Analysis Of ' The Canterbury Tales '

In the late 1300s Geoffrey Chaucer began wrote The Canterbury Tales, a story which follows the religious journey of twenty-nine people, who represent many aspects of Medieval society, to the Canterbury Cathedral in southeast England. While on the pilgrimage the host of the tavern, where all the pilgrims meet, suggests that the pilgrims each tell a story for the group’s entertainment. Chaucer intended for all the voyagers to tell two stories, but he unfortunately died before he could finish the book and only got to write one story apiece. However, the goal of the storytelling contest is to tell the most moral story possible, and the one who wins receives a free meal, which the rest of the pilgrims will pay for. Although some of the other stories have good moral messages, “The Pardoner’s Tale” and “The Wife of Bath’s Tale” are on different ends of the moral spectrum. “The Pardoner’s Tale” focuses on a pardoner who preaches against greed. While “The Wife of Bath’s Tale” exemplifies what all women want in their relationships: power. Although both “The Pardoner’s Tale” and “The Wife of Bath’s Tale” demonstrate the value of the opinion of elders, the stories differ in their moral values and their storyteller’s values.

Frankenstein, a novel first published in the year 1818, stands as the most talked about work of Mary Shelley’s literary career. She was just nineteen years old when she penned this novel, and throughout her lifetime she could not produce any other work that surpasses this novel in terms of creativity and vision. In this novel, Shelley found an outlet for her own intense sense of victimization, and her desperate struggle for love. Traumatized by her failed childbirth incidents, troubled childhood, and scandalous courtship, many of Shelley’s life experiences can be seen reflected in the novel. When discussing the character and development of the monster, Shelley launches an extensive discussion on the

In the many stories of Canterbury Tales the author, Geoffrey Chaucer, describes numerous pilgrims. In the prologue we are introduced to two men that go by the names Monk and the Friar, or Hubert. These men are mentioned throughout the stories, and have a strong comparison with few variations. Chaucer describes both of these characters throughly and with much detail. He gives us the characters personalities and quirks along with their hobbies. Throughout these stories it is easy to recognize that the Monk and the Friar’s individualities is shown through their similarities and differences.

Geoffrey Chaucer’s Canterbury Tales became one of the first ever works that began to approach the standards of modern literature. It was probably one of the first books to offer the readers entertainment, and not just another set of boring morals. However, the morals, cleverly disguised, are present in almost every story. Besides, the book offers the descriptions of the most common aspects of the human nature. The books points out both the good and the bad qualities of the people, however, the most obvious descriptions are those of the sinful flaws of humans, such as greed and lust.

Mary Shelley’s Frankenstein, an epistolary novel that structure a diverse narration enable through letters and dialogue. During the story, he author goes back and forth from writing from Victor’s point of view and other character’s perspective in the letters. The diction used to capture the feeling of abandonment, sorrow, and loss of identity that the monster felt. Victor also endured the feeling of sorrow because the very thing he created destroyed his entire family. The diction allowed the audience to connect to the characters, feel the pain and agony one’s faces after making a wrong decision that affects the rest of one’s life.

When Frankenstein is the narrator, the mood and tone shift from Walton’s mood of enthralled and tone of meditative to Frankenstein’s horrified tone and suspenseful mood. Frankenstein first establishes his truly horrified tone through the diction that he uses in Chapter V, when his creation finally comes to life. Frankenstein uses diction like “catastrophe,” “horrid,” and “disgust filled my heart” upon the sight of his beast, and even goes further to call his creation a “miserable monster.” The diction in this section of the book is intense, and it creates a tone of horror towards the monster that Frankenstein has created. The diction also creates a suspenseful mood for the reader, because now that Victor’s creation has gone bad, they have no idea what might happen next. In Chapters 8 and 9, Frankenstein continues to establish his horrified mood when he perceives that it was his creation that killed his brother, William, and this in turn causes the death of Justine. When this happens, Frankenstein uses words and phrases like “tortures of my own heart,” “desolation,” and “accursed hands” to describe his emotions about the suffering he has caused. Frankenstein’s emotions are destroyed so badly by the thought of what he has done that he even refers to himself as a “madman.” This diction proves to the reader that the author’s tone is indeed horrified; the fact that the reader once again

Mary Shelley’s Frankenstein has a very complex narrative structure: “the narratives seem to grow organically from one another”. Within the novel, Shelley weaves characters and their different narrative perspectives together, creating a cyclical, triplicate layout to the story. Her use of multiple narratives provides a range of perspectives on the story, allowing us insights to the

The Canterbury Tales, written and narrated by Geoffrey Chaucer, explores manipulation and dishonesty in the Catholic Church. The Nun in “The General Prologue” exemplifies improper qualities to which a Prioress should have. Along with the Nun, The Friar in “The General Prologue” uses false information to gain customer. In “The Pardoner’s Tale,” the Pardoner uses greedy tactics to wield other pilgrims into buying his relics.In Geoffrey Chaucer’s Canterbury Tales, Chaucer uses the Nun and the Friar in “The General Prologue” and the Pardoner in “The Pardoner’s Tale” to show the hypocrisy in the Church.

In "The Prologue" of The Canterbury Tales, Geoffrey Chaucer has some religious characters who break the vows they pledge for, to get a place in the Church. Many characters in the story seem to have an awkward characteristic that the writer did not notice. Why do the religious characters break the vow? How do they break it? For example, the monk was a primary part of the church, but as you keep reading, the characters start to change in ways you could never imagine. Some character do not interact with each other depending upon their social class level. The vows that the religious characters break are the Vow of Poverty, the Vow of Chastity, the Vow of Obedience, and the Vow of Stability.

In The Canterbury Tales, Geoffrey Chaucer uses ambiguities when describing the pilgrims in the General Prologue. The Pardoner is a preacher described as a clean-shaven, feminine male who has stringy blonde hair with a high-pitched voice. More specifically, he is a greedy man who fools and flatters others to get money by doing Christ’s holy work and pardoning them of their evil greed and sin, yet, he is the epitome of greed (GP 688-91). everyone is virtuous, rather selfish, and can show through manipulation, hubris and self-satisfaction. Although in the General Prologue, the Pardoner tells pilgrims that doing virtuous deeds will shorten their time in purgatory, in fact he ignores his wrongdoings and proves in his tale how greed is evil.

The Canterbury Tales is a story that incorporates a multitude of stories told by a multitude of characters. Written by Geoffrey Chaucer, he devises a novel in which each character has to narrate a total of four stories as part of a competition; on their way to visit Saint Thomas Becket, the characters would tell two stories going and two stories returning from the journey. The perspective changes through each story, and each story is introduced by a general, opening, third person prologue. Though many of the characters got to share some ideas, Chaucer unfortunately passed away before his story’s entirety. As a result, a winner was never officially clarified. Needless to say, it is evident that the clear winner would be the Miller’s Tale.

       The characters introduced in the General Prologue of The Canterbury Tales each represent a stereotype of a kind of person that Chaucer would have been familiar with in 14th Century England. Each character is unique, yet embodies many physical and behavioral traits that would have been common for someone in their profession. In preparing the reader for the tales, Chaucer first sets the mood by providing an overall idea of the type of character who is telling the tale, then allows that character to introduce themselves through a personal prologue and finally, the pilgrim tells their tale. Through providing the reader with insight about the physical and personal traits of

The Canterbury Tales, a masterpiece of English Literature, written by Geoffrey Chaucer, is a collection, with frequent dramatic links, of 24 tales told to pass the time during a spring pilgrimage to the shrine of St. Thomas a Becket in Canterbury. The General Prologue introduces the pilgrims, 29 "sondry folk" gathered at the Tabard Inn in Southwark (outside of London). Chaucer decides to join them, taking some time to describe each pilgrim.

In the Canterbury Tales, Chaucer gives a detailed description of what life was like in Medieval times . In the “Prologue”, the reader comes to better understand the people of the time period through the characters words and actions. Chaucer uses a variety of groups of society to give the reader a deeper insight into the fourteenth century Pilgrims customs and values. Through the Court, Common people and the Church, Gregory Chaucer gives a detailed description of ordinary life in the medieval times.

In The Canterbury Tales, Geoffrey Chaucer paints the characters of the General Prologue in a somewhat ironic light, offering cynicism and criticism as the poet through the naïve observations of his own fictional personification. One character portrait that receives Chaucer’s cynicism is that of the monk, who, on the first read-through, seems to be a jolly monk with a healthy habit of hunting, but on closer inspection is not all that he seems.