Analysis Of The Film ' C.r. Y ' Directed By Jean Marc Vallee

He was often punished when his brothers weren 't, even if they were doing the same thing. He was able to be adventurous but instead was stuck with guilt. Throughout his years he also faced the emotional toll of abuse in many ways. One way his mother did this was by no longer calling him by his name, and not referring to him as a human. Dave states in his book, “that death would be better than my prospects for any kind of happiness. I was nothing but an “it”.” Children and adolescents go through a stage where they are trying to figure out who they are. With an abusive mother who takes away your identity it would be really hard to figure out who you are and you would be confused on what roles to play. Erikson’s stages emphasize family and culture. Erikson noted that psychological conflicts, especially in childhood within families, affect people lifelong.

gradual loss of his mother to natural illness, and already absent father. Watching the film so

One of the symbolic representations in La Mission is where it takes place, in the mission district of San Francisco. It represents the traditional stance of Che the main character and compares it to the shift to a more hipster neighborhood with new people like Lena moving in who haven’t been in the neighborhood until recently. He also restores old cars into low riders which is historically Mexican American style of car. The music featured in this movie is a mix of traditional chorales, native drums and guitars mixed with newer more modern version that also show the transition that this community and culture are facing coming to terms with change and homosexuality that is culturally unacceptable.

This is represented and forcing all of the ideas of his mother and family out and he wants to forget the mishaps that they encounter.

He was used to live in his brother’s shadow, but when the boat accident happened to them, he was the only one to survive. As he was always indentifying himself the less important one, he considered it was wrong that he was the one who would still have a life. As a result of nervous breakdown, he tried to kill himself with cutting his wrists in the bathroom, fortunately his father found out and save him. Then he went to the psychiatric for four months. When he comes back, there are still issues he needs to deal with.

his own person, which then takes the role of him losing his innocence, religious ambivalence,

He is not allowed to truly be himself. The council controls everything they do from the day they are born. And where they live.The council members say that you must live in the house of the infants from when you are born until the age of five. Once out of the House of the infant's you move to the home of the students. After you

how much of a man he was. After he hit his father, he felt a sense of pride as if he won a prize of some sort. The act was more selfish than selfless being that he was not thanked for it. After the incident, he looks at his sisters for validation for his actions but he has never seen the difference between them or separate the roles of them from their mother. His misogynistic views are passed down from his father and this is due to his immaturity and lack of exposure to the independent world.

Italian Neorealism was a movement of art, which strived to illustrate the normal lives of the ordinary, working class people in post war Rome, usually with the use of non-professional actors. As one of the best Italian Neorealist film, Bicycle Thieves showed an absolute depiction of the war’s impact on daily life and exposed a world in which sufferings, unkindness and corruption jeopardized the rationality of human beings and action of men (Schoonover). By utilizing a depressing and gloomy cinematography, De Sica implies the somber lives of the poor and their crisis in losing their self-identity and moral conscience as a result of parochial society that make a fetish of personal belongings as a mode of social acceptance. By examining the cinematography, ‘mise-en-scene’ and events in the film, the daily struggles of the working class in post war Rome can be seen through the crisis of masculinity, class struggle, ethical dilemma and a profoundly patriarchal society.

Casablanca, the crowning achievement of director Michael Curtiz, which was released in 1942, is a film that had to work against the pressing concerns associated with World War II to stay relevant in both cinematic and general audiences. The writing, which was done by Julius J. Epstein, Philip G. Epstein, and Howard Koch, had to be inspirational yet uncontroversial. With actors like Humphrey Bogart as Rick Blaine, Ingrid Bergman as Ilsa Lund, Claude Rains as Captain Louis Renault, and Paul Henreid as the French revolutionary Victor Laszlo, Casablanca has a respectable cast. The movie initially appears to fit the film noir genre because of its smoky backdrops with muted colors,

A past that has been hovering over his life. He gives us the idea that he is not happy with who he has become, and it was his wrong doing that made it that way.

In the movie boys of St. Vincent’s it shows how One of the biggest reason why child and adolescent victims may be reluctant to cooperate with the criminal justice system is that they are afraid of what their attacker may do to them if they report the attack, in the movie Brother Peter Lavin frightened the kids telling them that if they say something to the police they would end up in the street. Also when 10 year old Kevin Reevey say to brother Lavin that his not his mother brother Lavin “punish” him by beaten him, so we can assume that Kevin is terrified to say something against Brother Lavin because he is afraid of all the physical abuse he may receive thinking that if he speaks against brother Lavin the punishment is going to be even

The ideas of what a utopian society should look like changes when talking to different people in different parts of the world. More often than not most people would say that violence is not a part of this utopian ideal and that man has found a way to work past that and find a better solution to the violent issues we have seen in the past. Films in a sense are a way for artists to explore these utopian and dystopia ideals and present them to the public as a looking glass into what the world could look like. For many of us we live in a capitalistic society or a society with at least some forms of capitalistic ruling. Film makers in Latin America have used their position to critique and analyze the different forms of capitalism and how the

Cléo from 5 to 7, directed by Agnes Varda, is a film about one woman’s struggle to come to terms with the possibility of her potential illness. Not only is Cléo struggling with her physical health, but she is also dealing with her beauty and the consequences of being an attractive woman in the modern world of the 1960s. When examined through the lens of Laura Mulvey’s “Visual Pleasure and Narrative Cinema” theory, another aspect of the film comes to light. The film seems to objectify Cléo and thus trivialize her struggles with others’ perceptions of her throughout the film by adhering to the construct of the male gaze. Although Cléo from 5 to 7 appears to play into the construct of the male gaze through the repeated objectification of Cléo, it actually subverts this idea and instead confronts the viewer, and the notion of women as passive objects to be viewed.

He is intelligent, clever and an excellent speaker. Like the tagline of the movie, he frequently makes an “offer he can’t refuse”. Another trait is his ability to read people, especially during Bonasera’s plea to the don. He is also a ruthless person, if he cannot deal with words, guns and bullets will. Even with his supposed evil, he is seen as many as a very loving father and many people love him. He was clearly hurt when he found out Michael gunned down Sollozo and McClusckey, indicating he loved Michael that he didn’t want his son to be part of any crime. He is able to separate blood and water, and embrace them both, evident when he adopted and raised Tom Hagen like he was a son. He also show a deep sense of morality, not agreeing to the dawning drug business at first, and when he did agree, he proposed that it should never be sold to kids and near schools. Near the end of his life, he became more relaxed and was able to enjoy his remaining