Analysis Of The Curious Case Of Benjamin Button

As Benjamin transition out of adolescent, he constantly struggles with the decision regarding his future and to find the best way of becoming a man. Ironically, it is his relationship with Mrs. Robinson that helps Benjamin transformation

On the other hand, Daisy is running after happiness, but she finds out that she got married to the wrong man and this changes her perspective of life. Her character reunifies both the” richer” and the

When defining the possible limitations of the “Empathy and (Film) Fiction”, it is in high priority to consider the experimental set in the research and the film examples Neill provides in the essay. The set of examples the author uses in the essay does correspond only to the award-winning or highly-rated films that are assumed to be “good” in evoking the empathetic or any other emotional response. This excludes possible alternative response to “bad” or “not-so-good” films. In addition, Neill does not cover many other cases of the empathetic response to the fictional character; thus he ignores the complex set of emotions the audience usually expresses (e.g. the antagonist as the main character, disgusting scenes etc). As a result, deficiency of the elaborate experimental set generates more questions in the issue. At the same time, however, the strength of

The black clock is also a symbolic element in Poe's story. "Its pendulum swung to and

This explanation of the clock also resembles Mark Twain’s affirmation that, the best part of life comes at the beginning while the worst comes at the end. Keeping this in mind, Fincher then presents the audience with the character of Benjamin Button, a child who is born with all the physical characteristics of an elderly person and who is thereby doomed to age backwards in the same way as Monsieur Gateau’s clock.

The giant clock also was symbol of horror in the story. "Its pendulum swung to and fro with a dull, heavy, monotonous clang." Every hour the clock

The nursing home that Benjamin knew as a boy always welcomed him back home. Benjamin returned to New Orleans in 1945 and back to his mother Queenie. Daisy visits with him after his return; both are nearing the same age in appearance. At this point Daisy tries to seduce Benjamin but Benjamin refuses her efforts. Its as though Benjamin is aware of his own age, Scheidt (2017) mentions that during middle age

Ben is also a peculiar character in that he is not really a character.  For one, he was completely a figment of Willy's imagination.  He also does not appear inn the requiem (Smith).  In a Paris Review Interview, Miller acknowledged

Postman (1985) then speaks about the clock and how it serves as a metaphor for the way we look at the world, moments turning into other moments. The clock serves as a conversation man has

Daisy as a character and Daisy's choices are symbolized in the novel through her house. Nick, our narrator,

Ben exemplified compassion in many cases, were he would sacrifice himself or his personal trails for someone else troubles. In reality this scene can compare with real life cases in the world today how compassion can be shared with people to impact others. In the movie Ben finds himself falling in love with a girl name Emily, who has an enlarged heart that he later gave his life for her to survive. Ben shared compassion with 6 other people, but given the most compassion to Emily.

Identity typically changes with age, however he changes very little because he does not have full awareness of his identity. “Age identity refers to the inner most experience of a person’s age and aging process” (Jose 2017). Fitzgerald emphasizes Benjamin’s loss of consciousness more in the novel than Fincher does in the film. At a certain point, Benjamin stops struggling to determine who he is and just essentially waits for time to run out. He would play simply games with his grandson when they are both around the age of children beginning kindergarten. Benjamin and his grandson would continue this until he passed away. In contrast, it seems that Benjamin and his wife fight further to the end in the film, and he passes away with her by his side. The relationship between Benjamin and Daisy was stronger in the film than in the novel. His identity is very important to him in the middle of his life when he wants to go to college and enroll in the war, but towards the end he loses awareness of any self-perception he had built and slips into

There is a “…gigantic clock of ebony” in the black room, its sound is described as “…clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis” (421). This suggests that the clock has importance, as it is a physical reminder of death. If the story did not use imagery, the reader’s interpretation of it would be completely different.

“The Curious Case of Benjamin Button” written by Eric Roth and based on a short novel by F. Scott Fitzgerald is a story of an interesting man who lives his life backwards. The movie takes place in New Orleans during Hurricane Katrina and is told in a flashback perspective from the love of Benjamin’s life, Daisy and their daughter, Caroline. I heard many times throughout my life and nursing career, including from myself, “If I could only go back and know what I know now.” Benjamin Button lived this theory, a theory that seems very similar to the Gerotranscedence theory (Touhy & Jett, 2016, p. 37). Scheidt (2017) states in regards to his own aging “I am dealing with

Set apart from the parameters of normal human society, Benjamin Button, a man who was born to age backwards, falls in love with a young girl, Daisy, who ages forwards. Benjamin’s story is read aloud to Daisy by Caroline, her daughter, as she lay on her deathbed.  In scenes set with peculiar curiosity and subtle fantasy, Benjamin embarks on an unusual journey to grasp the meaning of life and find his own sense of identity. Benjamin and Daisy’s paths cross many times before their unorthodox romance reaches fate and picks up in the middle.  As he grows younger and Daisy slows with age, Benjamin discovers the rich futility of love as time causes the two to fall out of sync once again. Although its final plot ends like any other love story, David Fincher’s The Curious Case of Benjamin Button is arguably the next great cinematic breakthrough with its unique emotional paradoxes, ingenuitive digital effects, and complex subplots. This movie was challenging to evaluate because never before has a film combined subplot ingenuity so seamlessly with the delicate techniques of innovative film making and traditional cinematic endings.