Analysis Of The Film ' Amalia Hernandez ' And ' Deer Dance Of The Yaqui Indians '

Influenced primarily by cultural roots and incredibly opportunity, Dunham had the luxury of studying in the West Indies as well as anthropological study of other cultural style dances. The West Indian experience changed forever the focus of Dunham’s life and caused a profound shift in her career. This initial fieldwork began a lifelong involvement with the people and dance of Haiti. And, importantly for the development of modern dance, her fieldwork began her investigations into a vocabulary of movement that would form the core of the Katherine Dunham Technique. Though many of Dunham’s primary influences lies within her multicultural experiences, Mark Turbyfill also seemed to play a large role in her future dance career, giving her private lessons despite his doubt in the opening of her student company (Kaiso! 187). Katherine Dunham has been list as an influence to “everyone from George Balanchine to Jerome Robbins, Alvin Ailey, Bob Fosse and Twyla Tharp. American dance, including ballet, modern dance, Hollywood and Broadway, would not be the same without her” (Aschenbrenner 226).

As a child, Maria’s grandmother told her all about the Osage pride and folktales. As it states in line six of the prompt, Maria thought of herself as a typical indian girl, shy and docile. The only thing that brought her out of her shyness was the passion to dance ballet. Betty Marie was Maria’s real name, but she thought changing her name would help her in her career and sounded more sophisticated since an abundant of other ballerinas changed their names as well. Her last name didn’t change, because she didn’t want to deny her heritage as an Osage native american. Her reputation as a wonderful ballerina spread in her hometown, but was told by one instructor that she didn’t properly learn the basics. So, she had to restart from the beginning. At first she became furious , but realized her technique became better afterwards. Even if an american native, Maria had developed a cognizance to how she grew as a successful

The film “American Tongues” documents a variety of English accents that are present across the United States and highlights a lot of the opinions people have about accents and people who speak these accents. A large majority of the people who express opinions about other peoples’ accents tend to express negative views, as they see their own accent as the superior one. The film focuses on showing the array of accents found in the U.S., but also how a lot of people who speak these “inferior” accents work to learn “Standard American English” to increase their chances of getting jobs and communicating in more official domains. Although the film was made in 1988, it expresses views still present in today’s society towards different accents, as people tend to continue judging others based not only on what they say, but also how they say it.

The light shine down and the music surrounds her as she dance into the air and across the stage. The audience yells and clap for her as the curtain close. It’s the end of another work week for Jane Onwuegbuchu. Jane comes from a very huge family of 8, where it’s very hard for her to be at the center of attention, especially being the 5th child. Jane was born in Houston, Texas on June 22, 1987 to Rosaline and James Onwuegbuchu. She started dancing at the young age of 3 with Elite dancers and fell in love with dancing since then. “Growing up as a child, Jane was a very good child, she loved dancing and just seeing her dance melt my heart. She was a part of a lot of dance organization, church, youth dance team etc… You name it and she was there,”

In the 1960’s, Ballet Folklorico was founded in the United States by the famous choreographer, Amelia Hernandez. With the combination of her own heritage and experience of classical ballet, she merged the two, creating Ballet Folklorico. It is traditional Mexican dances and ballet characteristics with a great emphasis on local folk culture.

Edgar Degas’ Little Dancer Aged Fourteen is a symbol for all little girls with dreams bigger than themselves. The Little Dancer is a statue of a young girl made from all natural materials, created by the artist Edgar Degas. The Little Dancer has a small head with small features; Degas was not trying to emphasize her face, but her minute features display an expression of hope, almost jovial in a way. The air of her expression conveys the quiet discipline of a dancer and therefore her passion and love for ballet. The legs of the dancer are long compared to her torso, turned out, as a dancers always are. This turnout becomes natural after working strenuously every single day, trying to perfect the dancer’s art; standing parallel feels abnormal.

On Sunday, October 29, 2017 at 2:30 P.M. I attended Ballet Hispanico at the Detroit Opera House. Ballet Hispanico was founded in 1970 by Venezuelan born dancer, Tina Ramiez after identifying the need to provide Latino dancers with access to training and performance opportunities. Ballet Hispanico is recognized as one of the country’s top Latino dance organizations. Over the past 40+ years, it has provided dance education and outreach programs to New York communities to engage interested residents in a guided exploration of dance and Latino cultures by expanding their knowledge in aesthetic awareness, cultural appreciation, and self-expression.

At a young age of eight, David Fincher’s passion for cinema grew when he saw the movie Butch Cassidy and the Sundance Kid (1969). Born in 1962 Denver, Colorado, David Fincher moved to Ashland, Oregon in his teens, where he graduated from Ashland High School. Much of his time here, he directed plays, designed sets, and managed lighting after school. Until one summer, he and a friend attended the Berkley Film Institute’s summer program, where he hoped to learn film as a true art form but instead learned only the technical production. Either way he was happy to engage is this and as his early film industry career started, he was a production assistant at his local television news station. Years went by as he directed propaganda films then moving on to becoming a well-known music director before his first movie feature debut Aliens 3 in 1992. However, the American director David Fincher didn’t become a modern 21st century visionary until his creation of the film Se7en (1995). The huge success after this film started Fincher’s popularity in the film industry. From there he continued to make ironic movies we know today, such as: Fight Club (1999), Zodiac (2007), The Curious Case of Benjamin Button (2008), The Social Network (2010), Gone Girl, and The Girl with the Dragon Tattoo.

Throughout the film Amandla! A Revolution in Four-Part Harmony, black South Africans began converting their historical roots in music into a fight for freedom. As these oppressed individuals struggled for racial equality during the twentieth century, music classified as freedom songs emerged as the fight against the inhumane Apartheid intensified. These freedom songs, which are performed and played throughout the film, protest white supremacy and segregation using a combination of inspiring and punishing lyrics to ignite a flame in the hearts of the persecuted. Black South Africans found a way to rally together, fight, and survive the National Party’s attempt at complete segregation through music.

Watching a video of a dance piece called “The Moroccan Project,” choreographed by Alonzo King was quite impressive. Living in San Francisco and taking dance classes brought me to Lines Ballet which is King’s dance studio. I have seen a great deal of different types of dance at the studio waiting for my Ballet classes and there are some great dancers. It comes as no surprise that Alonzo would have such great dancers. It appears that Alonzo King is exploring different cultures in dance in Contemporary Ballet. His near-perfect choreography is articulate, passionate, and graceful- he brings diversity in dance to San Francisco and other parts of the world. This piece articulates the expression of the two dancers coming together yet dancing apart at times- it is a fusion of several different types of dances into one using video editing to create a story about the coming together of two individuals.

This dance emphasized community and tribal themes through earthly movements that swept from the ground and reached to the sky in circular patterns. The Hunt was one of my favorites because of the pure stamina and drama. The men exploded in out of control movement that released emotions of fiery passion that motivated their every move.

As a child of newcomers to the United States, the importance of our Hispanic heritage was embedded into my mind. In order to portray my love for my culture, I have performed in a Folkloric Mexican dance troupe known as “Fiesta Mexicana” since the age of three. Envision the ambitious ambiance of people witnessing you perform the historically rich machete dance. The sound of the music constantly piercing your

The animated Walt Disney movie Pocahontas is based on a true life story of a young Powhatan Indian girl named Pocahontas who falls in love with John Smith. In the making of the movie, Walt Disney, attempts to relate to the early 17th Century historic event of Europeans settling in Jamestown; however, Disney did not portrait the true story. Disney rewrote the story by making it a beautifully romantic and animated love story like a Cinderella fairytale.

Born and raised in Germany, Pina Bausch joined the Folkwang Academy at age fifteen, and started dancing in the style of Tanztheater, a combination of theater and dance. When she was nineteen, Bausch move to New York, where she studied under some very prominent choreographers, including José Limón, Paul Taylor, and Alfredo Corvino. Although she worked with such noteworthy choreographers so young, this was just the start of her professional career. Later, Bausch became the artistic director of Wuppertal Opera Ballet, that of which was renamed Tanztheater Wuppertal Pina Bausch. Here, Pina created pieces that inspired, connected, and challenged the ideas of the modern world and its supporters. Pina dug directly into the emotions of the dancers, and focused more closely on the realness of the portrayed emotions than the physical image of the movement. She created a style of dance that pulled at the audience’s heartstrings because of its realness and ease to connect to.

Tradition is a big part of a cultural identity. Traditions are not loved nor understood immediately, however with time the importance of tradition becomes evident as it makes people unique. As a kid, serving meals every thanksgiving may feel insignificant and tedious, but as an adolescent the small amount of time spent as a family doing something annually has a lasting impact on one’s values. Frank Waters’ fictional novel, The Man Who Killed the Deer, Martiniano struggles to find a faith after he illegally kills a deer. Neither the whites not the Indians seem welcoming because he offends both by breaking the law and not showing respect to Indian ideology. The deer continues to haunt him until he understands the role of nature and the cycle of life. The poem “I Have Killed the Deer”, written by a Taos Pueblo Indian, emphasizes the importance of equality and the mystical connection with nature. Both works highlight the unique Indian perspective of nature and its contribution their identity. Both Martiniano and the Taos Pueblo Indian use nature to provide life; Martiniano’s self-centered view on the old Indian traditions prevent him from finding peace in a faith, while the Taos Pueblo Indian fully appreciates and understands his role in nature.