress’ into a human perspective, he is able to get his readers thinking and understanding the situation better. Within these few phrases Wallace explains how the lobsters are stressed from being in captivity and which catches the reader's attention to the inhumanities when lobsters face imprisonment in this large glass tanks. Humans are able to relate because we’ve all learned about Hitler imprisoning Jews in death and labor camps, his actions were completely inhumane. Because Wallace takes an approach to the readers emotions, he is seen as a very knowledgeable on the way he puts the lobsters suffering in a human's perspective. Wallace states in his essay “Theres is. after all. a difference between (1) pain as a purely neurological event, and (2) actual

The repetition of the word “fisher” or “fishing” mirror the hazardous menace of predators (3, 4, 11). While the fish are labeled the prey in this instance in the poem, the fishermen are commonly labeled the predator. Humanity is known in their role in any given ecosystem as the top of the food chain. This is explicated within the poem between the roleplay of the human hunting for the fish with all the necessary tools of a “fishing pole” (9) and

I wish I could feed the fish, he thought. He is my brother. But I must kill him and keep strong to do it. Slowly and conscientiously he ate all of the wedge-shaped strips of fish” (59). This relates to perseverance by showing how Santiago doesn’t really want to harm the fish, but he knows he has to in order to make a living. Santiago’s hand has cramped up, yet he feels sorry for the fish, not himself. He has caught a few small fish to eat raw. He wishes he could feed the

The Fish is a narrative monologue composed for 76 free-verse lines. The poem is constructed as one long stanza. The author is the speaker narrating this poem. She narrates a fishing experience. The author is out in a rented boat on a body of water, presumably a lake. She tries to describe the fish to the fullest, which appears to be the purpose of the poem, without saying either the specie or an approximate age. The narration gives the impression that the fish is slightly old. There are a number of reasons as to why that fish got caught by the author, including time of day, the weeds weighing it down, fish’s age, and the fact that it has been previously caught five times.

A Commentary on Behavior of Fish in an Egyptian Tea Garden by Keith Douglas. *The description of the men drawn to her starts with the rich cotton magnate immediately establishing the hierarchy the author seeks to show*. This hierarchy is further developed*in the actions of the different suitors. The rich magnate ‘through the frail reefs of furniture swims out’, the inverted syntax* in the line* suggesting grace and power. *T*he self-assured manner in which he acts suggests that the rich man is above the petty rivalries* that the others have. H*e knows his wealth gives him an insurmountable edge* (and this is further shown in the last stanza)*. *Also, the* author shows this from the* fact that *though this* fish is far from pretty with

The children are the ‘we’ of the first half of the poem. They “loved it” (5) when the mother kicked out their father and were “glad” (1) at the result of divorce. When their father lost his job they “grinned” (4) and were “tickled” (line 7) with pleasure as they watched their father’s world crash down around him. The sympathy conveyed through the narrative sits with the mother and children during the first half of the poem. As the daughter begins to speak in present terms, and the “you” (1,3) suddenly is now “father” (17), the poem undertakes a dramatic shift. Sympathy begins to surface, from the reader, for the “bums in doorways” (18) who begin to take on a victimized persona with their hands depicted as useless “flippers” (21) attached to their “slug” (19) bodies. It is not to say that the speaker has forgotten the cruel insensitive man that she recalls in the first part of the poem, but the father is now not the only villain and the mother and children are not the only sufferers.