Analysis Of The Creation Of Art ( Encyclopedia Brittanica ) Essay

The word mimesis means to imitate. As a critical and philosophical term mimesis may carry several meanings such as representation, imitation, and mimicry, the act of resembling, the act of expression and the presentation of the self. Mimesis as criteria of literary criticism refers to interpreting a text in relation to a particular literary or cultural model. The tradition of mimetic criticism begins with plato.

Plato’s “Allegory of the Cave” is just one small part of his work The Republic. In this piece, in particular his use of allegory and dialogue become the two main rhetorical devices he uses to

Plato's "Allegory of the Cave" presents a vision of humans as slaves chained in front of a fire observing the shadows of things on the cave wall in front of them. The shadows are the only "reality" the slaves know. Plato argues that there is a basic flaw in how we humans mistake our limited perceptions as reality, truth and goodness. The allegory reveals how that flaw affects our education, our spirituality and our politics.

In the story The Allegory of the Cave, Plato describes the perception of reality. He explains how to interpret ideas or objects in different perspectives. The story he tells about the cave could have influenced different modern day ideas. Some ideal examples might include religion, abuse, and imprisonment. Plato’s cave theory applies to all of these ideas and can show many different perspectives.

Humankind is filled with individuals testing each other and competing with one another to be the greatest, ignoring the reality of life. In the “Allegory of the Cave,” Plato justifies this by displaying a parable that serves as a metaphor for life. This parable teaches the reader how people wish to remain in their comfort zones and disregard the truth. It portrays the struggle of facing different realities that alter the illusion of one's life. In the story, he described a group of prisoners chained inside a dark cave; their only source of light comes from a burning fire that is used to create shadows. These shadows display images that the prisoners each interpret as the reality; however, once one is released and is struck by the light, he

Case Study: The use of assemblage and the found object in historical and contemporary art practice.

In his allegory of the cave, Plato describes a scenario in which chained-up prisoners in a cave understand the reality of their world by observing the shadows on a cave wall. Unable to turn around, what seems to be reality are but cast shadows of puppets meant to deceive the prisoners. In the allegory, a prisoner is released from his chains and allowed to leave the cave. On his way out, he sees the fire, he sees the puppets, and then he sees the sun. Blinded by the sunlight, he could only stare down to view the shadows cast onto the floor. He gradually looks up to see the reflections of objects and people in the water and then the objects and people themselves. Angered and aware of reality, the freed prisoner begins to understand illusion

The art piece that I chose to critique is the sculpture of a figure kneeling down and getting shocked. It is located on campus near the Morris University Center(muc). When I first saw this sculpture it caught my attention immediately, because of how gruesome the piece was. I feel like I don’t have a good understanding of what the sculpture represents, but it seems like it would raise plenty of controversy, due to its erotic features. It seems like the artist was venting his emotions when he created his idea. The sculpture is fairly large in size, which makes it noticeable, among the other art pieces on campus. The sculpture media consist of wood and concrete, and metal mostly. The individual is keeling down toward the west and is supported

Plato, being a Socratic apprentice, followed and transcribed the experiences Socrates had in his teachings and search of understanding. In Plato’s first work, The Allegory of the Cave, Socrates forms the understanding between appearance vs. reality and the deceptions we are subject to by the use of forms. In the cave, the prisoners’ experiences are limited to what their senses can tell them, the shadows on the walls, and their shackles; these appearances are all that they have to form their ideas. When one of the prisoners begins to question his reality he makes his way out of the cave and into the day light. This prisoners understanding of his reality has now expanded, thus the theory of forms; when he returns to the cave to spread the news, the others do not believe him. They have been deceived by their reality and what

The great thing about art, is that there are multiple portrayals of one idea but, the artist’s own personal style allows one to feel something that another may not. Early Renaissance painters, Giotto di Bondone and Duccio di Buoninsegna established their own unique style to depict a biblical scene known as, The Betrayal of Christ. Through a close analysis of each artist’s representation of, The Betrayal of Christ, one is able to compare and contrast the artists own understanding of the scene through their attention to detail, character, and space throughout the painting. When examining these two works, one will have a stronger emotional response towards Giotto’s interpretation rather Duccio’s, due to his methods of handling organization, figures, and space.

If someone were to break free, they would see that the shadows are the effect of people dancing around a fire. If they dared to venture even further then they would eventually find there way out of the cave and see the sun, the ultimate truth, for the first time. The allegory may become more proximal and accessible when compared to todays pop culture, blockbuster hit, The Matrix. Plato's prisoners become the people trapped inside the matrix, ignorant of the truth and content with the illusionary life around them.

The allegory is of human being chained and kept in a dark cave. There is an universal ruler that chooses to show shadows of shapes and forms to the prisoners. The prisoners are forced to watch the shadows on the wall in front of them and are not permitted to turn around to see the real shapes or forms. There is a fire burning behind them which gives light for the shadows of the shapes and forms to be witnessed by the prisoners. By nature, the prisoners are curious of the shapes and forms. Socrates explains that “our nature is enlightened” meaning that within every person there is the ability to question and seek the answers to what we can not explain. It only takes a spark of light or knowledge to ignite our imaginations and push us to finding an explanation for the

The Allegory of the Cavern aims to reveal the state in which, with regard to education or lack of it, our nature is found, that is, the state in which most men are found in relation to the knowledge of truth or ignorance. Thus, the prisoners represent the majority of humanity, slave and prisoner of their ignorance and unconscious of it, clinging to the customs, opinions, prejudices and false beliefs of always. These prisoners, like most men, believe they know and feel happy in their ignorance, but live in error, and take for real and real what they are but simple shadows of fabricated objects and echoes of voices. This aspect of the myth serves Plato to exemplify, through a language riddled with metaphors, the distinction between sensible world and

The Resurrection of Christ is from the Baroque period. This work of art portrays the sense of dramatic antagonism that Caravaggio achieved by manipulating light across full range of tones, changing the intensity and transforming its radiance this was done so that every beam and shadow expressed a dissimilar emotional content. (Sayre, 2010) In Rembrandt painting he focused on using emotional contrast between light and dark tones to emphasize the emotional difference. Here you can see pure light radiating out of the tomb of darkness. Christ himself begins to rise from the tomb in the light of true symbolic

Art is not just a picture on a wall or in a museum, art comes in many forms. It can be a song you just heard, a video you watched, or a painting you saw in a gallery. Also, art can be just text. All forms of art grasp you in different ways and make your thoughts evolve to new distances. Art can bring you feelings you did not think you had. You can perceive the art in many ways and the creator wants it to influence you. I believe that yes, at can truly influence society and inform human behavior. While it may seem to some that pictures, songs, and videos influence you the most, it is actually true that books are the most influential and informative because they get in touch with your mind and emotions.