Analysis Of ' The Child By Tiger ' By Thomas Wolfe

In Michael Ondaatje’s In the Skin of a Lion, the play of light and shadow are reoccurring motifs that identify and relate to the general themes of remembering and forgetting. H. Porter Abbott has defined motif as “a discrete thing, image, or phrase that is repeated in a narrative”, where in contrast, a theme “is a more generalized…concept that is suggested by… motifs” (237). Abbott emphasizes that “Themes are implicit in motifs, but not the other way around” (95). In In the Skin of a Lion, Ondaatje emphasizes the class struggles endured by the immigrant workers and the internal struggles faced by the central characters. The motif of chiaroscuro, the play of light and shadow, reflects how the characters try to forget their past and personal burdens, and strive to recall joyful memories, which aides them in embracing new beginnings and creating new memories. I will argue that the motif of light relates to the theme of remembering and the motif of shadow identifies with the theme of forgetting. I will show these relationships by analyzing the imagery and context of four central scenes in which light and shadow play a significant role. Firstly, I will discuss the event of the nun falling off the unfinished bridge. Secondly, I will consider the candle-light vigil held for the deceased bridge works. Thirdly, I will discuss the working conditions of the tunnel workers in the section “Palace of Purification”, and lastly, I will analyze the concluding scene in which Patrick and Hana

What the readers know of Dick’s past is very little, as Capote works to characterize him through flashbacks the readers know it was his plan to kill the Clutters and he does have some family “there were those Dick claimed to love: three sons, a mother, a father, a brother—persons he hadn’t dare confide his plan to(Capote 106).” But Capote characterizes Dick more so through descriptions of his habits than through his memories. “Inez was a prostitute…she was eighteen and Dick had promised to marry her. But he had also promised to marry Maria, a women of fifty who was a widow of a very rich banker(Capote 118-119)” Dick is shown throughout the book as someone who uses people to get what he wants, he calls on Perry to help him with his plan, he uses women for sex and money while making promises he never intends to keep. “If he knew Dick, and he did—now he did—would spend the money right away on vodka and women(Capote 119). Capote does not draw any sympathy from the readers, Dick is perceived as an emotionless man who pretends to believe in people and want the same

In Cat’s Cradle, Kurt Vonnegut investigates the negative impacts that can result from humanities pursuit of knowledge through literary structure, irony, and symbolism. Kurt Vonnegut, well known for his pessimistic attitude and writing concerning the flaws of human nature, focuses this energy into Cat’s Cradle. Using satire interweaved with poetry, Vonnegut is successful in challenging the merits of human progress.

Dick, the main character in Ragged Dick, is a man that fits every trait Alger describes in the story. He is a man who has a mediocre job, and is a very hard worker. Throughout the story, signs show us that Dick is a man who has ambition and is very determined to one day get away from his poor

Picture books can have a very important role in a classroom, from elementary school through middle and even high school. They offer a valuable literary experience by combining the visual and the text. Maurice Sendak’s Caldecott Award winning book, Where the Wild Things Are, is a wonderful blend of detailed illustrations and text in which a young boy, Max, lets his angry emotions create a fantasy world.

When Even the Rat was White was announced as the book that we would be assigned to read and complete a reflection on, I felt indifferent. The title generated the all too familiar themes of cultures being white-washed. In other words, the United States has a past and ongoing history of taking every culture and putting a European spin on it. Naturally, with the announcement of this title, I immediately thought of the Eurocentric atmosphere that is diligently maintained in this country. With that title, the book had to be about the history of that. Also, there were thoughts brought to mind about the book including more information about the cultures that were disregarded and misappropriated.

Alex Kotlowitz’s There Are No Children Here is a documentary exploring life in inner-city Chicago during the late 1980’s. The book follows the lives of two African American youth, Lafeyette and Pharoah Rivers, who live in Chicago’s Horner Homes over the course of two years. It tells of a lifestyle that is a reality for many Americans and forces the reader to acknowledge a broken system that so many turn a blind eye toward. Kotlowitz does not sugarcoat the struggles and hardships that the citizens of the inner-city face every single day. The Rivers’ boys, like all the children of inner-cities, experience situations and know of unimaginable horrors that rob them of their innocence and childhoods. Lafeyette and Pharoah have to face and overcome many forces that can change their lives for the worst, such as: gangs and drugs, the social system, the Chicago Housing Authority, and the battle within them to give into the worst of society. Sociological concepts, including: racism, strain theory, and social stratification can explain some of the exploitation of Lafeyette and Pharoah.

Tim O’Brien and Tom Wolfe are two American authors known for their wartime novels. Tim O’Brien and Tom Wolfe utilize diction, imagery, and tone; however, O’Brien emits a more colloquial style of writing whereas Wolfe’s writing style is more derisive. Each author shows his unique style of writing through numerous amounts of literary devices and sentence structure. Both authors use tone, voice, diction, and imagery to contribute to the overall themes of their books.

motor company, "when I [Dick] had an automobile wreck with a company car. I was in the hospital several days with extensive head injuries" (Capote 278). The car accident caused his face to be slightly maligned, and, as concluded by Dr. Jones, caused residual brain damage and instability in his personality (Capote 286). Dick's father also confirmed that Dick had changed after the crash, expressing that "He just wasn't the same boy" (Capote 255). After experiencing the crash, many parts of Dick's life began to go downhill. His marital life twisted woefully, and when all was said and done, he had gone through 2 marriages. He did not have a steady job anymore, and he began to commit petty crimes, such as writing bad checks and stealing. The latter resulted in him being in jail, where he had met Perry, who was behind bars for burglary as well, among other charges. Dick and Perry had both agreed to kill the Clutters, however when the time came, Dick showed signs of doubt and lingered, while Perry had almost no hesitation. This seems to point back to each man's past, where Perry, who had a rougher childhood, did not seem to think twice about killing the family. His scarred adolescence points to a more cold-hearted, bitter, and lonely person, while Dick's more favorable youth showed signs of mercy and conscience.

We 've went through Dick 's nature and nurture, so we now know which one has made more of a effect in Dick 's life. Dick 's nurture had no wretched acts in it. His parents made sure he could go as far as they could help him go, and his siblings never did anything bad to him. The only act that was even a slight bit unnerving for Dick was that he couldn 't go to college. He was raised to a standard of excellence, and he used his raising to a good advantage for a good part of life. His nature was marvelous as well. He inherited good looks and he received a prepossessing mind. However, his nature was disturbed by a calamity involving cars. After his adversity, Dick had started implementing illicit activities

Dick's ideal, was to marry the perfect woman, Nicole, write his fantastic book ‘psychology for psychiatrists' and be the best psychiatrist in the world. At the beginning of his career all of these things were attainable, but slowly each one of these things slipped away to falter his life. These things were not only just an ideal or a plan in life, they were a necessity for Dick. He dreamed of them all and it was from then on that it became an obsession. This lead to Dick's belief that his life couldn't be fulfilled unless all of these things were obtained.

Technology throughout the past 30-40 years has become more advanced and accessible than ever. The television specifically has developed extremely since its beginning. What started off as a single camera caption, has developed into a full fledge worldwide availability. Within the United States, the TV is a normal everyday object common in households, hotels, schools, and even restaurants. There are approximately 118.4 million household in the United States that own a television set ( The Number of TV Households in the United States from season 2000-2001 to season 2016-2017 (in millions)).However, the increased amount of time spent watching TV has had a tremendous impact on people, especially kids. The differences in generations throughout the development of the TV has led to many questions, all revolving around whether or not the televisions has had a good or negative impact pertaining to children. Time spent watching television affects the brain, ability to learn, and skill levels in different areas (source. In the book “Last Child in The Woods,” Richard Louv discusses how children in the 1940’s would watch out the window at the scenery and have conversations, while children now sit and watch a movie on a flip-down video screen without knowledge to the outside world (Louv 16-17).

It is impossible for the minor characters in Ragged Dick to have a fair chance at being recognized as decent members of society because of the emphasis Horatio Alger Jr. places on Dick Hunter. The better qualities of Dick are constantly being reminded to the reader, giving them little room to disagree with Alger’s heroic portrayal of him. Horatio Alger Jr.’s preference to homosexuality also reflects his choice in excluding any useful female characters in his novel. Minor characters lack understanding from readers because information surrounding them is absent, causing them to be judged on face value alone.

“Paper Tigers” essay by Wesley Yang in his article he describes how Asian Americans are seen as incompetent to participate with white people in real life situations. Yang claims that the cause of this situation is that that the white people do not have personal barriers as Asian Americans have. Most individuals who peruse Yang’s essay found the information in his essay unhelpful and embarrassing. In the article, the author expressed his unhappiness regarding the perception of his face by others to his facial outlook. The author is an Asian self-critical and exclusively points to know he has wrong things according to stereotypes. In the begging of the article Yang indicates his unhappiness being an Asian American ethnicity. Moreover, he compares himself having a reptilian face. He claims “an expression that is nearly reptilian in its impassivity” (Yang 1). Everything that he says about himself is self-critiquing and self-blaming. This seems like being a very good indication of someone who has an identity crisis and how he defines his race. On the other hand, Olson has defined the race as two general groups white and black, distinct from one another only by the color of the complexion and biological differences. The purpose of this paper is to give insight on the relationship between “The end of race” by Olson and “Paper Tigers” by Yang, and how they both defined the race in their point of view. Olson suggests that biologically we are basically

“Big Two Hearted River”, a semi-autobiographical short story by Ernest Hemingway, is a story about the main character, Nick, returning to Big Two Hearted River in order to recover from his inner wounds. Nick Adams goes on a journey alone in nature for a therapeutic purpose as he suffers from PTSD. However, Hemingway purposely avoided any direct discussion regarding to Nick’s mental wounds. The absence of the discussion is contributed by Hemingway’s writing style, the Iceberg principle. Hemingway focuses explicitly on what occurs on the surface without mentioning actual theme. This indicates that the theme of self-healing cannot be uncovered by simply looking at the text itself. In order to comprehend the actual theme of the story, the character development of Nick must be examined. This is possible since Nick Adams is a recurring character of Hemingway’s stories. The two preceding stories of “Big Two Hearted River”, “Now I lay me” and “A Way you’ll Never Be”, directly discusses Nick’s suffering from shell-shock and how he comforts himself by returning to Big Two Hearted river in his mind. The two short stories will be analyzed and connected to “Big Two Hearted River” in the essay first. This will provide a strong understanding of Nick’s psyche and the reason behind his return to nature. Then, “Big Two Hearted River” the short story itself will be carefully analyzed.