Analysis Of The Film ' Lights '

The film Moonlight was released October 21, 2016. Moonlight is all African American cast, and was awarded over 25 awards including the Academy Award for best picture. This film is a coming of age story that follows the dramatic ups and downs of the life of Chiron, a young Africa American man growing up in Miami. The plot begins from the time he is in elementary school to the time he reaches adulthood. The plot is structured in three stages of the life of Chiron and touches on the topics of the struggle of dysfunctional households via socialization, sexuality and sexual identity, physical and emotion abuse, and the process of accepting ones self.

Film exists in layers of physical existence and reality. You have the layer the audience views of the film’s world - setting, characters, and plot - and then you have the layer the film production workers view of the film’s world - actors, the set, and the story. Like photography, film is able to establish a physical existence. However, unlike photography, film uses two very unique and different techniques in order to establish its physical existence. According to Siegfried Kracauer, film establishes its physical existence through representation of reality as it evolves through time and with the help of techniques and devices exclusive to cinema cameras (Kracauer 187). All the world is a stage for film, however Kracauer lists specific techniques of film he refers to as cinematic due to how these techniques are read on the cinematic medium. Although Kracauer wrote his theory on Establishment of Physical Existence in 1960, the 2015 movie Tangerine contains a fair amount of content that can be serviced as examples in order to support Kracauer’s theory. Using the 2010’s movie Tangerine directed by Sean S. Baker, modern cinema examples from various scenes of the film can be provided for examples on Siegfried Kracauer’s theory of Establishment of Physical Existence through cinema’s recording functions of nascent motion, cinema’s revealing function of transients, and cinema’s revealing function of blind spots of the

Moonlight (2016) a film directed by Barry Jenkins, is a film that has many intersections of identity present. The film follows its main character - Chiron - as he goes through three pivotal stages in his life. Theses stages are titled; Little, Chiron, and Black. Little follows the main character as a child, Chiron follows him as a teenager and Black follows him as a young man. The three chapters of the film demonstrate the way aspects of Chirons’ intersect with one another. These aspects also help in breaking the stereotypes of black masculinity that are demonstrated in mainstream media. One of the main aspects the film focuses on is Chiron's sexuality, which is a topic that is not usually portrayed in cinema, specifically black cinema.

This is a criticism of Moonlight, a film directed by Barry Jenkins. It is a coming-of-age story, telling the journey of a young gay black man named Chiron. Through linear character development the film follows a young Chiron from adolescence into adulthood while growing up with alpha males in Miamis black ghettos. The Story is told in three parts, with a different actor playing the lead role in each section: a young Chiron named “Little”, as a teen named “Chiron”, and an adult named “Black”. Despite a compelling lead performance by Mahershala Ali and Naomie Harris, and its great soundtrack, Moonlight falls flat and never gets out of the shadow of its typical cliche plot, all the while, the film continued to never overcome the obstacle of

The creation and consumption of films are a common favorite pastime for many people and have been for hundreds of years, but while some films can seem deceptively simple, many elements go into creating a scene, much less an entire movie. Directors use these elements which include, but are not limited to style, mood, composition and special effects to create a product that we often don’t acknowledge without looking deeper into the film. These components together are called Mise en Scène (Ebert). Of course, film can be enjoyed leisurely but there are so many more aspects of film to be explored and analyzed such as the composition of camera movement, lighting, color, sounds and music. In this case, I chose to analyze the “Redrum” scene from the renowned film, The Shining directed by Stanley Kubrick. In this scene, Danny Torrence, a five year old boy wanders around his mother’s room with a knife in hand, muttering the word “Redrum” over and over again before scrawling it across the door. I feel that a lot of this scene’s mood and style relies heavily on the camera work of the scene, the lighting and colors, and the music incorporated into the segment.

The movie Before Night Falls directed by Julian Schnabel offers viewers a glimpse of how the homosexual community in Cuba was being mistreated under Fidel Castro’s regime. The true story is told in the eyes of Cuban poet Reinaldo Arenas. The film depicts Arenas life in Cuba and all of the awful experiences that he had to deal with as a homosexual. Eventually he was arrested for false accusations of being a molester, however, he was actually under arrest for being a homosexual. Between the 1930s and 1990s, the Communist Cuba was abusive to the LGBT community as shown in their actions of harassment towards homosexuals, imprisoning the homosexuals, or sending them to re-education camps.

“Here’s Johnny!” A famous line from The Shining, when Jack Torrance goes mad and is hacking at the bathroom door with an axe to mutilate his wife, Wendy and son, Danny into many little bloody pieces for disobeying him. The Shining is a 1980 psychological horror film directed by Stanley Kubrick. Jack Torrance played by Jack Nicholson, quits his job as a school teacher and takes a job as caretaker at the isolated Overlook Hotel in Colorado during the winter, hoping to cure his writer 's block. He moves in along with his wife, Wendy portrayed by Shelley Duvall, and his telepathic son, Danny played by Danny Lloyd. Danny is later told that he has an special telepathic ability called shining, hence the title.

The creation of propaganda films and posters required a small amount of people to produce, but was still a key part in the grand scheme of propaganda. The Nazis had a Film Academy in which they taught new recruits how to make films and distributed the films that the experts made on their own. These films discretely captured the thoughts of Jews in the minds of Nazis, filling them with stereotypes and threats to the community. The film “The Blue Light” is a film featuring a character that depicted a Jewish woman who found herself near a cave filled with tantalizing, glowing crystals. As she approached the cave, she slipped on a cliff and fell to her death. Later, an entire village of people learned of this cave of riches. Instinctively, they took up arms to carry out an expedition on a potential fortune. Instead, the whole village plummeted to its death. These characters were depictions of greed, a stereotypical characteristic of the Jewish people. These offensive displays were part of the propaganda that persuaded France and Great Britain into declaring war to begin World War II.

The directors chosen camera technique, a simple two composition that progresses the scene a steady pace, forces the audience to feel a part of the awkward exchange; obviously, a quality of film that could not be as profoundly achieved through the narrative in the novel.

Theorist Vsevolod Pudovkin claims that narrative films are mainly a “product of construction” and cautious compilations of “selections of images that have been shot” (Renée).

Cinematographers and art directors play a very important and creative role in film production. They work closely with the director and give a film its unique visual look and identity. The art director, David Lazan and cinematographer, Mauro Fiore, shot the film almost entirely in sequence, following the clock from the crack of dawn to a very dark night of reckoning. Compressing intense action and emotion into a brief time frame became one of their key challenges. They had to make sure the film felt like it was one single day unfolding which became the single biggest challenge during the production.

‘There are…two kinds of film makers: one invents an imaginary reality; the other confronts an existing reality and attempts to understand it, criticise it…and finally, translate it into film’

The issues and themes that I believe precious’ story intend to shed light upon is that stranded mother-daughter relationships, abuse and neglect within the family and personal relationships out the family. I think that the movie Precious shed lights on these issues and theme because people in today’s society is afraid to address some of these issues within their families and their life. Black families do not see that there is a problem with it because it is the way that they grew up. From the film it is true that physical, sexual and verbal abuse still happen today and it usually happen by someone we trust. That person can be a family member, friend, teacher, religious leader,etc. Many children who comes from these environment do struggle

Moonlight is an American drama film that chronicles the life of African-American male Chiron, who is being raised by a careless mother in a harsh Miami neighbourhood. Its most prominent themes are love, stereotypes and identity. The filmmakers create meaning from these through combining different elements of aesthetics (the style or look of a motion picture). Aesthetic effect refers to the practise of using different elements of a film (mise-en-scene, sound, cinematography and editing) to generate film form.

Everything is Illuminated is a movie about a young American Jew, Jonathan, on a journey to uncover the history of his grandfather’s past through the help of a man named Alex Perchow, and his grandfather. This journey brings to light or “illuminates” these characters lives in one way or another. “We assign symbols to everything we do in life and we do not even realize it because society has imposed norms to our way of thinking (Cassier, 71). The movie uses Jonathan’s need to collect items of his past family members as a symbol of a subjective reality. These items especially the picture of his grandfather represent living history to Jonathan and because of this Jonathan is afraid that without these items he will forget the past. Alex has been socialized by his culture to abide by traditional norms and traditions, however Alex creates an identity for himself by adopting the lifestyle and norms of a reference group he wants to assimilate into, that being Americans. Alexander has been socialized by television and other forms of media to have this image of what it means to be a “true” American and adopts these similar lifestyle choices. It is through the help of Jonathan that Alexander breaks away from his socialized ways and discover his own identity. I will be exploring how Jonathan creates meaning through his job as a “collector” and how Alex using the American lifestyle as a reference group in order to create an identity for himself and how Jonathan helps him break away from