Analysis Of The Book ' The Time Machine ' Essay

Star War, Star Trek, those are probably the names that pops into your head when you think of science fiction. However, for over a hundred years, artists and philosophers from all around the world, has never been certain of the true definition of Science Fiction. Although, individual definition of science fiction has erupted in the few decades, especially during the 19th century, when the idea of extraterrestrial surged the media. Today, there are numerous definition of science fiction, each different from one another in its own element. For example, science fiction stories, according to Ray Bradbury are a possibility that has happened in the past or will happen in time. This means that science fiction is the past, the present and the

In H.G. Wells’ book, The Time Machine, the Time Traveler doesn’t seem to think people have evolved into something great. The mood is one of disappointment in the future. The reader sees the Time Traveler go crazy for some meat when he gets back from his travels, saying, “Save me some of that mutton. I’m starving for a bit of meat” (21). In the future, he has to be “frugivorous,” eating nothing but fruit, but he doesn’t see this as a great evolutionary leap (30). Even after living with the Eloi for a time, he wants the food he is accustomed to when he returns. They haven’t convinced him of the virtues of not eating meat.

In her introduction, she explains to the reader that “all science fiction is nothing but a metaphorical lie” and “The future, in fiction, is a metaphor.” (Le

Science fiction is a genre that has characteristics such as a futuristic setting and a human element. It is based on controversial areas of science or specific theories that have not yet been proven to be true. Science fiction works depict what may happen in the future as an effect of what technology and events exist presently. The genre of the short story There Will Come Soft Rains by Ray Bradbury is identifiable as science fiction through the setting, character and plot.

The Time in Between by David Bergen tries to show a different kind of cultural understand than is usually shown within the Vietnam war narrative. Bergen tries to highlight the cultural similarities instead of the cultural differences, where there is a sense of cultural appreciation. During the Vietnam war there has often been a stigmatization towards the Vietnamese that associates them as the enemy, they are seen as the opposing other. There is often an Eurocentric view of the Vietnam war that tells the story of the white male American solider and very rarely has another perspective been represented through media and literature. The attempt to acknowledge the war from the other perspective through the Vietnamese solider is used in The Time in Between. The trauma that is often associated with the Vietnam war is seen through the lens of the white male solider, often forgetting the the symptoms of trauma were experienced by both sides. The trauma from the war becomes a bridge between the two cultures and subverts the stereotypes of the Vietnamese as being the cultural “others”.

Science fiction is a genre in which the story is fiction but the topic is what could be.

On a more superficial level, the fact that the novel has been deemed as "science fiction" opens it up to a

The Time Machine by H.G. Wells is considered a “classic” in today’s literary community. I also believe that this novel is a good book. It was an interesting story the first time I studied it, and I have found new ideas each time I have read it since. It is amazing that such a simple narrative could have so many complex ideas. Unfortunately, some do not take the same position that I do. They cast it off as a silly little novel that deserves no merit. Obviously I disagree with these critics. The Time Machine follows the criteria that I believe a good novel should have. A good novel should include an element of fantasy and should stimulate ideas in the audience that they never came to realize before.

Much of the appeal surrounding science fiction is the fact that a lot of the genre exists far from what we experience in our own world, and far from what exists within our own imagination. The phrase, “cognitive estrangement” has been used to describe the way that a lot of science fiction makes us feel. In his essay, “Estrangement and Cognition,” Darko Suvin describes cognitive estrangement and its relationship with Science fiction as a genre. He writes, “Thus it is not only the basic human and humanizing curiosity that gives birth to SF. Beyond an indirect inquisitiveness, which makes for a semantic game without clear referent, this genre has always been wedded to a hope of finding in the unknown the ideal environment, tribe, state, intelligence, or other aspect of the Supreme Good (or to a fear of and revulsion from its contrary). At all events, the possibility of other strange, covariant coordinate systems and semantic fields is assumed,” which explains that the strange is what drives interest in Science Fiction. He emphasizes that it’s the weird that sets science fiction apart from other genres, including fantasy. This sentiment has been echoed by many other writers. In the same essay, Suvin writes, “The effect of such factual reporting of fictions is one of confronting a set normative system—a Ptolemaic-type closed world picture—with a point of view or look implying a new set of norms; in literary theory this is known as the attitude of estrangement.” This statement

Time traveling, a concept known to modern man as inconceivable, but in The Time Machine, by H.G. Wells, this fathom of human fantasy has come to life. Wells entangles a unique blend of contrasting characters, conflicts of capitalist verses laborer divisions, and foreshadowing of the destruction of humanity to seem together this novel of visionary proportions. "The Time Machine is a bleak and sober vision of man's place in the Universe."(McConnell Pg.1581)

Literature sounds too stuffy and high-browed an descriptor for Science Fiction as a genre. Science fiction is meant to be fantasy, something that is not real and does not strive to meet the literary aspirations of those who would write meaningful prose. Not to say that science fiction writers do not want to something meaningful, but even though the genre may be filled with writers who are degraded by "real" authors as a breed, does not mean that there are not classics that have been recognized as achieving a literary mark. It can be argued, because of the use of literary devices, that there are those science fiction novels that definitely reach the level anyone would consider literature, and among these is a book from Phillip K. Dick called The Man in the High Castle. This paper examines what literary devices were used in this book to make it both a work of science fiction and a work of literature.

A romantic drama film is a genre that explores the difficult aspects that come with love. The plot usually includes two people that are in love that can’t be together the way they want to be due to obstacles. The obstacles in a romantic drama film can include a family 's disapproval, to forbidden love, to one 's own psychological restrictions. The Notebook is a movie based on a best-selling novel that was written by author Nicholas Sparks. This is a love story that is composed of a series of obstacles between two young people that are madly in love with each other. It perfectly fits and displays the criteria for a successful romantic drama film because it includes the complexity of love, and elicits emotions.

Throughout this semester our literary material dealt with themes of technology, modernization, the imponderable bloom, human nature, and truth to name a few of the most overarching. Each text has woven an impression of the possible near future for humanity if the patterns we are creating continue at an exponential rate. Patterns such as consumerism, neglecting unpleasurable emotions, using drugs, and controlling the environment for our short term benefits will write an unsavory and inevitable future. Science Fiction often reflects on society by exaggerating their negative characteristics and advancements to seem far-out, but often it is ironic how close many aspects of the fiction are a direct reflection of the present condition. Even now, the possibilities of utopias and dystopias forming are not so out of reach. The ability of our culture to control an entire population with a self-satisfied culture of vices outfitted with technology is less and less science fiction as the years pass.

H.G. Wells took 5 pounds and moved to London in 1888. Wells traveled back and forth from France during the Wars. (Abrams 13+; Hall 310+; “Herbert George Wells-Biography”; Kunitz 1492; O’neal 1630; “Wells, H. G.” 122). The idea of the future of humanity greatly fascinated Wells. People refer to Wells as the father of modern science fiction. One of Wells best known novels “The Time Machine” was his first

The best-selling novel, The Time Machine, is written by H.G. Wells. H.G. Wells is also known as “The Father of Science Fiction.” Wells has written many books that has influenced our vision of the future, The Time Machine, being his first and foremost novel. The Time Machine is the story of the Time Traveler who invents the machine, his adventures while traveling, and his recounting of the tale to the narrator and friends gathered in his home.