Analysis Of The Film Jarhead

When the subject of Native American characters comes up in conversation, most picture Tonto from the film The Lone Ranger. However, many don’t realize how the film industry has created a stereotype that has affected generations of Native Americans. From mascots to logos of tobacco and other products, the early westerns have help mold minds into placing Native Americans into something they are not. The documentary Reel Injun help shed light on the subject as well as raise awareness to how these films have not only created a stereotype, but in a way allowed the Native American culture to become nothing but a myth.

The film The War Room is a documentary about Bill Clinton that has very little to do with Bill Clinton himself. The primary focus of the film is devoted to the team of campaign strategists that got Clinton to the presidency. The two main players the film focuses on are James Carville--the Lead Strategist for the Clinton campaign and George Stephanopoulos the Communications Director. The film follows them and their team of campaign strategists and experts as they try to get Arkansas Governor, Bill Clinton, to the presidency. The documentary highlights many key moments in Clinton’s campaign, for example the Gennifer Flowers scandal. However, the film showcases what was happening behind closed doors in the War Room, where Clinton’s

The 2012 movie Argo is based off of a true event in 1979. During the Iranian Civil War, President Jimmy Carter gives the Iranian Shah refuge in the U.S. due to his illness. In retaliation, Iranian activists invade the U.S. embassy in Tehran, Iran and the staff are taken as hostages. This is famously known as the Iranian hostage crises. Although six of the staff members escape and are taken in by the Canadian Ambassador. Determined to rescue the six, Tony Mendez, who is our main character, from the CIA is brought in because of his expertise. After talking to his son one day while watching a science fiction program on TV, he comes up the idea to go into Iran, under the guise of Canadians

During the late 1940s and the early 1950s, the thought of communism instilled fear within many Americans because it was portrayed in such a way that confined diversity and corroded political culture while the United States was supposed to be the land of the free. This fear of communism was nicknamed the “Red Scare” and was fed by Joseph McCarthy’s accusations of hidden communist in the country. The Manchurian Candidate was a black-and-white American film released in 1962 that depicted the Cold War and the affects of that paranoia had on the nation. It was released at the peak of the Cuban Missile Crisis and the spread of communism. This film was about Raymond Shaw, the son of a right-wing political family, who was brainwashed to act as an assassin

The movie, The Hammer, tells the story of a Deaf boy, Matt Hamill, who grows up to become the first Deaf wrestler to win the NCAA Wrestling Championship and accomplishes this three years in a row. The movie is an inspiring true story of what Matt Hamill experiences throughout his childhood and adolescence as a Deaf person living in a hearing world. Furthermore, the film gives the hearing culture an idea of what it is like to be Deaf and the trials and tribulations that some Deaf people face.

The film Warrior was released September 9, 2011 by director, writer and producer Gavin O’Connor. O’Connor takes us through a story of two former MMA fighting brothers dealing with a harsh family past (“Warrior”). Gavin has also directed the 2000 film, Tumbleweeds, and the winner of the Best Sports Movie Award in 2004, Miracle (“Gavin O’Connor”). Tom Hardy (Tommy Conlon) was also featured in a major 2010 film, Inception, and This Means War in 2012. He also played one of the main roles in The Dark Knight Rises as villain Bane (“Tom Hardy”). Joel Edgerton is most recognized for his role as a main character in an Australian Television show, The Secret Life of Us, but is also famous for his role as Uncle Owen in Star

Die Hard, a film directed by John McTiernan, successfully utilized several aesthetics, which offered viewers various meanings throughout the duration of the film. Although the diverse meanings grasped by viewers may differ, it was clear to me that McTiernan effectively applied elements of cinematography and mise-en-scene that resulted in viewers being allowed to interpret a range of different meanings or functions of the elements.

Pulp Fiction is a black comedy crime film written and directed Quentin Tarantino (1994). The film’s “narrative follows the unpredictable actions and reflections of two hit men who philosophically meditate out loud about the Bible, loyalty, and McDonald’s hamburgers” (Corrigan, White, 368). The movie goes against the three-act structure of classic films as the story is told out of chronological order making the film so memorable to its viewers. Tarantino’s film begins in a coffee shop and also ends in the same shop. In the beginning of the film, it appears to be a soft, moist, shapeless matter of mass but as the movie progresses the audience can take away much more from the mundane acts they view on screen. The film’s odd narrative

The client is a 26 year old, single, male, African American. He is an active duty ship’s serviceman seaman serving in the United States Navy, aboard the USS Belleau Wood (LHA-3). Seaman (SN) Fisher is residing on board the USS Belleau Wood (LHA-3) that is permanently stationed at San Diego Naval Base, 32nd Street in California. SN Fisher was given orders to report to Navy Mental Health Services Department on base as Involuntary Command Referral for diagnosis and treatments, to get an evaluation and expert psychiatric recommendation about whether the service member is mentally fit to stay in the United States Navy. SN Fisher is unwilling to begin counseling,

The “Lost Battalion” film was a great film about World War One. It showed a lot about the horrors of the war. It also brilliantly depicted the reality of the war.

Released in 1975, Jaws was probably one of the best adventure, action, and suspense films of that era. Directed by Steven Spielberg with the following staring main cast members Roy Scheider as "Martin Bordy" (chief police officer), Richard Dreyfuss as "Matt Hooper" (marine biologist), Robert Shaw as "Quint" (local fisherman), Murray Hamilton as "Larry Vaughan" (town mayor). "Jaws" the movie, is not like any other any other fish story. The film is about a gigantic 26 foot shark that has an appetite for people; how horrifying is that? The unusual story takes place on the seasides' of Amity Island. When Chief Brody uncovers the partial body of a teenage girl with shark like bites, Chief Brody contacts a shark specialist to verify if the bite

Inside Out is a Disney-Pixar film in which a girl, Riley Anderson has her entire world flipped upside down when her father’s job forces them to relocate from Minnesota to San Francisco. Disney worked with scientists to make this as realistic as possible, it is still readerly. There is no room for interpretation of the movie, even if someone noticed something new about it each time they watched, it would still be the same. Regardless of it’s readerly nature, I enjoyed this movie more compared to other Disney movies that are the run of the mill love story.

The documentary Style Wars (1983) is about the emergence of graffiti, breaking-dancing, hip-hop, and rap in the early 1980s. Directed by Tony Silver and co-produced by Henry Chalfant, Style Wars delves deep inside the underground and mysterious world of the New York City cultural scene, primarily in Brooklyn, which helped create the conditions and environment for cultural evolution spread across the United States and eventually the world. The producers' original intention was to make a film about hip-hop and break dancing as explained in the additional footage after the credits roll. Through the process of research, they discovered this whole subculture of graffiti and its rebelliousness towards authority.

The 2005 film, Jarhead focuses on the life of the protagonist Marine, Anthony Swafford. The viewer watches as Swofford endures the vicious training to be a US Marine, which eventually leads to his deployment in Kuwait in to fight the 1990 Gulf War. Undoubtedly, many aspects of the film link back to Gender, however for the purpose of this critical review, I will be focusing on the way in masculinity in Jarhead serves to highlight key ideas about hierarchy and freedom. Although broadly defined, I have interpreted ‘masculinity’ as men being expected to behave with particular characteristics, such as being strong, heroic, protective, and rational. This review will argue that through the focus on Gender, particularly masculinity, Jarhead provides a critique of the military’s dependence on masculinity as a means of shaping the ‘worth’ of men, an aspect which often leads to emotional and mentally isolation and entrapment, as well as raising questions about the masculinity of the state. Moreover, Jarhead criticises how the repression of aggressive masculinity, as fuelled and promoted military training, can have consequences, as the men do not have an outlet for this aggressive masculinity, for example, combat.

Lawrence of Arabia is considered one of the b est cinemas of all time, however; the movie itself poses a negative effect for history buffs. The right and wrong aspects of the movie create a great visual experience but the bottom line is that it doesn 't accurately cover the events that unfolded. It seemed like instead of telling the truth the director wished to tell a story with fantasies of dramatized events, incorrect terrain, and even fictional characters. Even with this in mind there still stands a truth to it all and whether the sacrifice of historical importance is worth the so-called appeal of entertainment.