Analysis Of The Brief Wondrous Life Of Oscar Wao

the Platano Curtain, he acted like it was his very own plantation, acted like he

The nucleus of the plot in Shakespeare's The Tempest revolves around Prospero enacting his revenge on various characters who have wronged him in different ways. Interestingly enough, he uses the spirit of Ariel to deliver the punishments while Prospero delegates the action. Prospero is such a character that can concoct methods of revenge but hesitates to have direct involvement with disillusioning his foes. In essence, Prospero sends Ariel to do his dirty work while hiding his involvement in shipwrecking his brother, Antonio, from his daughter, Miranda.

 Soon after we learn that Prospero controls Miranda, we discover that he magically controls the weather and that he also commands a spirit named Ariel to do tasks for him.  When a ship carrying

“FUKÚ” is an atavistic deadly curse that follows the De León family, and everything that can go wrong for them does. However, I believe that the fukú is only a consequence of their actions and a way for them to rationalize their misfortunes. The characters are using fukú as a crutch in place of taking responsibilities for their own actions. This is because they don’t want to accept the fact that things don’t always go the way they want them to. So they choose to blame the fukú for making their problems happen. So when fukú strikes a mongoose appears it comes as a character of a guardian angel with a sanguine presence. A mongoose is a weasel like animal that appears in the near death experiences of the characters. When it comes it shows a

One thing the Gangster forgot to tell Beli is that he was married and the wife was Trujillo blood. Since Beli was so excited about the pregnancy, she was telling everyone about it and soon the news got to the palace and the Gangster wife was furious.

Junot Diaz’s The Brief Wondrous Life of Oscar Wao, set in the late 1900’s, tells a story of Oscar Wao, an overweight Dominican “ghetto nerd”, his mother and rebellious sister who live together in Paterson, New Jersey. Throughout the novel Diaz incorporates many different stories about each character that show acts of resistance. One of the most prominent stories of resistance in the novel is through Oscar’s mom; Beli, who is prompted by great tragedy, known as the Trujillo curse, to love atomically and thus follows a dangerous path. Beli’s family history plays a large role in her choices that eventually compel her into a different life than what her adopted mother, La Inca, had wanted for her.

One thing all human beings, have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and family expectations were major obstacles as they struggled to establish their identity.

The ending of a novel can be evaluated by the reader in several different ways, however to properly analyze the work is to further explore the logic of how everything has come to be. The ability of the author to show the reader that the ending is reasonable from the preceding action and the character’s nature is what should truly be examined. Not only is the ending of The Brief Wondrous Life of Oscar Wao by Junot Diaz both happy and unhappy, it is logical in the sense that it follows logically from the climax of the novel all while the character’s have been constant throughout, except Oscar. Oscar, the protagonist experiences a life-changing transformation that leads to his untimely death. However, the ending is convincing because of this

Machismo has been an important issue in the lives of many Latino men. The idea of being a macho man has influenced many men in Latino communities because their culture demands it, and if they are not categorized as males, then they are the burla of the community. The term machismo has been an exaggeration within this novel, since if we focus on each of the characters, everyone looks for Oscar to be a macho. If you look at Belicia and machismo in Junot Díaz's The Brief Wondrous Life of Oscar Wao, we can see how she does not fulfill her desire for Oscar to be a macho.

Sexuality in traditional Dominican culture dominates Diaz’s novel, “The Brief Wondrous Life of Oscar Wao.” The descriptions and experiences of the main characters in the novel, namely, Oscar, Lola, Beli and Yunior highlight the theme of sexuality in Dominican culture. Yunior is the hyper-masculine narrator who presents sexuality in terms of the power and expectation of Dominican masculinity (Asencio 108). He embodies the ‘el machismo’ masculinity stereotype prevalent in Dominican culture where men have high sex drive and the power to dominate women by controlling their sexuality through violence, coercion, and verbal aggression. Oscar contradicts this machismo power by appearing emasculated like a woman. This shows that women have lower social standing compared to men, even lower than that of weak men like Oscar in Dominican culture. Sexuality plays a central role in Diaz’s novel to illustrate the dominance of masculinity over women in Dominican culture.

In Dominican culture, as portrayed by the novel, humans have very little control over their own lives. Instead, the opposing forces of fukú (curse) and zafa (counter spell) dictate the events in a person’s life. We see that in The Brief Wondrous Life of Oscar Wao, the boundary between what is real and what is considered fantasy often melt together in order to heighten the power of the supernatural forces. As it is stated in introduction, the Dominican Republic is a magical space where the fantastic flourishes: “What more sci-fi than the Santo Domingo ? What more fantasy than the Antilles ? But now that I know how it all turns out, I have to ask, in turn : What more fukú ?” (6) The fictional elements of the fukú are symbolic of the horrors of the Trujillo rule. The Cabral family does

Throughout Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao, the Man Without a Face is a recurring character with no evident features. All of his scenes include an event in which he is either a mysterious spectator watching the distress around himself or joins in on the torture. His appearances throughout the story are suggestive of evil or violent incidents that are about to occur. More times than not, the acts are performed by Trujillo 's men. Almost consistently, he emerges whenever one of the main characters is in great discord. The faceless man symbolizes the foreshadowing of malicious occurrences caused by Fukú.

One thing all human beings have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and familial expectations were major obstacles as they struggled to establish their identity.

William Shakespeare’s “The Tempest” speaks about multiple authoritative relationships throughout the play and the abuse of power and authority. The main character Prospero lives on a deserted island with his daughter Miranda. Prospero used to be the Duke of Milan until he has been usurped by his brother Antonio with the help Alonso the King of Naples and his brother Sebastian. Prospero and Miranda were banished to sea in a rotten boat and eventually lands in a deserted island who was once ruled by a witch named Sycorax but is now only inhabited by her son Caliban and a spirit named Ariel. Since arriving at the island, Prospero has been ruling the island and enslaved Caliban and Ariel by the use of magic. He acts as if he is God by creating a storm in order to shipwreck the King of Naples and Antonio. Prospero uses his powers to get revenge on his brother for having been exiled to the island. Prospero is a controlling character who seems to be obsessed with getting revenge in order to regain his status. He abuses his authority and takes advantage of his slaves and his daughter Miranda to fulfil his evil plan.

Prospero is a character that seems to stand at the very centre of The Tempest. Throughout the play, he prompts most of the action, and he has the last word.