This analysis will scrutinize three articles that parallel in the intrest of defining transnational cinema. First, the analysis will attempt to define transnational cinema. The second article will describe how artists use film to convey a deeper message. Finally, the last article will examine borders and border crossings in the movie Veer Zarra. Is there a difference between national cinemas vs. transnational cinemas? In the article from Higbee, W. and Lim, S. H., defines transnational cinema.
of consumer studies from a range of disciplines. Howes makes his objectives clear - this book is actually
Hindu believes women are creator, caretaker, destroyer and a lover. Such beliefs are common in both eastern culture and western tradition that can be seen represented in different canvases of many famous artists. From renaissance Michelangelo Angelo to abstract Pablo Picasso, artists have always painted women in different circles of life explaining different paradox of emotional feelings, spiritual beliefs, and physical representations. Explaining such themes in balanced form and in limited canvases
It is a story about the childhood experiences of a pair of fraternal twins who become victims of circumstance. The book is a description of how the small things in life build up, translate into people's behavior and affect their lives. The story is set in the small town of Ayemenem in the Kerala province, southwest India. The main part of the plot takes place in 1969
Ulmer's book presents itself, in part, as a heuristic device for enabling such new forms of research and text production from the inventio provided by Jacques Derrida. In The Other Heading, reflecting on contemporary Europe, Derrida repeats a fundamental question
Dutch Dolmens. The research question is therefore: How does New Age counter cultural awareness of the Dutch Dolmens differ from the official representation? To answer this question a closer look has been given to the concepts of politic and poetic space as presented by Kong (2001). The data has been gath-ered in the field
on Tehran’s metropolitan area as it is the major city in Iran. As an outsider to Iranian culture inside Iran I am aware that my approach will contain inherent bias, however, trying to limit this will be my goal throughout the essay. Also, limited space may not permit a long detailed view of all my research, but I shall attempt to convey my main point concisely. The main interest in postcolonial theory is what happens to people during and after colonialism. Splitting in straight lines self from
achieve what they wouldn’t do naturally is how I view leadership on a very broad level. I base my view on a book I read a long time ago on coaching – but I don’t remember the name. In my experience, there are significant similarities between leadership and coaching. To name a few, both involve motivation, maximization of individual effort as a team, achieving a shared vision, and crossing the finish line together. 2. More specifically, my philosophy includes a few hallmark cornerstones that comprise
wouldn’t do naturally. That’s how I view leadership on a very broad level. This view is based on a quote from a book I read a long time ago on coaching – but I don’t remember the name. In my experience, there are significant similarities between leadership and coaching. To name a few, both involve motivation, maximization of individual effort as a team, achieving a shared vision, and crossing the finish line together. 2. More specifically, my philosophy also includes a few hallmark cornerstones that
Chapter- One Theorising Identity and The Search for The Self among the sub-continental Diaspora in Britain Identity has always been a problematic area of interrogation epistemologically, existentially and politically and it continues to propel our thought. Etymologically, the term is derived from Latin word ‘Idem’ meaning ‘same’ (Oxford Online Dictionary) which means ‘specific quality or condition of being a specific person or an object”. A person’s identity is determined in terms of his/her