Analysis Of The Film ' Ratatouille '

In 1980’s Scotland, socioeconomic conditions and morale suffered due to the implementation of Thatcher policies, placing the lower class in a deplorable state of hopelessness. The film Trainspotting, directed by Danny Boyle, depicts the plights of young heroin junkies during the Thatcher Era in Edinburgh. The film’s focus is not heroin addiction, but rather, uses the silver screen as a platform to portray the depressing impact Thatcherism had on Scottish socioeconomic conditions as conveyed through the protagonist, heroin-addicted Mark Renton. Trainspotting illustrates that the social struggles of the Scottish lower class during the Thatcher Era are significant contributing factors to cause Renton to become a heroin user in order to escape the depressing and monotonous existence to which he is subjected.

The Mickey Mouse Monopoly documentary reveals the obscure social messages behind the animated films created by the Disney Company. Although we are conditioned to believe that these movies are pure forms of entertainment, further examination has proved that there are hidden messages concerning gender, race and class that Disney is instilling in the minds of children. The speakers in the documentary argue that Disney is extremely political and hides its ideas behind innocence, magic and fun. When masked by features that are appealing to a younger audience, it is difficult to realize these ideas without taking a closer look.

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In his sophomore film, Julien Donkey-Boy (1999), director Harmony Korine tunes in to the psychotic perspective of Julien (Ewan Bremner) – a suburban schizophrenic with raisin-black eyes and detachable dentistry – and his almost equally grotesque family, in a disorderly smear of violence, incest, and finally, tragedy. The film 's fragmented narrative structure, with its grainy and hand-held visual style, shudders on to the screen in a fusillade of discursive vignettes, that reflect, not only the digital dexterity of its director, but the haunting psychosis of its titular protagonist. It is the inarticulate jumble of Julien 's psychology which is the organizing principle of the film. And, it is precisely how we as viewers identify with this character and become complicit in his pathological perspective which this essay will continue to explore.

The 2016 film Lion, which was first a book called “A Long Way Home”, is a film where a boy named Saroo was separated from his brother in the train station, which leads to Saroo getting on a train taking him thousands of miles away from his family and his home. Saroo, who was only five-years-old when he got lost, had to learn to survive alone in Kolkata, West Bengal. Days after arriving to Kolkata, the city the train left him at, he got admitted into an orphanage, which later turned out to him getting adopted by an Australian couple. But twenty-five years later, he starts to wonder where his first home and family are at the moment. With only his memories, determination, and Google Earth he starts looking and searching where his small

In their essay, Gillam and Wooden express their revelation that Disney/Pixar is trying to teach their young viewers a new perspective regarding the characteristics of a male. The authors focus on denoting certain points in Pixar movie plots when the male protagonists underwent character growth and hence became the “ideal” character the audience learned to love. Gillam

Trimalchio, showcased in the most complete work of Petronius’ Dinner With Trimalchio, in the Satyricon profess many aspects of the rich and famous, where Jordan Belfort from Scorsese’s The Wolf of Wall Street embodies the rising fame and fortune of Wall Street. Trimalchio and Belfort both have comparatively similar characteristics that run in unison with each other throughout their respective roles.

Anyone who is even vaguely aware with film usually has a favorite director. Why? What distinguishes one director from another? A director is “the person who determines and realizes on the screen an artistic vision of the screenplay; casts the actors and directs their performances; works closely with production design in creating the look of the film…and in most cases, supervises all postproduction activity, especially editing” (Barsam and Monahan 496). Clearly, the director of a film is lead visionary in how the film is made. But what makes some directors truly memorable and instantly recognizable? Those directors take advantage of all different kinds creative possibilities and signatures to become the true “author” of the film, also known

“The Fountain” by Darren Aronofsky is a film that depicts Tommy’s Denial towards death. This film is the journey of one man in his past, present, and future. In the film, Tommy has a very stubborn mindset; he believes that death is a disease and that there is a cure for every disease. On the other hand, Izzi, Tommy’s wife is very accepting towards the thought of death and her intentions are to prove to Tommy that death is not as bad as it may seem. As the film progresses, Tommy’s acceptance towards death begins to gradually increase.

The Comparisons and Contrasts of the films of The Thing and The Thing From another world

Adam’s Rib is a film in which two lawyers who are married to each other end up opposing each other in an important court case. Both husband and wife are tied down to the case by their own ideals and beliefs which starts to challenge their relationship outside of the courtroom as well. Adam’s Rib challenges traditional gender roles and stereotypes, but also proves that working to prove one’s own ideals rather than for the good of the world can be just as destructive as the sexist ideas one’s trying to fight.

The film, the Untouchables, was directed by Brian De Palma. It was set in the prohibition era, which was right at the start of the 1920’s. Prohibition can be described as a law that made selling and manufacturing alcohol illegal. By putting this law into effect, it actually increased the amount of crime and violence throughout cities in the US. This was ultimately due to the rise in organized crime, also known as gangs. In the movie specifically, it was centered around the rise of the Mafia in Chicago. By looking at the production of the movie, we can see how during prohibition, the Mafia controls everything and the violence ultimately it leads to.

The film The Breakfast Club was directed and written by John Hughes and was released in the year 1985 (IMDB, 2016). The film’s running time is 95 minutes and can be categorized under the genre of comedy and drama. It follows five teenagers, who all vary in personality and stereotype, get stuck in detention on a Saturday morning. They are all different types of people in nature but when stripped down and seen through without a stereotypical lens, they all have something to share and have something in common amongst themselves despite being so different from each other. In the movie, they are stereotyped as, a basket case, a brain, an athlete, a princess, and a criminal (IMDB, 2016). The setting takes place in a library and whilst they are in detention, they go through varying phases. They start off with solitude, then proceed to share a few words, and later into the film they start to disclose information about themselves that normally would be very difficult to disclose. While they are in the library they start off as complete strangers and barely talk to each other. As the movie progresses, they start doing a lot of things that a normal group of friends would do such as dancing, playing music, sneaking out together, and even smoking a joint together.

Another part of the film that is also very Disney and very Pixar is the visual feast that the eyes enjoy while watching. Robertson says, “Pixar has created something unique. The light. The colors. The textures. Ratatouille is not a film with brightly colored toys, fish, bugs, or cars”, which would allow it to perhaps be the most Disney of the films on which Disney and Pixar have created together (Robertson, 20). Yet, even without those interesting aspects, Ratatouille is very visually appealing, like a dish one eats first with one’s eyes. Robertson quotes Michael Fong the supervising technical director at Pixar who says, "We tried to make this film look different…One of the big things was to break away from what standard CG [computer graphics] looks like. We got rid of straight lines and did a lot of hand tweaking. We wanted it to feel handmade. The other part is lighting and shading” (Robertson, 21). From that special attention, like a chef gives his signature dish, the team that collaborated to make Ratatouille created a delicious result.

Traditionally, animated films have been made for and consumed by children, with the plotlines and themes being relatively basic and forthright. However, recent years have seen the release of animated films that explore significantly more adult themes and thought provoking ideas. Perhaps the most confronting example of adult themes in an animated film is in 2016’s ‘Zootopia’. The film forces viewers to think about concepts such as racial segregation, nature vs. nurture and the debilitating effect of stereotyping. Although Zootopia features anthropomorphic animals, it is easy to draw a connection between the film’s prey vs. predator narrative and racial divide in our own society.