Who Is Responsible For Gregor's Transformation

At this point in the story Gregor is completely captivated with Grete, which is an unexpected consequence in her plan of manipulation. Grete began to practice her violin to show her parents just how classy she was even though she was able to take care of Gregor. While entertaining guests and playing the violin Grete captivated Gregor with the sweet sound of music. “On hearing all this, his sister would break out in tears of emotion, and Gregor would climb up to her shoulder and kiss her neck, which, since she had been going out to work, she had keep free without any necklace or collar.” Gregor also feels bad about what has happened with his sister. Due to Gregor’s situation Grete has to work and this is keeping her from wearing her beautiful necklaces. Grete has effectively manipulated her parents and Gregor. In the final paragraph of the novella it talks of Grete and how highly her parents think of her. The novella ends with one final dehumanization of Gregor. The last sentence shows Grete stretching her young body after Gregor has died with a horrid

Changes in your life, depending on how you see it, can be good or bad. In Franz Kafka’s The Metamorphosis, we come across Gregor, the protagonist of this story, whose miserable life takes a turn when he turns into a vermin, resulting as a burden to his family. He then later dies at the end of the novella causing a relief to the family. With that being said, who can we ultimately blame for Gregor’s own transformation and death? Although Gregor is largely responsible for his unfortunate fate, his parents are the biggest culprit for Gregor 's atrocities.

Grete has to work closely with her parents in order to overcome the changes throughout the book. In doing this, she and her parents develop a stronger alliance. All three of them try to become acquainted with Gregor in the bug form, especially Grete; instead they all go against him which causes them all to become closer. In the “Clinical Social Work Journal,” Alexandra says “In the end, what appears to be a stable sibling-parent triangle has been established”(Kivowitz 38). Alexandra then

Throughout the novella, “The Metamorphosis”, the audience notices two transformations. At the start of the story, Grete is the most understanding of Gregor and his situation. She makes sure that he is comfortable and healthy. On the other hand, Mr. Samsa is the least understanding. He wants nothing to do with him. However, as the story progresses, these two characters shift roles. After taking care of Gregor and seeing that his appearance is ruining their lives, Grete decides that he should no longer be a part of their family. In contrast, Mr. Samsa decides that they should give him a chance and treat him like the son that he has always been.

When Gregor first turned into a bug, his sister Grete, showed him kindness by bringing him some food “She brought him, to test his taste, an entire selection, all spread out on a newspaper. There were old half-rotten vegetables, bones from the evening meal, covered with white sauce which had almost solidified, some raisins and almonds, cheese, which Gregor had declared inedible two days earlier, a slice of dry bread, a slice of salted bread smeared with butter… and out of delicacy of feeling, since she knew Gregor would not eat in front of her, she went away very quickly… Gregor could now make himself as comfortable as possible.” (Kafka 153) As the story progresses Grete becomes careless and no longer is sympathetic toward Gregor. In fact she hardly even feds him anymore “But even when the

Grete undergoes a change in perspective to such a degree that by the end of the novella it is she who declares, “we must get rid of it” (84). This change in perspective shows how Kafka believes that members of society often stop sympathizing with the isolated group when it becomes inconvenient for them to continue doing so. Gregor’s mother reacts in an initial manner somewhere between the father and sister since when first seeing him she “went two steps toward Gregor and collapsed right in the middle of her skirts” (23). These conflicting desires continue through the novella, such as when Mr. Samsa tries to kill Gregor, “she begged him to spare Gregor’s life” (65) but at the same time she is repulsed by him. This illustrates how she wants to help him and tries to think of him the same way she did before his transformation, yet is unable to. This resembles the idealists in society who theoretically support the alienated person but often succumb to social pressures when they are forced to face the problem. These three reactions to Gregor’s transformation as a result of the initiation of his isolation by the manager demonstrate the spectrum of reactions. From the immediate acceptance of the hierarchy represented by Mr. Samsa, to the true compassion of Grete and the idealism of Mrs. Samsa, Kafka shows how a wide variety of reactions is expected from society, and how people often change their opinions.

Grete, like her mother, obviously cares very much for Gregor and is also terrified by his new transformation, but unlike her mother, she tries very hard to hide her fear in order to keep feeding and tending to Gregor’s room;

This quote from Gregor’s sister, Grete, is emotionally wrenching because from Gregor’s point of view, the only person who has been kind in taking care of him is now pleading with their father to cast him out leaving him dejectedly alone, with no one left on his side. The author’s wording including “crying” as if Grete is desperate to be rid of Gregor. Grete’s language, which dehumanizes Gregor by referring to him with the pronoun “it” and calling him an “animal” and a “plague”, is incredibly degrading which led me to sympathize with Gregor for being so alone that his one friend is so

While the weeks and months passed Grete and his mother and father struggled to give little any compassion or concern for Gregor as their finances plummeted to the ground. Prior to his metamorphosis Gregor was physically alienated from any semblance of a social life due to his job and financial obligation to his family afterward the transformation and he was deemed a burden to his family that he had provided for countless months he was psychologically isolated from them as well. Notably while Gregor had finally been emancipated from his dreaded job as a salesman, he had become a parasitic to his family without being labeled as a provider they slowly began to turn against him only worsening his mental state and exile.

the family representative of Gregor, in a sense, to a mother who does not understand and a father who is hostile and opposing. The father is physically violent toward his metamorphosed Gregor, pushing him through a door in Part I: "...when from behind his father gave him a strong push which was literally a deliverance and he flew far into the room, bleeding freely" (20). Grete appears to concentrate on protecting Gregor from this antagonistic father and an indecisive mother. In Part II, when Grete leads her mother into Gregor's room for the first time, we see the strange way in which Grete has become both the expert and the caretaker of Gregor's affairs (Nabokov 271). She convinces her mother that it is best to remove all of the furniture from his room. Kafka attributes her actions partly to an adolescent zest: "Another factor which might have been also the enthusiastic temperament of an adolescent girl, which seeks to indulge

As a young child, he was a lone Jew attending a German school-which no doubt forced him to learn the "value" of conformity from an early age. As for Gregor, his family refuses to associate with him any longer and casually discards him because he is useless and perceived as different; i.e., dangerous. As such, the family finds this nonconformity almost threatening to their existence. A particularly pivotal and heartbreaking moment in Gregor's life occurs when his own beloved sister is asha! med of Gregor: Things cannot go on any longer in this way...I say only that we must try to get rid of it. We have tried what is humanly possible to take care of it and to be patient...I believe that no one can criticize us in the slightest...it is killing you both. I see it coming. When people have to work as hard as we all do, they cannot also tolerate Cheng 4 this endless torment at home. I just can't go on any more...this animal plagues us. It drives away the lodgers, will obviously take over the entire apartment, and leave us to spend the night in the lane. (Kafka) Basically, Grete is willing to kill her own blood relation purely based upon his unusual, repulsive appearance. However, despite the constant threat of extermination, his thoughts remain surprisingly selfless; he "did not have any notion of wishing to create problems for anyone and certainly not for his sister...he felt a great pride that he had been able to provide such a life in a

Grete’s isolation from society stems from her passion and interest for her loved ones. Grete spends all her time at home caring for her family members. Kafka describes her as “perceptive; she had already begun to cry when Gregor was still lying calmly on his back”

Grete Samsa is Gregor’s sister. Grete immediately feels pity for her brother and wants to help him. This continues until near the end of the story when Grete gets a job and takes over the role as the main provider. It seems at this

He was the son, the sole breadwinner of the family. Before Gregor’s transformation Grete really had no place in the family. Now since Gregor was unable to help the family Grete became important, needed and most of all appreciated. “He often heard them expressing their appreciation of his sister’s activities, whereas formerly they had frequently scolded her for being a somewhat useless daughter”(99). Now Grete’s parents need her for something. Grete by making herself responsible for Gregor gains a certain power over her parents. This however in not presented to the reader clearly because Gregor is unable to grasp the fact that his sister might have ulterior motives.

Furthermore, Gregor’s descent into social and physical abjection then forces his family to change radically in order to support themselves. In the beginning, Gregor starts off as the provider for his family. He hates his job, but he still goes above and beyond the call of duty to give his family a more comfortable life, even indulging the expensive endeavour of his sisters’ dream of studying the violin. However, after the metamorphosis, he is thrust into the role of a dependant – forcing his family to take responsibility and support themselves. His sister steps up to the plate in the beginning, giving him a selection of foodstuffs to find what he likes and even cleaning up after him. His parents are still in denial at this point, so much so that they refuse to see him at all. But as time goes by, his family begins to accept the situation and even try to help Grete out. His father produces some money from his previous failed business venture and his mother and sister try to make life more comfortable for Gregor. Grete in particular changes the most noticeably; Gregor himself notes at the beginning that her life up till that point had been “enviable”, consisting of “wearing nice