Analysis Of The Film 'The Fountain'

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

The movie Before Night Falls directed by Julian Schnabel offers viewers a glimpse of how the homosexual community in Cuba was being mistreated under Fidel Castro’s regime. The true story is told in the eyes of Cuban poet Reinaldo Arenas. The film depicts Arenas life in Cuba and all of the awful experiences that he had to deal with as a homosexual. Eventually he was arrested for false accusations of being a molester, however, he was actually under arrest for being a homosexual. Between the 1930s and 1990s, the Communist Cuba was abusive to the LGBT community as shown in their actions of harassment towards homosexuals, imprisoning the homosexuals, or sending them to re-education camps.

“Here’s Johnny!” A famous line from The Shining, when Jack Torrance goes mad and is hacking at the bathroom door with an axe to mutilate his wife, Wendy and son, Danny into many little bloody pieces for disobeying him. The Shining is a 1980 psychological horror film directed by Stanley Kubrick. Jack Torrance played by Jack Nicholson, quits his job as a school teacher and takes a job as caretaker at the isolated Overlook Hotel in Colorado during the winter, hoping to cure his writer 's block. He moves in along with his wife, Wendy portrayed by Shelley Duvall, and his telepathic son, Danny played by Danny Lloyd. Danny is later told that he has an special telepathic ability called shining, hence the title.

The 2012 movie Argo is based off of a true event in 1979. During the Iranian Civil War, President Jimmy Carter gives the Iranian Shah refuge in the U.S. due to his illness. In retaliation, Iranian activists invade the U.S. embassy in Tehran, Iran and the staff are taken as hostages. This is famously known as the Iranian hostage crises. Although six of the staff members escape and are taken in by the Canadian Ambassador. Determined to rescue the six, Tony Mendez, who is our main character, from the CIA is brought in because of his expertise. After talking to his son one day while watching a science fiction program on TV, he comes up the idea to go into Iran, under the guise of Canadians

Serpico” is a film that based on the of New York City Police Officer named Frank Serpico and the difficult obstacles he had to face working for the NYPD. Serpico is a “cops cop” that had to deal with persuasive organized corruption, police crime, and ethical dilemmas etc. All these obstacles were hard for Serpico to work with on a daily basis. He refused to take bribes and his co-workers begin distrust him. Serpico informed his superiors about the corruption but they did nothing about it. The superior’s just transferred him from the Bronx. Brooklyn, and Harlem. The higher ups in the police department were more concerned if Serpico spoke to any outside private organizations about the police misconduct.

The Australian cinema in the 1960’s failed to communicate with the audience due to their lack of promotional messages that weren’t disseminated. Media is formed by cultural, political, economic and social conditions. These influenced or even directed its characteristics and its intended meaning. After a devastating blow to the film industry in the 1960’s, filmmakers of Australia had stopped creating and making quality Australian films. However, the Australian New Wave brought a revival of the Australian film industry during the 70's, 80's and 90’s. It introduced Australian qualities into film, including larrikinism, mateship and a classless social hierarchy. The Castle and Gallipoli confirm, promote and explore features of Australian identity

By biological logic, we human beings will face death sooner or later in our life and death has its very own ways to approach us - a sudden deadly strike, a critical sickness, a tragic accident, a prolonged endurance of brutal treatment, or just an aging biological end. To deal with the prospect of death come different passive or active reactions; some may be scared and anxious to see death, some try to run away from it, and some by their own choice make death come faster. But Viktor Frankl, through his work Man’s Search for Meaning, and Bryan Doyle; in his essay “His Last Game” show us choices to confront the death, bring it to our deepest feelings, meaningful satisfaction. To me, the spirit of the prisoners at deadly concentration camps, Frankl’s Logotherapy theory of “. . . striving to find a meaning in one’s life is the primary motivational force in man.” (99), as well as the calmness of Doyle’s brother on his last ride, like an awaken bell, remind us of how precious life is, how we should find the significance in every act of living, determine to live a meaningful life at any circumstances; hence, when death comes, we can accept it without anxiety nor regrets.

Hamilton has created a revolution. Hamilton: An American Musical is a musical created by Lin-Manuel Miranda. The musical is based on a book written by Ron Chernow about Alexander Hamilton’s life. The story narrates the founding of the United States. The show is being called a revolution due to its language. Lin-Manuel Miranda is being called this generation’s Shakespeare. They both use modern language to reach their audience. In this case, the language is Rap and Hip Hop. Most broadways show reach fame, Lin-Manuel Miranda manages to capture the attention of not only broadway fans but also captures the attention of non-broadway fans.

In the early 1900’s silent films amazed audiences with images, later talkies impressed with sound, today we have 3D. As technology continues to evolve so too will film genres. Genres, while having some shared characteristics, also differ in terms of stylistic devices used. For instance, the dramatic film “The Notebook” effectively uses color to reinforce theme and has plausible performers as the two main protagonists.

The movie Precious, is based off of the novel Push by Sapphire. In this movie, there is a 16 year old girl named Precious. She is pregnant with her second child from her father, still in junior high, and is morbidly obese. Not only that, but is continuously abused by her mother and father; verbally, mentally, and physically.

‘After the Last River’ documents the obstacles faced by the Indigenous reserve of Attawapiskat over the course of fours years. Following the construction and operation of a De Beers diamond mine built adjacent to the reserve, the filmmaker highlights how Canada has continually neglected and exploited its Indigenous people with a neo-colonialist agenda; from bad treaties to a vilification by the media to a disregard for them and for the barriers facing their communities.

Most of the movie is taken in Joel’s mind or his memory removal process. Starting from his nearest memory that they broke up till his last remaining memory of Clementine that they first met at a beach. I think the most possible reason the movie is called Eternal Sunshine of the Spotless mind is referring to the deepest memory (or say, soul) survived and reserved in their both minds that brought them back to the beach and met each other again. This title quotes entirely from Alexander Pope’s poem which know as describing a very contradictory mood from the unattainable love. So does it, the movie shows Joel wants to remove all memory of Clementine while he still loves her, but then during the process he changes mind and want to try his best to keep these memory which is the “spotless mind”. In my mind, the soul theory is the personal identity that the movie most engage. According to the soul theory, to have a same identical, it’s not necessary to have a same memory, but it’s necessary and sufficient to have the same soul. In the movie, though Joel erased his memory, he still has his soul which makes him fall in love with Clementine again, even in theory he can never love her then. On the other hand, this movie seems to intensely against Loke’s memory theory that sharing a memory of an experience is necessary and sufficient to be a same person. And I think the movie also presents its own personal identity that for one person to be identical to the other person, they should have

Sadness, Joy, Fear, Disgust and Anger. Five emotions felt by human beings on a regular basis. These five emotions are personified as characters in the movie “Inside Out”. The movie Inside Out is about an 11-year-old girl named Riley who is living a happy life until she moves with her family to San Francisco (Rivera, Docter, del Carmen, 2015). Cognitive, social and linguistic development are all essential parts that contribute to the development of a growing child, such as Riley. The movie displays these types of development in terms of memories, emotions, attention, humor and many other aspects. The purpose of this paper will be to explain why the movie Inside Out (2015) is appropriate for children ages 6 to 12 years of age in terms of their cognitive, social and linguistic development.

Christopher Nolan is credited as being an illusionist in the way that he directs his films. Inception and The Prestige are two of his films that will keep you pausing and rewinding for the duration while you try to keep up with the complex story lines and mind bending conclusions. Both films share a dark and sinister vibe,putting them amongst the neo noir genre of films, and The Prestige being set in an ominous, turn of the century London, and Inception based around extracting thoughts from the depth of minds it is no wonder they follow such shadowy themes.

Naomi Greene once said that, “Pier Paolo Pasolini was the more protean figure than anyone else in the world of film.” This means that Pasolini was a versatile film director because he simplified cinema into the simplest way possible, while still visually embodying an important message to his cinematic viewers. Because of his encounter with Italy’s social changes, it influenced the writing and films he chose to write. His aspirations regarding his written work “Cinema of Poetry” explains how a writer usage of words and a filmmaker’s choice of images are linked to how cinema can be a poetry of language. He characterizes cinema as irrational and his approach on free indirect point of view is used to achieve a particular effect in his body of work. His claims made in the Cinema of Poetry illustrate why he stylized his films in the manner he did, such as Mamma Roma through the images he portrayed on screen. By examining Pasolini’s approach to poetic communication in the Cinema of Poetry, we can see that these cinematic attributes about reality and authenticity depicted in Mamma Roma are utilized to question cinematic viewer’s effortless identification of cinema with life. This is important to illustrate because Pasolini wants to motivate viewers to have an interpretative rather than a passionate relationship with the screen.