Coco Meaning

For my cultural activity, I watched a Spanish-language movie with English subtitles in order to better understand the film. The purpose of this paper is to express my reactions concerning the Puerto Rican film Casi Casi. In summary, Casi Casi is a high school romantic comedy about a boy who runs for Student Council President who is attracted to a girl who also decides to run against him. At the beginning of the film, my initial reaction was that the film was going to be very difficult to view and interpret due to the fact that it was produced in a foreign language that I am not fluent in.

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

The 1971 Mel Stewart film, “Willy Wonka and the Chocolate Factory”, is about a little boy named Charlie Bucket, who is very poor and wants to do something to help his family. The movie starts by showing that there is a contest going on for people to win a special tour through the factory of Wonka Chocolate Company and a lifetime supply of chocolate. There are only five special golden tickets hidden inside products from the Wonka Company. When the five people have found the tickets, there is a big gathering on the day of the tour with big crowds of people and news people too to see Mr wonka come out from his factory to greet the winners. When the children and their parents are inside the factory the children sign a thing saying they will not steal or take information or do bad things and they all go on their way for the tour. Right away, it all seems very strange with coat hooks that move and weird size doors and rooms. Inside of the factory is very much a different world. The workers are small orange men who sing songs telling about the behaviors people should not have.

The Australian cinema in the 1960’s failed to communicate with the audience due to their lack of promotional messages that weren’t disseminated. Media is formed by cultural, political, economic and social conditions. These influenced or even directed its characteristics and its intended meaning. After a devastating blow to the film industry in the 1960’s, filmmakers of Australia had stopped creating and making quality Australian films. However, the Australian New Wave brought a revival of the Australian film industry during the 70's, 80's and 90’s. It introduced Australian qualities into film, including larrikinism, mateship and a classless social hierarchy. The Castle and Gallipoli confirm, promote and explore features of Australian identity

Because of “the baby boomer generation” is reaching 65 years old, the elderly population has increased since 2010; consequently, it is said that the older population will continue to grow until 2030 (Mauk, 2014, p. 30). Understanding what are normal or abnormal in aging as well as people’s view toward aging are extremely important for us, as health professionals, since the majority of people who need medical assistance would be those elderly. The movie “Cocoon” is describing several gerontological perspectives and issues, which are useful to learn the necessary points for developing nursing care plans of older adults.

“The Fountain” by Darren Aronofsky is a film that depicts Tommy’s Denial towards death. This film is the journey of one man in his past, present, and future. In the film, Tommy has a very stubborn mindset; he believes that death is a disease and that there is a cure for every disease. On the other hand, Izzi, Tommy’s wife is very accepting towards the thought of death and her intentions are to prove to Tommy that death is not as bad as it may seem. As the film progresses, Tommy’s acceptance towards death begins to gradually increase.

“Everybody loves babies”, a trademark quote from the documentary movie “Babies” features an insight on the many reasons babies are loved. Although many documentaries are narrated, director Thomas Balmès uses a different approach by eliminating a voiceover. By manifesting this film without narration, he focuses on a learning technique all babies go through in their early stages of life. Aiming for viewers to learn from observation, as babies do, we are left to focus on the babies, their environment and interactions. Through subtitles, this film reveals the different locations the footage of the four newborns are from. By viewing the babies different upbringings from different cultures, we learn how the various lifestyles of each culture impacts a child’s development. The babies are Hattie from California, Mari from Japan, Bayar from Mongolia, and Ponijao from Namibia.The film shows the infancy and toddlerhood period of the babies as well as their development physically, cognitively, and socially.

The movie "Precious" is based on the adaptation of the book Push written by Sapphire. Though the story is a fiction based life of Claireece "Precious" Jones it is far from reality for many young women. Growing up in an environment that is filled with emotional, verbal, physical and sexual abuse along with crime infested neighborhoods and overcrowded public school and many other factors that pose a lot of challenges for a young girl in the inner city. Though the odd is against Precious she proves to possess a great deal of strength.

There is a longstanding tradition in my household where every year after some Cowboy’s football and Thanksgiving dinner we all head to the theaters to watch a movie as a family. It was only fitting that this past Thanksgiving the film happened to be Coco. Personally I enjoyed this movie tremendously; there are so many instances where one could see a great number of similarities between the Rivera family in the movie and my own family. This is an important aspect of this film; certainly most everyone understands what it is like when there is conflict between family members. Even though one might not see eye-to-eye with every member of the family it is important to remember that family always will find a way to come to an understanding what

The ideas of what a utopian society should look like changes when talking to different people in different parts of the world. More often than not most people would say that violence is not a part of this utopian ideal and that man has found a way to work past that and find a better solution to the violent issues we have seen in the past. Films in a sense are a way for artists to explore these utopian and dystopia ideals and present them to the public as a looking glass into what the world could look like. For many of us we live in a capitalistic society or a society with at least some forms of capitalistic ruling. Film makers in Latin America have used their position to critique and analyze the different forms of capitalism and how the

The film The Breakfast Club was directed and written by John Hughes and was released in the year 1985 (IMDB, 2016). The film’s running time is 95 minutes and can be categorized under the genre of comedy and drama. It follows five teenagers, who all vary in personality and stereotype, get stuck in detention on a Saturday morning. They are all different types of people in nature but when stripped down and seen through without a stereotypical lens, they all have something to share and have something in common amongst themselves despite being so different from each other. In the movie, they are stereotyped as, a basket case, a brain, an athlete, a princess, and a criminal (IMDB, 2016). The setting takes place in a library and whilst they are in detention, they go through varying phases. They start off with solitude, then proceed to share a few words, and later into the film they start to disclose information about themselves that normally would be very difficult to disclose. While they are in the library they start off as complete strangers and barely talk to each other. As the movie progresses, they start doing a lot of things that a normal group of friends would do such as dancing, playing music, sneaking out together, and even smoking a joint together.

Since the establishment of Walt Disney Company in 1923, it has created many classic animated characters, such as Mickey Mouse, Donald Duck, Lion King, Bambi, and so on. The success of Disney animated movie is not only due to its wonderful storyline and the vivid characterization of the animated characters, but also because of the music produced in the film. Disney’s music, whether its theme music, its background music, or song music, are clever and perfect blend of the plot, prompting many Disney animated movies become classics. This paper will focus on one of the Disney’s animated movie, The Three Caballeros, and analysis the connections between its content and its music.

Montage, a name synonymous with Editing, is an original film style with different techniques used by the Soviet filmmakers between 1924 and 1930 to construct a film narrative. Montage is the connection between one shot and the other, a continuous or discontinuous relationship between shots. According to David Bordwell and Kristin Thompson (2012: 478), Soviet directors maintained that, “through editing, two shots give birth to a feeling or idea not present in either one”. This ‘feeling’ or ‘idea’ then guides a viewer into understanding or making a “conceptual connection” of the narrative (Bordwell 1972: 10). Strike (1925) and Mother (1926), directed by Sergei Eisenstein and Vsevolod Pudovkin respectively, are films made in the Soviet Montage era that show a juxtaposition between shots across the film. This essay discusses the different techniques used in these films that show the functions and effects of Montage.

The emotion evoking 2014, film titled Still Alice featured the many challenges a family residing in New York City faced following the matriarch’s, Alice Howland, diagnosis of a rare form of familial Alzheimer’s disease. The film opened with Alice and her Husband, John, celebrating Alice’s fiftieth birthday along with two of their three grown children, Anna and Tom, as well as their son-in-law, Anna’s husband, Charlie. The couple’s third child, Lydia, was not present at the birthday dinner, as she was aspiring to be an actress and resided in California. Within minutes of the opening scene Alice’s mild cognitive impairments became apparent through her marked confusion while communicating with Anna and Charlie. As the film progressed, Alice herself, a renowned doctor of linguistics and college professor, quickly became cognizant of her own declining cognitive ability as she struggled with mundane tasks, such as imparting a lecture at the University of California Los Angeles. The subsequent concerning episode, where Alice became disoriented and fearful in due course while out for a run on the campus where she had taught for years and was therefore familiar with it’s geography, ultimately encouraged her to seek care from a neurologist.

In the presented essay I will compare the style of work of selected artists in the montage of the film. I will try to point out some general regularities and features of Soviet cinema. At the same time I will try to capture especially what is common in their systems and similar or conversely what differ. For my analysis, I will draw on the feature films of the Soviet avantgarde, namely these are the movies - The Battleship Potemkin (S. Eisenstein, 1925), Mother (V. Pudovkin, 1926) and The Man with a movie camera (D. Vertov, 1929).