Analysis Of The Daily Life Of Edna 's, The Awakening 's Protagonist

Kate Chopin’s The Awakening depicts Edna Pontellier’s struggle to find and assert herself within the cultural constraints of late 19th century America. Like her name “Pontellier”, which means “one who bridges,” it implies that Edna is in a transition between two worlds but not fully embedded in either. Her intent is to bridge the limited world of the mother-woman to that of selfhood.

Kate Chopin’s book The Awakening published in 1899, provides a snapshot of Creole society through a neutral point of view. The male dominated French-Louisiana society provides a challenge for the main character, Edna Pontellier to adapt to. Through the character of Edna Pontellier, we the audience, see both an emotional and physical awakening. After awakening, Edna tries to combat the societal structures of motherhood which define her as the wife of motherhood and force her identity as the wife of Leoncé and the mother of Raoul and Etienne instead of her own self-defined individual. Chopin’s concentration on two other principal females outlines Edna’s options; either

The ending of Kate Chopin’s The Awakening is both controversial and thought provoking. Many see Edna Pontellier’s suicide as the final stage of her “awakening”, and the only way that she will ever be able to truly be free. Edna’s suicide, however, is nothing more than her final attempt to escape from her life. Edna Pontellier’s life has become too much for her to handle, and by committing suicide she is simply escaping the oppression she feels from her marriage, the suppression she feels from her children, and the failure of her relationship with Robert.

The Awakening by Kate Chopin ends with the death of the main character, Edna Pontellier. Stripping off her clothes, she swims out to sea until her arms can no longer support her, and she drowns. It was not necessarily a suicide, neither was it necessarily the best option for escaping her problems.

The story, The Awakening, is about Edna Pontellier’s internal conflict between her desire for independence and her need to remain a high-class member of society. When away on summer vacation Edna has the realization that she has control of her own life and begins to focus on her self and not what others think. During her awakening, Edna is faced with much resilience from her husband and friends and instead of becoming someone she is not, Edna Pontellier ends her own life as she sees it is her only option. The author, Kate Chopin, uses many characters to exemplify the conflicting ideals emerging in Edna; particularly Madame Ratignolle acts as a foil to Edna’s newfound persona, instead symbolizing the conservation of a traditional

In Kate Chopin’s The Awakening, two people who have the ultimate influence on Edna are Mademoiselle Reisz, and Robert Lebrun.

Ranging from caged parrots to the meadow in Kentucky, symbols and settings in The Awakening are prominent and provide a deeper meaning than the text does alone. Throughout The Awakening by Kate Chopin, symbols and setting recur representing Edna’s current progress in her awakening. The reader can interpret these and see a timeline of Edna’s changes and turmoil as she undergoes her changes and awakening.

Although The Awakening may be seen as a tragic love story to some, it is truly a novel that displays the turning point for a woman’s role in the 1900’s. The main character, Edna Pontellier, is the epitome of the new working woman. The story centers around Edna’s discovery of her beliefs which are found through a series of awakenings and contrasted with the social norms of the time.

In the iconic debated novel “The Awakening”, Kate Chopin’s novel takes place in the Victorian Era, which is in the 19th- century, similarly the novel was published in 1899. Edna is depicted as a woman longing for more, a woman who was looking for more than just a life of complacency and living in the eyes of society. The story uses Edna to exemplify the expectations of women during this era. For example, a woman’s expression of independence was considered immoral. Edna was expected to conform to the expectations of society but the story reveals Edna’s desires which longed for independence in a state of societal dominance. Throughout The Awakening, Chopin’s most significant symbol,

In Kate Chopin’s novel, The Awakening a wife and a mother of two, Edna Pontellier, discovers her desires as a woman to live life to the fullest extent and to find her true self. Eventually, her discovery leads to friction between friends, family, and the dominant values of society. Through Chopin's use of Author’s craft and literary elements, the readers have a clear comprehension as to what the author is conveying.

To what extent does Edna Pontellier, in Kate Chopin's The Awakening, mark a departure from the female characters of earlier nineteenth-century American novels

Edna Pontellier is the female protagonist in The Awakening, living in a patriarchal society during the late 1800s. She’s married to Leonce Pontellier, --the Brad Pitt during that time period—and is the center of admiration, as “the ladies, selecting with dainty and discriminating fingers and a little greedily, all declared that Mr. Pontellier was the best husband in the world. Mrs. Pontellier was forced to admit that she knew of none better” (Chopin 4, p.50). She had the wealth, the perfect husband, and the children; all she was missing was her life. During their holiday family vacation, Edna meets Robert Lebrun, a man whom she becomes

The Awakening begins in the vacation spot of Grand Isle. At first we believe that Grand Isle is a utopia, wealthy families relaxing at oceanside, but it is here where Edna first begins to realize her unhappiness. The first sign of dissatisfaction is when Edna allows herself to feel that her marriage is unsatisfying, yet she must agree with the other women that Leonce Pontellier is the perfect husband. Edna asks herself that if she has a good husband

In her attempt to uncover the “grain running against the grain” in Chopin’s novel, Patricia Yaeger dismantles conventional approaches to The Awakening that regard the work as an emancipatory text by virtue of its rebellious, adulterous heroine alone. Using Tony Tanner’s analysis of Edna’s infidelity as “belonging to the tradition of transgressive narratives,” highlighted in his work, Adultery in the Novel, Yaeger conversely emphasizes how Chopin’s development of the romance plot between Edna and Robert supports rather than subverts patriarchy. Although Edna credits Robert with “[awakening] me last summer out of a life-long, stupid dream,” her love for him interrupts rather than inspires her awakening, for Edna has simply jumped from the shelter of Leonce’s money and the social stability he affords to the school-girl fantasy of romantic love Robert represents. In each relationship, whether financially or emotionally, Edna remains dependent upon a man, but more significantly, men exist as the mirror through which Edna perceives herself. Without Robert, Edna forfeits the life she began to construct for herself, as well as the burgeoning female subjectivity awakened the summer before.

In the melting pot of a complex cultural, Mrs. Edna Pontellier is a married woman to a rich, successful business man. In this society, women are expected to perform household duties, obey their husbands’ commands, and above all else, take care of the children. It is often sought out to marry men of success, as this will secure a financial future. Furthermore, according to The Awakening, it was not uncommon for a man to run off to attend to business while a woman would constantly remain at home. Despite the fact that Edna has had everything provided for her, she is in a state of rebellion against her husband and the social norm of standards. Edna’s personally had even been stated as an “instinctively the dual life- that outward existence which forms, the inward life which questions” (Chopin 572). In Kate Chopin’s The Awakening, Mrs. Edna Ponteiller struggles with her identity as a mother, a wife, and as an individual.