Analysis Of The Film 300 : Rise Of An Empire

In the movie “Star Wars Episode Four: A New Hope”, the film George Lucas uses the archetypes the hero, the mentor, and the tyrant to convey the theme that we as humans grow and change as people because of possible people or events that occur throughout our lives. How this is shown is throughout the movie and through the main stars of the film that are well know as Luke Skywalker and Anakin Skywalker/Darth Vader. In the film we see important events that perceive the change in the characters.

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

In Zack Snyder’s 300, the battle of Thermopylae, the life of the Spartans and the glory of war comes to life on the big screen for all audiences worldwide. The movie, 300, released in 2006 is based on the graphic novel written by Frank Miller, 300. The movie focuses on the use of the Classical past to portray everything from the upbringing of a Spartan to the bravery of King Leonidas and the 300 Spartans on the battle fields of Thermopylae against the mighty Persians. Unlike most Hollywood movies proliferated based on real events, the movie 300, keeps accurate to the novel and the events that occurred in history. Despite the minor alterations and exaggerations such abandoning body armor and over-glorifying the Spartans, the movie still remains faithful to both the novel and history by using the classical past to explore social norms, accurately depict the way of life, events that occurred such as the battle of Thermopylae and the nature of people during 500 BCE.

Imagine having to face impossible odds, if failed, would kill you. This is exactly what the Spartans had to face when they were protecting their home. The movie 300, directed by Zack Snyder tells the story of the courage and solidarity of King Leonidas (Gerard Butler) and his army of three hundred Spartans who fought the army of King Xerxes (Rodrigo Santoro) and his colossal Persian army to their deaths. In 300, producers cover the Spartan life, the Spartan women, and the Battle of Thermopylae.

The great dynasties, empires, civilizations, and nations are praised heavily by the milestones, highlights, and achievements. To the extend that they are sometimes turned into films, television, or documentaries for generations to watch discuss and compare to any literature or research that exists for people to study. The same is said for the figures and/or leaders that lived and help to shape the world and environment that is study or functioning still to this day. It would seem that at times history is studied based upon popularity or where the most documentation exists to study. Such a statement is not to create an argument that history is unbalanced in focus in terms of periods of time or geographic location but rather to challenge the focus of where each are studied. The beginning of a civilization is equally as important as the high times or popular periods, as its lays the foundation of the potential and promise of the surviving, thriving, and longevity. This is proven when looking at Numa Pompilius and what he help to create and establish for the Roman Empire and the development of Rome itself.

The Revenant is a very long and very intense movie. In the blockbuster, Leonardo DiCaprio plays Hugh Glass, a seemingly indestructible savage machine. Glass survives the impossible on more than one occasion. In three scenes in particular, Glass is put through a climatic, thrilling situation. The first scene is in a misty forest where Glass finds himself alone when he stumbles upon bear cubs and soon after is nearly mauled to death by the mother bear. He escapes death when he was able to pull out his knife to kill the bear. Consequently, he is now in critical condition and is not able to walk, move, or even talk. The next mind-blowing scene, Glass just rode his horse off a cliff while a blizzard encroaches him. His horse did not survive the fall and the only thing to help Glass stay alive was his knife so he used it to gut the horse completely hollow then Glass removed all of his clothes and crawled inside the horse to wait use its body heat to protect him from the harsh snow storm. Finally, the thought-to-be climax of the movie, Glass finds the man who murdered his son while he helplessly watched, and Glass kills him in a long, bloody exchange of gunshots and knife wounds and ultimately drags him in the nearby ice cold stream

It is very important that the correct historical accuracy is utilized when writing. I think this because if the piece fails to be accurate, then people may get the wrong idea of the meaning trying to be portrayed in the writing. If the written information is false, then the truth may seem as if it is being covered up. This may make it feel like the author is trying to hide the truth or is fleeing the truth of the real history.

Does hollywood make historical movies less of what actually happened just to make them more exciting. The Patriot, a movie about a father going into the revolutionary war. In this star the lead male role Benjamin Martin as in history is based of Andrew Pickens, Francis Marion, Daniel Morgan and Thomas Sumter. He has 7 children but Goes into the war to keep tabs on his oldest son who went in the war without his permission. Through this movie he goes through terrible trials of losing 2 of his sons and facing of to the death with colonel tavington.

"Washington and Hollywood spring from the same DNA." That statement, coming from a man who was a past president of Motion Picture Association of America, is an automatic sign that movie accuracy is not always the top priority of filmmakers. Something shown once in film can hardly sway someone view on a topic. However, the continuous repetition of a cut out stereotype has the power to make minds think a certain way. Since the beginning of Cinema, that has been the case of viewing the people of Arabian and Middle Eastern decent. Aside from the cliché turban and robe, what is shown is a consistent connection between any form of evil and those two particular groups of people. The reasoning for that falls behind America's political agenda.

The French New Wave was a style of film used during the 1950s through the mid 1960s by French directors such as Francois Truffaut and Jean-Luc Godard. During the French New Wave, directors used an independent style of filmmaking called cinéma-vérité to portray a very realistic outlook on the lives of people who were living in France during the era of the New French Wave. In Francois Truffaut’s The 400 Blows, we see right away in the opening scene a prime example of cinéma-vérité. The opening scene depicts the view of a young, mischievous child Antoine Doinel, looking out of a car window while driving through the beautiful city of Paris, France. We see the elegant buildings along the side streets of Paris while seeing the Eiffel Tower in

This film analysis will delineate the diverse directorial decisions of The French New Wave cinema movement, and how they have been utilised and developed to challenge and subvert the typical Hollywood filmmaking conventions and techniques of the 1950s and 60s Hollywood cinema, in François Truffaut’s The 400 Blows (1959). Hollywood produced films of the time used a very limited variation in film techniques such as camera, acting, mise-en-scene, editing and sound. This can be mainly attributed to the low innovative thought of creative and expressive camera movements, angles, etc… due to technological hindrances. In particular, this film analysis will de-construct the filmmaking elements of the revelatory French New Wave movement in Truffaut’s The 400 Blows ending scene (01:34:42 – 01:39:32) portraying the main character Antoine Doinel’s escape from juvie and trek to the bespoken beach.

The movie is based upon a graphic novel by Frank Miller (of comic book fame). They are both based upon a one of the most famous battles in the Persian Wars (492 - 449 BC), The Battle of Thermopylae.

Lawrence of Arabia is considered one of the b est cinemas of all time, however; the movie itself poses a negative effect for history buffs. The right and wrong aspects of the movie create a great visual experience but the bottom line is that it doesn 't accurately cover the events that unfolded. It seemed like instead of telling the truth the director wished to tell a story with fantasies of dramatized events, incorrect terrain, and even fictional characters. Even with this in mind there still stands a truth to it all and whether the sacrifice of historical importance is worth the so-called appeal of entertainment.

The film I have chosen to do my critique on is Zack Snyder’s 300. 300 is a film about King Leonidas, the King of Sparta, and his 300 Spartan warriors who all stood up against the God-king Xerxes and his massive Persian army from annihilation. After watching the film very closely for my critique I believe there is a serious underlying theme that everyone has the right to be free and sometimes you have to stand up and make sacrifices to keep your freedom. Standing up for freedom is never an easy task as shown in 300 but, everyone deserves to be free. In discussing the storytelling, acting, cinematography, editing, sound, style and directing, the impact of society on the

Topic sentence: Throughout the film the 5 major themes change drastically, with life generally improving for Spartacus the themes all change drastically except for the nation of Rome.