Analysis Of The Book ' Clotel, Or The President 's Daughter ' Essay

The author’s white, female characters act as an example for her white, female readers to model themselves after. This argument is more than go out and vote or start protests, because those methods of change are not a reasonable expectation for a group of people whose role is to be polite, hospitable, and demure. Thus, the methods the women are expected to take are indirect by being more subtle and persuasive instead of direct and confrontational. Subtlety and persuasion are demonstrated by the female characters, Mrs. Emily Shelby and Mrs. Mary Bird. Mrs. Shelby used her subtlety to throw off the plans of the slave trader and allowing her slaves to escape. She slyly suggests to her slaves take their time in collecting the horses, before then offering her guest dinner and pushing back the time for eating, because the meal is supposedly not suitable enough for guests. Mrs. Bird discusses her opinion on slavery and fugitive slave laws with her husband in a very womanly manner, respectful and persuasive, in a successful attempt to convince him to take an abolitionist stance in his job as senator. Both Mrs. Shelby and Mrs. Bird are able to receive their desired results by working within their role as women. Even though they are not taking a direct action of fighting slavery, they are still making a difference just through different means. These fictional women are embracing their hidden power of their gender and acting as examples for the real life

It is human nature to have issues of balance within any relationship. For example, the knight, desperate in need, found an old woman who knew the answer to save his life. In order for him to receive vindication, he had to pledge his life to her. The old woman at last revealed the answer, that all women want sovereignty over their husbands and lovers (“The Wife of Bath’s Tale” 170-71). In contrast, Walter forces Griselda to be submissive at all times as he tests her loyalty and obedience by pretending to kill both of her children and asking for a phony divorce. One tale appears to suggest that the male should be inferior to his wife as the other tale promotes that the woman should be at least steadfast in adversity and obedient to her significant other. The issue of an unbalance relationship is still a part of modern society because the majority of people are familiar with the saying, “Who wears the pants in the relationship?” That joke derives from the struggle of dominance in a relationship. Yet the characters’ opinions of where they believe a woman belongs in a relationship are slightly polar; both stories are constructed around the theme of struggle in a relationship (“The Clerk’s Tale” 217-24).

The Portrayal of the Plight of Women by the Author, In Their Particular Period of Time

Women are primarily objects of sexual pleasure for the male protagonists. Their characters are always filtered through the men's perspective, with the exception of the maid Bertha, Charlie’s maid, who at times makes fun at either of the brothers. (Perspectives on How Women Internalize the Ideal Beauty Standard, Year Unknown).

In fact, most of them are unidentified and the reader may not identify a specific person that speaks in the different chapters. Thus, the audience may understand it is an embodiment of females focusing on structuring the major theme of the book, which is gender inequality. Additionally, the description of the female characters is equivocal such that the reader has to picture the image of the women. Although the author provides various photos in the book, there is absence of an explanation. Before this, the writer only concentrates on telling the story (Kim,165). Additionally, the author uses poetic approach to explain the setting in the book, which gives the novel distinct styles of writing. In fact, the poems are only meant to provide the reader with a description of the mothers and daughters, and this creates a distinction in the narrative. Resultantly, the audience perceives that when a poem appears in the reading, the author is probably narrating the plight of women. Notwithstanding, the novel uses visual art technique to communicate to the audience. in many instances, the author does not provide a description of an individual such that the reader has to imagine the person. In doing so, the readers are in suspense but the author offers a drawing that may be used to demystify the situation. in support of this style, it is apparent that the visual art may have

Gundersen organized the book in many different ways. The prominent topics throughout the book were relocation, education, marriage, pregnancy, and constant changing times. The three women she selected belong to different classes, and have come from separate parts of the world. This choice was not by mistake, she chose these three completely separate lifestyles to show that these problems were not only occurring inside of one area or class. She selected these women to represent a whole for all women of this era. All women had to deal with the same problems, maybe not in the same way, but in similar ways.

Some critics have advanced the notion that one of the reasons there is such a paucity of women and of strong, beneficent women in particular within this story is due to what they represented in typical Victorian England society. Women were generally viewed as "a social force or a source of authority" which "reinforces this fiction of coherent male identity" (Doane and Hodges 63). This quotation suggests the fact that women were generally the keepers of morality and virtue within Victorian

The women of these novels showed feminine empowerment. Although they had obstacles that could have over come them they still stood against them and showed that females can be strong and independent too.

These three brides represent the femme fatale, the fatal woman. The over sexualised women whose charms ensnare her lovers in bonds of irresistible desire, often leading them into compromising, dangerous, and deadly situations. These women serve as monstrous reminders of what happens if the boundaries of proper behaviour and traditional gender roles are crossed. These women, although beautiful, possess the wrong type of beauty, one of which brands them as evil, openly sexual and seductive women. Who, in addition lack the chaste passivity and fragility of the ideal Victorian lady, thus making them deserving of some form of punishment in order for them to be returned to their pure, innocent, albeit dead, human form.

     At the same time, the readings of the women's masculinity and androgyny must be similarly reconsidered. While Irving reads Lena as one who "conforms more readily than Ántonia" and assimilates in a manner "too complete" in that "she, like Jim, is lethargic" (100), I would argue that Lena's refusal to marry and her achievement of the independent, successful life she sought belie any ready categorization of reinforced hegemony, undermining standard patriarchal demands; and her success can be contrasted with Jim's loveless marriage and the vague reference to the "disappointments" that have failed to quell his "naturally romantic and ardent disposition" (4). Similarly, as Gilbert and Gubar highlight, the happiness of the "masculine" hired girls stands in stark contrast with the emotional restriction to which town wives are subjected: "Energetic and jolly, Mrs. Harling must stop all the activities of her household so as to devote herself entirely to her husband" (197). While it may be true that "their disturbing androgynous qualities, and their unwillingness to accept traditional female roles" position the hired girls as "outsiders" (Wussow 52) and that these facts can be read as critical of the feminine, it seems more

American Literature has always been about men and for men. In this essay, we are going to analyze the women’s role in the book, as inferior and weaker gender.

The cult of true womanhood defined women as “ladies”(pure, diligent). When we talk about American woman, we have to specify their religion, sexual orientation, race, social class (it is therefore essentialist to talk about “women” in general. Depending on the group which they are in, certain coordinates are applicable.

A romantic drama film is a genre that explores the difficult aspects that come with love. The plot usually includes two people that are in love that can’t be together the way they want to be due to obstacles. The obstacles in a romantic drama film can include a family 's disapproval, to forbidden love, to one 's own psychological restrictions. The Notebook is a movie based on a best-selling novel that was written by author Nicholas Sparks. This is a love story that is composed of a series of obstacles between two young people that are madly in love with each other. It perfectly fits and displays the criteria for a successful romantic drama film because it includes the complexity of love, and elicits emotions.

In the novel Clotel or The President’s Daughter, Williams Wells Brown’s use of irony as Europe, particularly France, as a pivotal setting for the liberation of African Americans from the bondage of slavery, by virtue of its political and social demeanor, contrasted from the United States of America. In the Letter Exchange between Benjamin Banneker and Thomas Jefferson, Banneker’s letter reinforces the situational irony when he argues, “Sir, suffer me to recall to your mind that time in which the arms and tyranny of the British crown were exerted with every powerful effort in order to reduce you to a state of servitude” (253). Thus, this citation reminds Jefferson of his and his country’s origin. The Letters of Exchange and scenes from the novel dramatize the oppression of enslaved African Americans while acknowledging the irony by assessing the persisting gap between America’s founding principles and the ruthless existence of slavery.

Feminity is different from this novel to reality with the old ways changing of women and how they work. Women have always been considered to be seen as weak but superior. There are many main characters who are women such as Mrs. Joe, Ms. Havisham, Biddy, Estella, and others. These four play major roles with Pip and how they influence him throughout the novel. The women are shown through this novel to be housewife’s while the men go to work. They are seen as women who are supposed to be cooking and taking care of the children. The women are portrayed in this book as women who don’t move from where they live or how they are confined to their homes or the role they play in the households. The men seem to have more freedom in going place to place as they see fit, while the women stay in the home to be housewives.